Antique oil on canvas of cherries on a table top, 8" by 11 3/4" (11 1/2" by 15 1/2" as framed), signed indecipherably at lower left; name could be W C Hammond, Hammons, or Higgins, or? The work is in the tradition of American 19th century still life and likely dates to about 1880. Some very old patches on the reverse attest to old battle scars the painting acquired in its some 150 years of existence...

A circa 1960's painting of a clown playing a most curious blue violin, signed at lower right with what appears as "J. A. Evans" (or, Evers, or similar). The oil on canvas measures 20" by 16" (24" by 20" framed). There are few tiny flecks of missing paint, very minor, but generally the work is in good condition.

Large 30" by 48" painting on Masonite (36" by 54" nicely framed) signed at lower right "Sardi". There is a listed artist Jean Sardi (1947-) but his works do not seem to resemble this and the signature differs. This is a thinned paint on rough side of the Masonite. A previous similar work I handled, by this artist, had an original pre-zip code label from Karl Mann Associates in NYC, apparently a well known interior design firm for decades, a label from the firm considered a good provenance...

A fine example of California plein air art by listed woman artist MARY MAISON (1886-1954), unframed, 16" by 20", signed at lower right. The work is painted directly on wood panel. Image is of a high mountain, like Mt. San Jacinto or Mt. San Gorgonio near Palm Springs, seen in early spring when snow remains on the summits as the desert blooms far below. The former Mary Cox was born in Bethlehem, PA and studied art in Paris and Philadelphia...

Oil on canvas on board, 18" by 27", unframed, signed at lower left by artist OSWALD SCHLOMBS (1876-1926), and titled in pencil on reverse "Herbst" ("autumn", in German). The artist though listed is not well known, though obviously talented...

A nicely worked oil on canvas, 21" by 29" plus almost 1" wide old frame, the subject an extensive continental European landscape with figures on shore and in a small boat, a dog, wading and resting cows, trees and classic buildings, signed at lower right by artist "O. Kirkman" and dated there 1858. The more one studies this the more detail one sees. This antique painting will need restoration and it is well worth the effort to bring it back to displayable condition...

Offered in as-is condition, a true restorer special----a framed (18" by 15" oil on canvas, 22 3/4" by 19" as framed) lovely impressionist painting of Notre Dame and trees in Paris, a figure providing a spot of color, signed at lower right and dated there 1912 by listed English artist ROBERT ARTHUR WILSON (1884-1979). On the stretcher is written "Painted by R A Wilson" and "Notre Dame Church in Paris"...

An antique painting of a classical landscape, the scene including feathery trees, a number of tiny figures, and a distant church, likely French or Italian, less likely English (the red tile roof, clothing styles), unsigned, painted on a board and set within an oval frame. The piece measures 13 5/8" by 16 3/8" including the antique frame...

A large unframed oil, 34" by 46", unsigned, a vintage mid-century work ***AFTER*** a DEAN CORNWELL (1892-1960) painting which was executed in 1953 for a New York Life Insurance Co. calendar, in commemoration of the 300th anniversary of the incorporation of New York City. The painting is meticulously painted and I contacted auctions dealing with illustration art to see if it might be a study for the finished work...

An impressionist painting of the famous obelisk and fountain in the center of Paris at the iconic Place de la Concorde, 24" by 29" (and the very nice period frame 31" by 36"). Curiously, the work is unsigned but the artist was obviously talented. Paint is thickly applied in places, thinly in others (artist used bare canvas in places to show clouds)...

A rare and powerful painting directly on a rather crude wood panel, unframed, 16 3/4" by 23 3/4", by the important twentieth century Peruvian artist ALICIA BUSTAMANTE VERNAL (1907-1968), featuring a group of native people climbing in the bleak mountain landscape, the forward group carrying a shrouded body for burial. The work is titled on the reverse "El Entierro" (The Interment/Burial"), and is dated there 1954, with additional notation "Ayacucho" (the Peruvian city)...

A vintage portrait painting of a red-haired, middle-aged lady in circa late 1930's to 1940 style hat, 13" by 10", (22 1/2" by 19" framed), signed at lower right by listed Southern California artist BERTHA TOWNSEND COLER (1865-1948). The painting, oil on canvas laid on Masonite, exudes a very spontaneous, free, sketchy feeling that is quite appealing, demonstrating the skill of the artist...

A classic old landscape with figures, old structures and feathery trees, somewhat in the Old Master tradition, but created in the mid 19th century, likely in New York, by an unknown yet obviously accomplished artist. The oil on canvas, unframed, measures 24" by 32 1/4". On the reverse are two canvas stencil stamps, one from London, (G. Rowney & Co.), one from New York (Goupil & Co., 289 Broadway)...

