An oil on canvas laid on Masonite painting of a young brunette woman, the view from the breasts up, against a neutral dark background, signed in red illegibly at top left corner. The piece measures 17 1/2" by 12 3/4" (24 1/2" by 19 1/2" framed). More than likely the artist is French, judging from the overall style, signature, and the stenciled numbers "1208" on the frame. The artist is probably listed, but my efforts to decipher this signature have been unsuccessful...

Circa 1840's watercolor on paper (not likely later than 1860), apparently unsigned, 16 1/4" by 10 1/2" (25" by 20 1/2" as framed), showing a classic European tower above an arched stone bridge in a city, several figures in period clothing going about their daily lives. This is in amazingly fresh condition, with vibrant fresh color and a minimum of foxing...

A very finely crafted watercolor painting of an 18th century dandy in an elegant aristocratic interior, " by " (" by " framed), dedicated "Yours Sincerely" at lower right, and signed rather illegibly below that. The work's quality means the artist must be listed but try as I might, I cannot decipher the name. More than likely the work is circa 1890. Condition is excellent. I opened the old backing in hopes of finding more information or writing but there was none to be found...

Born in Germany in 1857 in the town of Harthau, he moved to America and painted in New England and traveled to paint in Europe where this scene was done in Katwijk, which also happens to be the town where he died in 1929. The work depicts the sailing ships of the 19th century in pastel on sanded paper measuring 17x26 inches in a whine period frame

Charles Bird, English Mezzotint Watercolor late 19th Century 12x15 inches

Frederick Smallfield, (English, 1825-1915)

Genoese Flower Girl

Watercolor on paper, signed and titled on the reverse.

Painting size: 16” x 10”
Frame size: 26.75” x 20.5”

Smallfield was a painter of genre scenes in oil and watercolour. He was a student at the Royal Academy Schools in the late 1840s with the members of the Pre-Raphaelite Brotherhood, but he was probably not close to them then, for he is not mentioned in their diaries...

PAIR of watercolor paintings of young women, one walking on a path, appearing very young, sweet and naive, a pitcher in hand (possibly a milk maid), the other a more sophisticated lady in a sun bonnet and elegant dress, watering can in hand, attending to her potted geraniums. Although the works themselves are of the same size, and frames are identical in style, the frames differ slightly in size...

The pair of antique paintings will make for a highly decorative addition to a home. One of the apparently unsigned and undated works features mostly vegetables, with a game bird and possibly a fish, while in the other work, fruit predominates. The rustic paintings were executed by a competent though not highly refined hand. Measurements are similar but not identical...

Honore Daumier, French, 1808-1879. These Lithographs were printed in the French Newspaper in the 19th C. Thus there is newsprint on the back. They are signed in the plate and are about 9" by 12".

This is an atmospheric fine little watercolor on paper painting of mountains and water such as might be found in the idyllic Lakes District of the northwestern part of England, or the famed Scottish Highlands, unsigned, late 19th century most likely, measuring 4 1/2" by 6 1/2" (14 1/2" by 17 1/2" in the present framing). The work is in very fine condition...

A. Rattner, German artist was born in Munich German 1864 and worked his whole life in the region of the black Forrest. Best known for his poster illustrations he was beloved so much by the city of his birth that they chose him to represent them at city festivals 19x15 inches

A landscape painting with feathery trees silhouetted against a luminous sky, a female figure walking at right with brown cow on the path which borders a creek, signed illegibly at lower right and dated there 1852. Someone invested some money in preserving the work, as it has been relined in recent times. The original stretcher was retained. The work is now stable. It is not perfectly flat however, there being some roll to the canvas especially at bottom...

A fine Watercolor Portrait of Elderly Lady Circa 1900 40” x 31”, framed a d matted

European watercolor landscape painting on paper laid on thin card, unsigned, 4 1/2" by 6 1/2" inside the mat opening, 10 3/4" by 13" as framed in black modern frame with gold color piping, titled on the reverse of the card "Hedelburg [Heidelberg, Germany] Aug. 1st 1877". This is a carefully executed 19th century watercolor showing the bridge across the Neckar River, tiny figures and boats in the foreground, steep terrain in the distance illustrating the dramatic scenery of the setting...

Beautifully executed, fresh watercolor and gouache painting of tiny figures overpowered by steep coastal cliffs, 9 1/2" by 21 1/2" (16" by 28" framed), signed at lower right "L LEWIS" and dated "96". This is a work by the listed English watercolor artist LENNARD LEWIS (1826-1913). The piece is exceptionally fresh considering that it was created more than 115 years ago. Colors are bright and the paper in excellent condition...

A fine carved English walnut carved sculpture of Saint Christopher done circa 1790 in Walnut. The Christ Child represented in the removable staff. Saint Christopher (Greek: Ἅγιος Χριστόφορος, Hágios Christóphoros) is venerated by several Catholic denominations as a martyr killed in the reign of the 3rd-century Roman emperor Decius (reigned 249–251) or alternatively under the emperor Maximinus Daia (reigned 308–313)...

Very fine Burmese wooden praying monk-disciple in adoration with high quality gilding. 18th Century, very good condition, beautiful serene expression. Size: H. 32cm x W.15cm x D. 16cm

Unsigned watercolor landscape painting, late 19th century American origin, the subject a chilly shoreline including snow-covered shacks, two figures, and a small overturned boat in winter storage, measuring 11" by 21" inside the mat (16" by 25" as framed). This is a primitive work, the figures a bit small and out of scale, and therefore a charming work, rather typical of late nineteenth century American watercolor by self-taught artists...