This is a marriage of a circa 1880 gold American Victorian frame with distinctive and unusual diamond patterns in the gilt, the frame rabbet 14" by 18", the framed item total 19 1/2" by 23", a mid 20th century still life signed "Olenick" set into it. It makes for an interesting combination but doesn't have to necessarily stay that way. The antique frame itself is very attractive and could potentially house any number of 19th century paintings...

Oil on canvasboard landscape of Southern California including distant oil derricks, 12" by 16", unframed, not signed on front but on back signed and with artist address at the time in Sunland, CA, a Los Angeles suburb. The forest of oil wells could be in a place like Signal Hill, or Long Beach, near Huntington Beach, or, any number of other points in Southern California or the southern Central Valley west of Bakersfield...

Mixed media on panel painting of two horses tethered to a small tree in a desert landscape, unsigned, 10 1/4" by 13 3/4" (18 1/2" by 21 3/4" in black complementary frame). The painting, according to its previous owner, came from a large group of mostly signed works (in Oro Grande, CA where both artists painted) of the noted, well listed California and western artist JIMMY SWINNERTON (1875-1974)...

American (likely California) oil on canvas painting, 5" by 4" (8 3/4" by 7 5/8" in stained oak period frame), signed at upper right corner with initials "M.W." and dated there '87 (or, possibly, '97). Stamped on the stretcher is "Fred Rhoda/Fruitvale, Cal", and written in pencil in an old hand is " Whitney"; we can probably assume therefore that the artist is one M. Whitney...

Oil on Masonite painting, 18" by 7 3/4" (24" by 13 3/4" as framed, with liner), the subject two young girls and their classic olla-type water or grain pots. of the Southwest. This is likely a New Mexico or Arizona scene, executed in tan and brown earth tone colors. The painting is signed in black at lower left "Ch...

Oil on 8" by 10" canvasboard painting of an autumnal landscape, a fertile apple tree at left ready to yield its riches, golden leaves at right partially obscuring a distant arid mountainside, (12 1/2" by 14 1/2" in deep light oak framing), signed at lower right "MIRIAM K. PARKER" and dated there 1966. My first impression was that this might be a New Mexican scene, and research of the artist name suggests that this hunch might be right. Google shows a Miriam K...

Oil on board Currier and Ives style winter landscape viewed from birds eye perspective, 18 1/2" by 24 1/2", 23" by 28 1/4" framed, unsigned, circa 1900, or possibly even earlier, painted in a primitive hand. The painting is charming and a definite folk art piece. Note the glowing windows of the inviting church on this winter day, there are two figures at left that look positively Dickensian, and the sled and figures show good detail...

By the hand of well listed California artist ARNOLD BRAY (1892-1972), a small unframed oil on canvasboard (16" by 12") titled on reverse in pencil "Show Girl", signed and dated at lower right 1948. Bray was born in Odessa, Russia and came to San Francisco with his family at age 10. He studied at the California School of Fine Arts and later taught there...

A PAIR of oil on canvas paintings, one featuring a large sprig of small white flowers and leaves, the other larger one a vessel on a table filled with and surrounded by violets. Both are signed at lower right in red "L. F. Haftzger", and the larger one has "1899" written on the reverse side of the canvas. Measurements are 12" by 17" (18" by 22 1/4" in dark stained oak frame), the other 8" by 15 1/2" (12 3/4" by 20 1/2" framed). I do not see a listing for an artist of this name...

A highly decorative and good-sized painting on canvas of a vintage motorcycle, painted in a Pop Art style. The work is unsigned and probably dates to the past twenty years. It was painted by a competent artist with training. Unframed, the work measures 30" by 30". Will add an interesting twist to your contemporary interior. Very clean and wall-ready.

Oil on canvas good-sized painting, 21" by 29", (29" by 36 1/2" in gold frame), the subject a small lake or pond with adjacent floral bloom, almost as in a botanical garden or groomed park, that bloom reflected beautifully in the water, signed at lower left by the late California artist KASANDRA F. MARTELL (1925-2019). Martell was born near Mexico City and by the late 1950's was very entrepreneurial for a woman of her day with four children...

Oil or acrylic on board, large and impressive wall-filling size at 33 1/2" by 45" (41 1/2" by 53" as framed), in a very contemporary style incorporating the complex geometric small squares repeating patterns of artist Robert Natkin, with the addition of various swirls and carefully placed parallel lines. The artist was surely familiar with Natkin's work...

An oil on canvas painting of garden flowers in a glass vase in an interior near a window, not signed on the front but on reverse stretcher is written in pencil "Rena Patterson" and a phone number with Southern California area code. This is a work of contemporary artist RENA PATTERSON, presently of Malibu, CA but previously a resident of many states from coast to coast. The artist has her own website, showing a number of her works, which include seascape, landscape, still life, and genre subjec...

PAIR of attractive impressionist paintings of a late autumn landscape with flaming trees, and a stream in a birch forest in spring, both oil on canvasboard, each signed lower right by artist M. F. BILAN and dated 1954. The artist does not appear to be listed but was talented. The strong contrast of the seasons portrayed makes the pair very complementary. The name suggests Russian or Jewish heritage. Frames are original and one has some staining at left as shown. Measurements are 16" by 12" ...

Acrylic on canvas painting in black, red and blue on white background, 28" by 39 1/2" as framed, signed in the lower left corner "J. Brooks". I am offering this as a bold, modern decorative painting, and NOT as a genuine work of the important American artist James D. Brooks (1906-1992). Condition is excellent and save for some wear on the cream-colored frame, this is ready for display.

This is a late 19th century American painting by an anonymous artist, from the heart of the Victorian age. It measures 16" by 24" on the original stretchers (21 1/4" by 30" including the frame and probably original red velvet liner). The peaceful scene includes a lake with eight ducks in the foreground, a shore in the foreground, two rowboats at right, a quaintly undersized man and woman in Victorian garb at left, overhanging dark trees, a small waterfall emanating from a mill, and distant low...

A small unframed oil on Masonite painting, 8" by 10", signed at lower left indecipherably, the work a fantasy landscape painted very much in the style of acclaimed California artist Eyvind Earle (1916-2000). The neon green sunlit strip, the surreal shadows cast by rocks there, the bare tree, the hillside, all are reminiscent of Earle's work. A silvery frame might work on this. Surface is a bit dusty, and heavily varnished. There are some very light drips of something at right center.

An impressionist oil on canvas painting of an old late 19th century American church in a western city, as snowcapped mountains loom at right, signed at lower right corner "Crossen '75". This might be by a listed artist, Michigan-born Preston McCrossen (1894-1981), who worked in New Mexico. amd California. I have googled brick churches in western cities to try to identify the subject. There is a church of Our Lady of Mount Carmel, in Denver, Colorado, that bears a considerable resemblance, but...