A poetic impressionist work circa late 1950's or early 1960's, featuring the famous, storied Moulin Rouge nightclub in the Montmartre district of Paris, signed at lower right "Fantin". The 20" by 15" painting (23" by 21" in frame) is quite atmospheric, the colors of the buildings, figures and cars standing out on this leaden, overcast winter day. The scene has been painted countless times by artists famous and not-so-famous; this example is quite respectable. Other than light crazing in upper...

A rather elegant landscape painting with a modern feeling, the predominating colors subdued yet elegant grays and earth tones, signed rather illegibly with a European hand at lower right corner and dated there 53. The unframed work on canvas measures 23 1/2" by 31 1/2". Signature looks something like "Oltarini" or "Ott....." or "Ult....." but despite years of trying to figure this out I have not succeeded. Most likely the work is Italian modernist, but if not Italian, the signature could be a...

Oil on canvas painting of a pinkish jug and blue-green vase on a neutral background, 15 1/2" by 11 1/2" (17 1/2" by 13 3/4" framed in light wood) signed at upper left "K Petersen". The impressionist work is skillfully painted though I do not see any information on the artist. Condition is excellent---ready for display.

Oil on canvas painting of flowers, possibly asters, signed at lower right by 20th century listed English artist Leslie S. G. Harries. There is no date on the painting but a guess of 1950 would likely be close. The work measures 18 1/2" by 15 1/4" (21 1/2" by 18" framed). Condition is excellent with just a very small uneven/pressure mark area in the canvas to the right of the petal at right, and there are a few pinpoint losses in that area. The artist, known to have been active in the 1930's...

An oil on board painting of flowers in a green vase against a tan/brown background, signed at lower left with monogram of a capital "B" in a circle. The oil, 12" by 9" and 16 1/2" by 13 1/2" framed, was beautifully painted by an unknown hand. For a number of years I have attempted to learn the identity of the artist, so far without success. The board size and handwriting on reverse suggest the artist was American. Painting is in excellent condition, old gold frame has a big loss at lower rig...

Oil on canvas Asian painting of a rural landscape in tropical Indonesia, 19 1/2" by 27 1/2" (24 1/2" by 32 1/2" framed), two female figures at center washing in the small lake or pond, a towering mountain range piercing the clouds in the distance, bamboo thicket at right, and a flaming flamboyan or poinciana tree at left, signed at lower left "M. DULLAH". This is a circa 1960's or 1970's work, most likely. The last name is common in Indonesia. There is an important artist with that name but I...

Oil on canvas painting titled at lower left "Morn. nr. Frinsbury Kent", signed at lower right "Alf. Bennett 87" (and titled again and signed again by the artist on the reverse canvas), 20" by 30" (27" by 36" as framed). The scene feature a filled hay barge at left with two figures aboard, two houses in the middle distance, and tall ships in the far distance. Frinsbury is in southeastern England, east south east of London, not far from the mouth of the River Thames. The artist appears to be on...

Oil on pine wood panel, 6 1/2" by 8 1/2" (11" by 13" in old frame), unsigned, the subject figures in a clearing surrounded by feathery trees, a tiny brush stroke also indicating the presence of a scampering dog accompanying the small party. A charming old antique work in the Hudson River tradition; disappointing not to have found a signature, but I would think the artist listed. The painting has normal old light soiling, and the frame has some edge chips missing in a few places. The work like...

In the style of masters like William Harnett, John F. Peto, Otto Kaye and others, this is a painting of an ink bottle, old style fountain pen, pipe and matches, stamped envelope and calendar, signed at lower right "Roy Fay". The letter, in the trompe l'oeil" (French for "fool the eye") tradition, is addressed to himself, in "Pasadena, Cal", and is interestingly postmarked in Kansas. The calendar is from the "Ohio Grocery", of Pasadena, and the calendar sheet reads November 1912. The painting...

French late 19th century oil on canvas still life of flowers in various vessels on a tabletop, signed at upper right corner "J. Billou" (the "J" could be a "G" or "T"). Oddly I do not see a listing that would correspond with this name, but this is clearly a talented artist. The work measures 19 1/2" by 24" (22 1/2" by 27" framed). The colors and handling remind of some Renoir still life paintings. This was found "as-is" in northern New Jersey. Due to careless past handling, the work has acq...

A contemporary painting featuring the streets of Paris' famous Montmartre, the dome of white Sacre Coeur cathedral towering over narrow streets filled with pedestrians. The work measures 10 1/2" by 8 1/2" (12 3/4" by 10 1/2" as framed in black). The work is signed at lower right "Georges" and on reverse is written "Georges---Paris---2010/Montmartre". Condition of painting is excellent but lower left corner of frame shows some damage and there is scuffing elsewhere. Paint it black or reframe.

