Bigger in size than the most frequently encountered version of the specific design and executing a different step, this vintage Margot de Taxco “ballerina” brooch is Mexico’s contribution to the ballet craze started by Van Cleef et Arpels in the 1940s, with the issuance of their gem-studded “ballerina” jewelry...

Here’s a brightly colored, basse-taille enameled peacock charm: feathers fully fanned. Peacocks add to the beautiful colors of Mexico, roaming about freely. The back of the charm is marked “MEXICO 925” and eagle “15” mark...

This bold and edgy Margot de Taxco bracelet is heavy and very substantial, with wide incised oxidized recesses. It's a design which is not often seen and most certainly a statement piece.

Will fit up to a 7 1/8 wrist, and has a width of 2 1/8".

Weight is 121.2 grams.

Signed and hallmarked with a partial Margot de Taxco "De Taxco", Hecho en Mexico 925, with the eagle assay 16 and design # 5634.

In excellent vintage condition...

Saturated blues and greens juxtaposed to the warm glow of well-aged silver soften the austere geometry of this Los Castillo modernist cuff bracelet. Out of the workshop’s “mozaico Azteca” line which celebrates the art of seamless inlay, the cuff is also showcasing the beauty of azur-malachite. There is nothing superfluous here - economy of design, honesty of materials and craftsmanship of the highest level combine in a visual power-house, a piece of mid-century wearable art...

Hallmarks date 1948-1962. Three chrysocolla stones and an edgy geometric design combine to make this a very unique bracelet. Easy to wear and very comfortable on the wrist, this piece goes with just about any outfit and occasion. Measures a closed, wearable length of 6 1/2". Width is just over 1/2". Signed and hallmarked "HA .940 Taxco Mexico", with the eagle assay 9. Weight is 44.1 grams. In excellent vintage condition.

This mid-century bracelet was produced by Antonio Pineda. It's a superb piece with a sleek modernist design, a mirror-like finish, and ten gorgeous oval amethyst cabochons. It's a bracelet which works equally well with dressy or casual wear. The amethyst gemstones are bezel-set at the center of thick square silver panels in such a way as to appear to float...

Being offered is a superb and exceedingly rare circa 1968 gold modernist ring by Antonio Pineda of Taxco, Mexico, the bypass design of yellow gold with pink gold wire accent mounted in 14k gold. Size is illustrated - 6 1/2. Stamped 14k and Pineda Marked. In excellent condition. 13.8 grams. Rare rare rare!!

Signed by a listed but still unidentified Taxco maestro, this pair of exuberant sterling silver chandelier earrings is set with some of the most vibrant turquoise teardrops I have seen. Yet it is not just the stones that elevate it above and beyond your everyday earrings. The silver-work is equally gorgeous, the hand-cut and deeply chased frames given "body" with just a tad of repoussage and wisely applied oxidation...

This is a superb modernist bird pin from Antonio Pineda. It's large, dimensional, and substantial, with tiny beading and an obsidian eye. A design which is seldom seen, and collector quality. Measures 2 3/4" wide. Weight is 39.8 grams. Signed and hallmarked with the Antonio Taxco Crown, Hecho en Mexico 970, with the eagle assay 17. In excellent vintage condition. Pin closes with a roller.

Tone Vigland modernist sterling silver ring

Norway

Mid 20th century

Size - 6 1/2

Weight - 21 grams

Front - 1" x 1"

Hallmarks pictured

Excellent condition

Felipe Martinez opened his shop, "Piedra Y Plata" in 1950. A former sculptor who had worked with Hubert Harmon in the 1940's, Martinez was known for his work with beautiful stones which melded seamlessly into his silver designs. This bracelet is an exquisite example of what he was known best for. It's a thick and substantial piece, with six silver panels - each having three sections of azurite stone inlay...

Felipe Martinez opened his shop, "Piedra Y Plata" in 1950. A former sculptor who had worked with Hubert Harmon in the 1940's, Martinez was known for his work with beautiful stones which melded seamlessly into his silver designs. This bracelet features five chrysocolla stones with a trapezoidal shape alternating with concave silver panels. Closure is a tight and secure tongue in box, with a safety chain. The stones are absolutely gorgeous, with various shades of green and copper...

Circa mid-century, this ring was produced by Antonio Pineda. It's a thick and substantial ring, with a superb modernist twist design...

*On Hold* This mid-century masterpiece from Talleres de Los Ballesteros is a book-piece design shown on p. 227 of Warman's Jewelry 3rd Edition. It's an iconic bracelet, with gorgeous faceted amethysts and incised stars which are oxidized in the recesses. The amethysts sit high in four pronged settings. Opens wide to easily fit over the wrist and closes with a tight and secure tongue in box clasp. Closed, interior length is 6 3/4", with a 1 3/4" width. Weight is 122.3 grams...

Circa mid-century, here is an iconic book-piece design from Margot van Voorhies Carr, who shop and work is known as Margot de Taxco.

Margot's design # 5554 is an exquisite and intricately detailed hand wrought serpent bracelet. Melange enamel sits within tiny scales in the segmented articulated links...

Circa mid-century, here is a very seldom seen book-piece design from Antonio Pineda.

Shown on page 148 of Gobi Stromberg's "Silver Seduction : The Art of Mexican Modernist Antonio Pineda", this is a magnificent bracelet with a stunning modernist design. Composed of eight thick sleek rectangular links which have bezel-set carnelian gemstones, each with a silver disc rising from the center. It's a very unusual piece, and a real attention grabber...

Confident in his prowess as a warrior and comfortable in his ceremonial attire this Margot de Taxco silver and enamel Aztec figure can be enjoyed both as a brooch as well as a pendant. Though experimentation with the art of enameling started while Margot was still part of the Los Castillo workshop, it was after her divorce with Antonio that she focused on perfecting it in her own, independent taller. And perfect it she did...

It's been a very long time since I offered a Mexican clamper bracelet and I am happy to be starting again with a classic Taxco design, this repousse and shadowbox "Quetzalcoatl" example. The maestro who signs it I am familiar with - he worked in Taxco and it seems that clamper bracelets were one of his favorite forms. Always beautifully executed, his repoussage has good sculpturality and finishing and his jewelry, albeit not as heavy as those of the big talleres, has the weight necessary to impa...