Oil on Canvas, English School. "The Hull to London Post". After Charles Cooper Henderson (1803-1877). Dimensions; 24" x 16", 27.5" x 19.5" framed. Late 19th/early 20rg Century. Condition; crackling and professional restoration done. Reframed.
While we have yet to identify the artist or the subject, we would contend that the work is first rate considering the mood captured by the painter. The man exudes a somewhat austere aristocratic brood, yet exudes the strengths of youth and ambition, a man ready to make his place in the world.
We believe the work to be of the British school painted c. 1850 or earlier as suggested by the early Victorian shape of the seat rail...
Oil on panel painting of a mother and wrapped infant in an urban scene of roof tops and power transformers, signature incised in the wet paint at lower right by the noted modern English artist JACK SIMCOCK (1929-2012). Also, on the reverse of the panel is written "Simcock/Mother & Child on a Hill". "The work measures 15" by 30 1/2", (19 1/4" by 35" as framed). The artist, born in Biddulph Moor, lived in Mow Cop most of his life...
Oil on canvas or board behind glass (not examined out of frame), 15 1/2" by 21 1/2" (25" by 31" as framed), signed at lower left, and inscribed there "Bettys-y-Coed" (not dated). This is a well known and picturesque part of Wales, an area that attracted many artists in the 19th and early 20th century. The artist may possibly be the listed EDWARD or EDWIN Masters. The works of those artists have sold at Christie's South Kensington auctions in London...
Small oil landscape, 13 1/2" by 9 1/2" framed, signed at lower right corner with initials N.A.M., with canvas stencil on the reverse of Winsor & Newton, London. This is a scene of autumn or early spring perhaps, the tree without leaves. There is a small irrigation channel with sluice gate at center left. The work is a quiet and pleasant scene focusing on a peaceful time of the year. A gold frame would enhance the painting. Condition is good, the canvas not perfectly flat.
19th Century British School
"Warmiing Up" Jockey Galloping a Horse with a Plaited Mane
Oil on Canvas , signed"WV"
Painting: 16" x 24"
Frame: 20.75" x 28.5"
"On The Terrace" oil on board, site size 10 3/8" x 6 3/8" \ frame size 19.5" x 15.25" Breakspeare lived in Edgbaston, Birmingham until the age of 22...
A 19th century English oil on canvas painting, 23" by 36", (offered unframed, even if the inappropriate style frame shows in the images), apparently unsigned, the subject the Edinburgh to London Royal Mail coach pulled by four horses, as it passes through a town. The work is in the style made famous by English artist Charles Cooper Henderson (1803-1877). The handsome coach, staffed by two coachmen, is shown in considerable detail...
Oil on rough weave canvas scene of figures in a hazy landscape, 15" by 30" (20" by 35" framed), signed at lower right by English-born artist who later came to be more closely associated with Ireland, ANTHONY "TONY" KLITZ (1917-2000). This work, dating to 1975 as we see from a reverse copyright stamp of the artist, is rather typical of the artist's style...
Framed size: 15 3/4"X18 1/8"(40cmX60cm)Image size: 11 1/2"X14"(29.5cmX35.5cm) Signed: JENNINGS. The Condition of work : Excellent. This is beautiful Original Oil Painting on the board. It is signed by Jennings The subject is English country house in the beautiful landscape with flowers and greens surrounded in the impressionist painting. The brush works of flower and tree are very good as you can see from the close up photos. The painting is about 60-80 years old...
James Pollard (British 1792-1867)
The London to Oxford Coaches
at Mile Marker 24
Oil-on-canvas, signed lower right
Painting: 17” x 32”
Frame: 23 ½” x 38 1/4”
Pollard was an engraver and sporting artist noted for his coaching, fox hunting and equine scenes. As the son of Robert Pollard, a painter, engraver and publisher, James was encouraged to become a painter of horses...
Harriette F A Sutcliffe (British, fl.1881 - 1922)
Beauty and the Beast
Oil on canvas, signed with monogram and titled on the reverse
Exhibited: The Royal Academy, 1899
Miss Suitcliff was a Hampstead painter of genre and portraits who exhibited at the royal academy from 1881-1899 and elsewhere.
Source:
Christopher Wood, The Dictionary of Victorian Painters
Painting Size: 16" x 20"
Frame Size: 24" x 28"
This is a remarkable piece of art—an antique oil painting created on a wooden board by the famous English painter Clarkson Frederick Stanfield RA (List of Royal Academicians) RBA (The Royal Society of British Artists) born on December 3, 1793, died May 18, 1867. Even though the painting is unsigned, there is a label at the back that provides information about it and its creator...
This dated 1848 portrait is believed to be of David Schofield Painter, who was William Bell Scott's brother-in-law. The condition of this oil on canvas is not good. A great deal of this painting has been reworked!!
Evening at Buttermere
Oil on canvas 24”x16” w/o frame
Alfred Fontville De Breanski was one of seven children born to the prolific British landscape painter Alfred De Breanski (1852-1928).Though his paintings emanate those of his father in palette and subject matter, his landscapes are executed in a slightly less formal style. His main body of work concentrates on the effects of sunlight on the Highland scenery at different times of the day...
Wonderful [Set of 4] 19th century English Fox Hunting oil paintings. A series showing the different phases in a day of hunting. Nice detail. Each is signed by the artist: F. Crooke. Old gilded solid wood frames with gesso detail. Framemakers label on back: William Innes, Very good condition. Each framed piece measures 13.5" x 16.5". For more detailed pics including the backs, please email me at wellingtonandco@bellsouth.net.
A beautifully executed oil on canvas painting by George Harland, a noted British artist. The scene depicts a man returning in a rowboat at dusk. It combines elements of luminism and impressionism, and was done when both of those styles were in fashion. Harland was a highly thought of painter and was exhibited at the Royal Academy in London in 1907.
The painting is in excellent condition, with no impainting or restoration...
Oil on wood panel still life painting of ceramic vessels, plate, kettle, and candlestick, all arranged on a tabletop, apparently unsigned, but on the reverse of the panel is a "Royal Exhibition" 1930 label, and there is a James Bourlet shipping label as well...