Large painting of a protest at night in front of an official building, 44" by 31" (50" by 37" framed), unsigned. This is a French work that is most certainly by a listed artist, but he/she remains anonymous. The complexity of the foreground and details of the facade are indications of the skill of the artist. The painting is of a large and impressive size, and would make a decorative addition to a traditional interior...

Gouache on paper painting of an idyllic tropical scene in Asia, vegetation towering above a central thatched hut, six figures in the foreground and a grazing water buffalo at lower right, signed at lower left J. P. Geoffory-Dechaume and dated there 58. The painting measures 19 3/4" by 24" and is in a black strip frame with faux bamboo pattern. Most likely the scene pictured is in Southeast Asia but we do not know where...

Circa 1940's oil on canvas floral still life painting, 24" by 30", signed at lower right Helen Hayes. This is a competently painted work that has seen some neglect. Sold in as-is condition, since the bottom roughly five inches, as shown in the photos, has significant pinpoint losses. Each is small but the overall effect is almost as if someone dipped the painting in water, leaving a "bathtub ring". Study the photos carefully...

Mixed media on panel painting of two horses tethered to a small tree in a desert landscape, unsigned, 10 1/4" by 13 3/4" (18 1/2" by 21 3/4" in black complementary frame). The painting, according to its previous owner, came from a large group of mostly signed works (in Oro Grande, CA where both artists painted) of the noted, well listed California and western artist JIMMY SWINNERTON (1875-1974)...

Circa 1880's painting in oil on a 14" diameter papier mache style plate, unsigned, featuring a winter scene at dusk. This charming antique work by an anonymous artist has nice detail and light. The artist was not professional but certainly had some training and a good eye for color and composition. The work has acquired some small losses, showing as white spots in the imagery, and along the rim. See old original label on reverse with 1880 patent date. Found in coastal New Jersey.

An interesting and skilfully painted work, depicting a potted cactus on a wood strip floor, evidently in some kind of attic room open to the outside via a door, the result being an image with interesting detail, light, and mystery. Oil on canvas, unframed, the piece measures 28" by 22", and it is unsigned but likely painted circa the last twenty years...

Oil on wood panel landscape in the Netherlands, 13" by 10" (22" by 19" in old, likely original frame), signed at lower left corner by the listed American artist and illustrator EDWIN H. KIEFER (1860-1931). This antique painting features a classic windmill, and a woman classically dressed, carrying a basket, in the left foreground. The late 19th century work is very dirty; a cleaning would work wonders. There is a long vertical crack in the panel at upper left as shown...

Circa 1950's oil on canvas of a mountain with cross on top, and what could be a small body of water in the foreground, painted in an impressionist hand. The scene could possibly be Mount Cristo Rey, a landmark with Christ cross on the summit, at the extreme southeast corner of New Mexico, overlooking the El Paso, Texas area. The work measures 16" by 18" and 21 1/2" by 24" framed. Sadly this became badly damaged at some point, with catastrophic tears through the composition...

Oil on Masonite painting of coastal rocks and waves, framed in an interesting and appealing vintage wood frame, signed at lower right by artist J. Wessely. I do not see a listing for the artist, who created an attractive and dynamic composition. The painting measures 18" by 24" (22 3/4" by 28 3/4" framed). It could date to about the early 1950's, judging from frame and board. The frame has a rugged, "Cabin Art" feeling with bold outdoorsy carving...

A pair of 8" by 10" oil on canvas paintings, unframed, one signed "Anton", the other "Chapman". One is dominated by lime green colors, with white birches, the other an autumnal scene of barn next to a creek at sunset. The former has "Shuk Ha Carmel, Tel Aviv" written on stretcher, along with "Birthright Trip December-January 2014-2015", the latter "Mountain House 2016/Franklin, NC". The autumnal scene has some paint losses around the edges from frame abrasion...

A still life painting by the listed Texas artist and teacher, Pattie Richardson East (1894-1994). East studied with Jose Arpa, Birger Sandzen, Harry Anthony De Young, and Joseph Fleck and exhibited extensively. The painting measures about 20" by 24", frame about 28" by 32". Fine example of her work.

Oil on canvas, " by " (" by " framed), the subject a peaceful glen deep in a forest, painted in a luminous style reminiscent of the American Hudson River School, likely Fairy Glen in North Wales, signed at lower right by the noted well listed English artist WILLIAM MELLOR (1851-1931)...

By the Irish-born artist who came to America as a youngster, WILLIAM J. HENNESSY (1839-1917), this is a charming, intimate little oil on canvas, 6 1/4" by 4 3/4" (11" by 9 1/2" in the 19th century frame), depicting an old man reading by candlelight in an interior, a red cloth in his right hand, the left hand splayed towards a comforting glowing fire in the hearth. Apparently he is alone on a quiet winter's evening, reading the way people had to read before electricity's arrival on the scene. T...

Eric Tobin winter painting - Late Afternoon Stillness, Johnson, Vermont. Oil on canvas. Size: 12 in. x 16 in. Offered in a silvered wood frame. Signed in lower right and signed and dated 2017 on the reverse. Snow covered fields looking towards Mount Mansfield, in Johnson, VT. Eric Tobin is a contemporary Vermont landscape artist. He resides in the northern part of the state, in Johnson. Tobin was greatly influenced by another Vermont painter, Thomas Curtin, whom Tobin knew from his childhood a...

A vintage still life oil painting of yellow and orange flowers in a brown jug on a table top, unframed, 30" by 36", signed at lower right by listed Southern California artist BERTHA TOWNSEND COLER (1865-1948). Coler was born in Ohio and studied with Robert Henri and William Merritt Chase in New York City. By 1928 she had moved to Santa Monica, California and for the next two decades was a prolific painter in watercolor and oil, concentrating on portraits and still life, with some landscapes in t...

A large oil on canvas (26 1/2" by 38 1/2", and 32 1/2" by 44 1/4" framed) painting of a forest of evergreen and birch near a picturesque winding creek, likely in eastern Europe, signed at lower left somewhat indecipherably (probably a listed artist). The name may be Lithuanian or other Baltic state. The work is beautifully painted but has darkened with surface soiling and old varnish. There appear to be a few areas which were the subject of test cleanings (by tree at right and at upper left s...

Oil on canvasboard painting of a white ranch house in a rugged, semi-arid setting, signed at lower right by artist H. D. SMYTHE and dated 1960. Research to date of this artist name has not been productive. The 20" by 24" work (26" by 30" in wood frame) has acquired some general soiling and light abrasions in a few places. In the past, it was exposed to some moisture as is seen from the back of the board, in the lower portion, but no issues related to that are to be seen on the front side. It ...

PAIR of oil on canvas paintings, each 6 3/4" by 6 3/4" as framed, both signed "Verne", the subjects both still lifes of flowers in table top vessels. These are works by one GLADYS MARIE BAXTER DUCKWORTH (1904-1981). Often the works are erroneously misattributed by online sellers as being by a "Verne Lucinda McCann Gillespie", but Edan Hughes in his dictionary of artists in California has set the record straight. He says the artist was Massachusetts-born, met her husband while living in London un...