Sheila Deutsch, Phila. 20th century.

Oil on canvas.

Circa - 1930's

Reclining nudes.

24" x 30".

Unframed.

Signed on verso.

Good vintage unrestored condition.

Oil on canvas laid on Masonite, 20" by 16" (27" by 23" nicely framed in gold California style frame by Summit Frames of San Diego), unsigned, attributed to the famed American sculptor and artist, JOHN GUTZON BORGLUM (1867-1941). The painting features a large tree such as would be found in a California redwood or sequoia forest. The attribution comes in the form of some cryptic notes on paperwork affixed to the reverse side, and a placard placed on the front side...

Original oil on board by Albert Pels (American painter and muralist, Cincinnati, New York; 1910-1998). Circa 1936. 19" by 16" painting alone, 26" by 22" in its period frame. Provenance: Art Academy of Cincinnati).

A Fine Painting by the Listed Riverside, California Artist, Myrna Elwell (1902-?). The Painting measures about 18" by 18" in its frame of about 24 1/2" by 24 1/2". Signed lower right as shown. A little dirty and some wear to frame, overall quite nice.

Oil on canvas, 27" by 30" (33" by 36" as framed), the subject the roiling waves, a headland visible in the distance, signed at lower right and, I think, dated there "40", by well listed American artist and illustrator FREDERIC TELLANDER (1878-1977). This is a good-sized work, offered most definitely in as-is condition...

Oil on board painting of colorful flowers in a blue ceramic vessel on a tabletop, 20" by 26" (26 1/2" by 32 1/2" as framed), apparently unsigned, the work dating to probably the years around 1930. There is an old crack at upper right as shown, not especially visible to the casual viewer, and I note some flaking and unstable paint in the lower 1/4 of the painting (see bright yellow underpaint showing through----ask for more detailed photos of this).

Original oil painting on canvas by Moscow-born Abraham Solomon Baylinson (Russia, USA, 1882-1950). Circa 1932. Signed l.l. Also signed on the stretcher and titled "Nude" by the artist. Inscribed "CB-15" and dated 1932 on the canvas verso. 16" by 12" painting alone. 22" by 18" in its frame. A.S...

"Anemones" oil on canvas 13 1/4 x 16 1/2 Louis Valtat was born into a wealthy family of ship owners on 8 August 1869 in the Normandy region of France. Valtat spent many of his childhood years in Versailles where he attended secondary school at the Lycée Hoche (near the Palace of Versailles). Encouraged by his father, an amateur landscape painter himself, Valtat became interested in art. At age 17 he applied to the École des Beaux-Arts de Paris...

Manfred Schwartz (November 11, 1909 in Łódź, Poland – November 7, 1970 in New York City, United States) was a Polish-born American artist who was educated at the Sorbonne in Paris, the Académie de la Grande Chaumière in Paris, the Art Students League of New York, and the National Academy of Design in New York City. He also studied with Charles Hawthorne, John Sloan, and George Bridgman” this work is of the lower east side of Manhattan circa 1940 oil on canvas measuring 16x20”....

A very fine Early Nineteen Century Venetian Grand Canal View Oil measurements 16” x 20”. The painting is unsigned done in the style of the English artist, Turner.

Richard Hayley Lever (28 September 1875 – 6 December 1958) was an Australian-American painter, etcher, lecturer and art teacher. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics. Lever was born in Bowden, South Australia on 28 September 1875, the son of Albion W. Lever.[2] He excelled in painting classes at Prince Alfred College under James Ashton and on leaving school continued to study under Ashton at his Norwood art school...

Oil on paper estate stamped 'Ramstonev'. This work was done during the late 1930's as part of the 'Cooperative' project in the New Hope, Pa. modern art community. Charles Ramsey, Louis Stone and Charles Evans worked collectively on many drawings and paintings during this time...

Oil on board painting of a Mediterranean-looking coastline, 6 1/2" by 10 1/4" (11 3/4" by 16" framed), unsigned, the luminous sunshine handled with considerable skill. This needs only a signature to propel it to stardom; it's really a shame that the artist did not affix his or her name. I suppose this could be Southern California but the buildings don't match up with any coastal locale that comes to mind. I believe the work could date to the 1920's or 1930's...

[1854-1941] Landcape With Village Beyond Oil on canvas 21 ¼” x 25 ½” unframed Born in Paris, France in December 1854 to French-Italian parents, with the name Eugene Galiany. He later changed it as a tribute to his teacher Charles Laloue whom he studied with in 1877. During the early part of his career as an artist Galien-Laloue took on several pseudonyms because of an exclusive contract with a major gallery. These pseudonyms included L. Dupuy, J. Lievin, Lenoir and E...

Original oil painting on illustration board by famed American illustrator, muralist, and painter Dean Cornwell (1892-1960). This painting measures roughly 10" by 11" (18" by 19" in its frame). It is signed "DC" lower right. It still bears verso the original gallery label from Galleries Maurice Sternberg in Chicago, as well as a brass plaque on the frame. Circa 1940. Possibly a study for a mural. It depicts the construction of a church in the Americas. In excellent condition.

Oil on canvas painting of trees in a tawny dry landscape, 12" by 20" and 1" wide old wood frame, signed at lower left by artist S. J...

**PAINTING HAS ACQUIRED DAMAGE SINCE PHOTOS WERE TAKEN** Contact me first. An historically interesting and significant oil painting of an early street scene in Los Angeles' small, historical Chinatown, circa 1930's, 30" by 38", unframed, signed at lower left by listed Southern California artist BERTHA TOWNSEND COLER (1865-1948). Coler was born in Ohio and studied with Robert Henri and William Merritt Chase in New York City. By 1928 she had moved to Santa Monica, California and for the next tw...

Old American landscape with trees framing a lake, 8" by 10", 12" by 13 3/4" in the gold frame, signed at lower right with name "H. Wolosky". The oil on board work probably dates to the 1920's or 1930's. I do not see an obvious artist name that I could link to this piece. A Cooper Union (New York City) old circular label remains affixed to the back of the board. Condition is vintage good, no problems.