Jos. PENNELL Pavement St.Paul’s etching 10x12” . Joseph Pennell was an American artist who spent most of his working life in Europe, portraying architectural subjects in etchings, pen-and-ink drawings, and lithographs. Born in Philadelphia, America in 1857, and raised by Quaker parents, Larkin Pennell and Rebecca A...

Etching on paper of the New York City elevated train line known popularly as "The L", as in "elevated line", and so titled ("The L - 23rd St. N.Y.") in a separate window in the mat, the primary image area 12 3/4" by 9 1/2", 21 1/2" by 17 1/4" as framed, signed at lower right in pencil, bearing the inscription "For Mr. Paul G. Sprunk from H. Van Notti--1923", and numbered "6" at lower left margin. The scene depicted is familiar urban scenery to any New Yorker or New York visitor...

Original oversize deep etching on zinc by Wendell H. Black (American, 1919-1972), one of the last plates Black worked on before his death. Titled and numbered 7/25 l.l. Signed and dated l.r. 23 1/2" by 35". In excellent original condition. From the first edition of this work, posthumously printed by Berkley Chappell.

This is an original hand signed etching by American artist Isac Friedlander. The title of this work is "Aftermath" alt. "Outcasts", this etching was created and printed in 1944. This etching was created in an edition of 30 signed proofs, this one is inscribed as "Trial Proof #2", the image measures 14X11 inches, printed on a medium weight wove type paper. The artist's view of the aftermath of war in Europe. Isac Friedlander (1890-1968) was born in Mitau, Latvia...

John Taylor Arms, American, 1887-1953, Etching, "St. Paul Alpes Maritimes", 1927, ed.250, 7 1/2" x 11 5/8", pencil signed

Louis Auguste Mathieu Legrand 1863-1951 French This is an original etching and aquatint by French artist Louis Legrand. This image from his Les Petites du Ballet is titled: Le Deshabillage, it was created and printed in 1893. This impression, pencil signed, published by Gustave Pellet in Paris, the red stamp lower right border. this impression is also inscribed as "Epreuvre d' artiste" lower left. The image measures 14 1/2X8 1/2 inches. This image is from the 10th state of 10...

Original engraving on copper by Wendell H. Black )American, 1919-1972), first edition, printed posthumously by Berkley Chappell. 6 1/4" by 8 1/4" image alone. Titled an numbered 7/25 l.l. Signed and dated 1965 l.r. This etching is illustrated (plate 3) in "The Lost Works of Wendell H. Black" by Henry Sayre.

Alméry Lobel-Riche, 1880–1950, French, etching, "Le Bar," plate measures 13 1/4 x 9 1/2 inches in a 21 1/2 x 17 1/2 inch gold frame. Plate signed in the lower right, with the publisher's blindstamp, le Cercle Moderne, in the lower left. C. 1912. Edition of 200, from the Paris series. Probably printed by the artist in black ink on cream wove paper with full margins, as issued. A fine impression with a rich drypoint burr.

Joseph Pennell, American, 1857-1926, "Up to the Woolworth," etching, image size 11 3/4 x 7 3/8 inches, 1915, edition of 75, pencil signed "J Pennell imp".

Dame Laura Knight 1877-1970 British This is a fine aquatint etching by British artist Dame Laura Knight (1877-1970) The subject is Pavlova in her role as a Grecian Dancer. It was created and printed in 1923 in an edition of 55. This etching is pencil signed and inscribed "print 2"..The image mesures 9 7/8X 6 7/8 inches. Printed on a medium weight wove type sheet.

Stephen Parrish, American, 1846-1938, etching, "Port of Nice", image size: 3 7/8 x 5 inches, 1888, cat. Schneider-145, pencil signed lower right

Stephen Parrish, American, 1846-1938, etching, "An Old Farm Near the Sea" (Niles Farm, Cape Ann), image size 9 7/8 x 13 7/8 inches, 1881, catalog Schneider 44, thread margins on 2 sides, pencil signed within the image.

A very fine English Eighteenth Century Etching of a Gentleman 20” x 17”

A framed and matted etching possibly of the River Seine. There are water stains along the bottom edge of the mat as well as very light foxing; the print also appears to have light foxing around the corners. Stamped A. Delauney del 8c sc in the lower left corner. The picture measures 5-1/4" x 3-1/2"; the frame, 8" x 9-7/8". Not examined out of the frame.

James McBey, Scottish, 1883-1959. Etching from his Venice series of etchings. Done in 1925. Number 21 out of the edition of 80, this etching appears in the Hardie catalog as image number 250. The image measures 7 1/8 x 15 3/4 inches. J Whatman watermark laid-type paper. Collector's annotations in pencil at the lower edge of the sheet.

ONE OF A NUMBER BY THE ARTIST IN MY SHOP**This is a small etching (the sheet 7 1/2" by 5 1/2", respectably matted but not framed), by the noted California artist HARRIET GENE ROUDEBUSH (1908-1998), titled at lower left margin "Russian Hill" and pencil signed at lower right by the artist. The artist depicts a bird's eye view looking northwest from Russian Hill towards distant Mount Tamalpais in Marin County across the Golden Gate...

Etching with color possibly hand-applied, 9" by 8 1/2" as framed, unsigned, by important French 20th century artist MARIE LAURENCIN (1885-1956). From having checked the 1981 catalog raisonne by Daniel Marchesseau, I have determined that the most official title of this work is "Fillette aux Yeux Vertes" ("Young Girl with Green Eyes", although a number of other titles are in common usage for this essually popular print)...

Etching on paper, 1923, measuring 9" by 13" (15" by 18 3/4" framed---no glass), titled "La Lagune--Venise" in pencil in lower right margin, signed in pencil at lower left margin and numbered there 80 from an edition of 100, by the important artist EDGAR CHAHINE (1874-1947). The influence of Whistler's similar graphic works and drawings featuring Venice is very obvious, what with the big sky and tiny silhouettes of the buildings on the horizon far away...