A most unusual modern painting----oil and sand on canvas, 48" by 32" including the frame, which, painted on all edges, can be considered an integral part of the work. The subject is most impressively complex---abstract yet suggestive of perhaps a central fish, or primitive ethnographic art imagery....all in a controlled palette of gray, muted rust red, white, black, and a touch of yellow. There is a signature, which has defied efforts to read it......looks like "Karnastas" or "Karnotas", or an...

Oil on board landscape, unsigned, the subject a panorama of red rock cliffs and distant butte, likely in Arizona, or possibly Utah, the scene framed by tree at right. The work has some age, a guess would place this circa 1955 to about 1965. Certainly it is good enough to have been painted by a listed artist. The condition is acceptably good. There is a little moisture warp (not stained, just a warp) from possible past storage perhaps in a garage setting, and the back of the board is rough fr...

A scarce oil on canvas PAINTING (not the usual prints seen), signed at lower left by the noted French 20th century impressionist painter CHARLES BLONDIN (1913-1991). Blondin was active in Paris in the post war years, painting and creating very popular editions of prints which he numbered and hand signed, and oil paintings as well. This work measures 8 3/4" by 10 1/2" (14 1/2" by 16" in appropriate mid century frame). Condition is excellent. Probably dates to late 1950's or early 1960's. See a n...

Haitian art is rightly popular for its color and exotic subject matter. This little painting, 9 1/4" by 7 1/4', set into a larger quality frame/mat, 22" by 19 3/4", depicts a thatched roof hut, figures carrying items on their heads, and lush tropical mountains and vegetation. The artist signed his name "Serge Louis" and the date 1995. The painting is exceptionally clean and ready to hang on the wall.

Oil on canvasboard circa 1960 painting of a variety of flowers in a ceramic yellow vase artistically placed on a textile with another ceramic vessel nearby, signed at lower left "Betty Way". The work, which measures 24" by 18", also bears a label on the reverse with the artist's name and address in Springfield, Pennsylvania, a suburb of Philadelphia. To date I have not located a known artist by this name. A Betty Way of Harrisburg, PA was a newspaper circulation manager. There might well be ...

Oil on panel painting of pink desert mountains and flowering dunes in the foreground, 16" by 20" (25" by 29" in wood carved frame), signed in the paint at lower left with a signature that appears as "Bo W(xxxxxxx)". The circa 1960 oil is by an artist who certainly must have been familiar with the palette knife California desert scenes, with rich impasto, of John Hilton (1904-1983). The style and feeling is similar. The painting could benefit from a cleaning, after fifty years. A gold frame ...

Oil on canvasboard painting, 14" by 18" (17 1/2" by 21 1/2" in simple wood frame), signed on the reverse by artist James E. Carson of Andover, Massachusetts and titled there "Lobster Cove". This is a peaceful scene, most likely of the Lobster Cove near Annisquam and Gloucester, MA, but I see there is also a Lobster Cove in Maine. Regardless of the exact location, this is a classic scene of New England, captured by a talented artist. There is a listed illustrator by this name but I cannot dete...

The pair of antique paintings will make for a highly decorative addition to a home. One of the apparently unsigned and undated works features mostly vegetables, with a game bird and possibly a fish, while in the other work, fruit predominates. The rustic paintings were executed by a competent though not highly refined hand. Measurements are similar but not identical. The vegetable piece measures 19 1/2" by 28" and 26" by 34 1/4" framed; the fruit work 23 1/2" by 31 3/4" and 31" by 39" frame...

Oil on canvas painting of pears and glass vase with flowers arranged artistically on white and striped cloths, signed at lower right and again on the reverse side of the canvas by listed American woman artist SUSAN CROOK INGERSOLL (1908-). The unframed work measures 22" by 18" and is in very good condition, with just a bit of stretcher bar show-through. Colors are vivid and rich, and the modernity of the arrangement is striking. To a certain extent, there is some resemblance to the naturalism...

An oil on canvas painting of a young prince or son born of a noble family, 30" by 24 3/4", unframed, unsigned. The boy's face to my eye reminds of Goya, so perhaps this could be of Spanish origin (though, "FRANCE" is written on the stretcher in modern hand). The painting was relined sometime in the mid 20th century. There are some scratches at upper right which appear as white marks in the photos, some minor edge losses at lower left, and there is an even craquelure over much of the surface.

An 18th or early 19th century painting of a noble gentleman, oil on canvas, 30 1/2" by 23 1/2" on the stretchers 35" by 27 3/4" framed. This work does not appear to be actually signed, though there is much writing in blurred old ink on the stretcher in old German hand, seemingly identifying the sitter. The old style script and the way the ink has spread into the wood makes it all difficult to read. I do see, I think, "Franz Joseph Augustin von Stichner" or similar, and elsewhere the word "...

A contemporary painting in semi-abstract style, the image apparently of a horse and his flowing mane, staring at the viewer. The work is unsigned. Acrylic on canvas, 16" by 20" (a regular size, easily framed). A twist on equine art.