For the last four years, I have researched every aspect of this self-portrait to confirm its artist identity!! Today, I can confirm the artist of this self-portrait, it is ROY FOX LICHTENSTEIN!! I was able to match the 1956 signature to the “rather primitive notion of patterned linear repetition”, or unknown markings (which look like Hebrew) on the side of an airplane in the RFL’s drawing “AIRPLANE 1961”. Similar markings can be found on the RFL’s TEN DOLLAR BILL 1956 Lithograph...

For the last four years, I have researched every aspect of this self-portrait to confirm its artist identity!! Today, I can confirm the artist of this self-portrait, it is ROY FOX LICHTENSTEIN!! I was able to match the 1956 signature to the “rather primitive notion of patterned linear repetition”, or unknown markings (which look like Hebrew) on the side of an airplane in the RFL’s drawing “AIRPLANE 1961”. Similar markings can be found on the RFL’s TEN DOLLAR BILL 1956 Lithograph...

For the last four years, I have researched every aspect of this self-portrait to confirm its artist identity!! Today, I can confirm the artist of this self-portrait, it is ROY FOX LICHTENSTEIN!! I was able to match the 1956 signature to the “rather primitive notion of patterned linear repetition”, or unknown markings (which look like Hebrew) on the side of an airplane in the RFL’s drawing “AIRPLANE 1961”. Similar markings can be found on the RFL’s TEN DOLLAR BILL 1956 Lithograph...

Notice the details of the honeysuckle flower design on the armour. Please refer to the flemish painting in our listing. The honeysuckle design on the middle right side of the photo matches the same design in 17 flemish paintings.

This is a detailed photo of Rockefeller's bluish gray eyes and broken nose. Refer to Rockefeller portrait in our listing.

Notice how well the Rockefeller photo overlays the portrait. Refer to portrait in our listing. The black and white photos at the bottom shows the various images of Rockefeller in his early years.

The photo on the left is a close-up of the Whistler butterfly signature with scorpion tail. The circular image is part of a parasol design. The photo on the right shows a close-up of Whistler's right hand holding a brush. Notice the reddish knuckles which indicates his health. Refer to Whistler portrait.

These two study photos take the x-ray image of Whistler and we have done a image overlay of an original photograph of Whistler on the left. The image on the right uses a drawing of Whistler and overlays the x-ray. Please refer back to the photo of the original portrait in our listing.

Fin de Jour - Place St. Marco Oil on canvas - 10-5/8" x 13-3/4" (27 x 35 cm) /Frame - 20 1/2" x 23 3/4" During their lifetime few artists attain the international acclaim which has been accorded to André Hambourg, the distinguished laureate of French contemporary art. His paintings hang in more than fifty museums in France and other countries including the Musée National d'Art Moderne and the Musée d'Art Moderne de la Ville...

"Still Life 3 Urns and Flowers" 24 x 20" Oil on canvas. Andre Gisson was born with the name Anders Gittleson, in Brooklyn, New York but lived in Westport, Connecticut for most of his life. He traveled extensively and studied throughout Europe and the Far East. Mr. Gittleson was a leading American realist painter. He graduated from the Pratt Institute and was a Captain in the Army during WWII...

CHRISTOPHER M. SCALA (European 20th Century) A PAINTING, "Sailboat in Port," oil on board, signed L/R and dated 1985. 20" x 16". Framed. Images

Authentic antique Fine Baroque 17th Century Italian School Oil on Canvas of "Mary Magdalene". The painting depicts the penitent Mary Magdalene in her grotto with her face rendered with spiritual ecstasy and long red gold hair, in a sumptuous dress falling from Mary’s arms as she holds within her hands a skull, and a domed ointment jar which she used to anoint the feet of Jesus.

CONDITION: Minor paint loss, some crazing throughout, overall in very good condition...

Max von Schmaedel, German, 1856-?, oil on Academy Board, Portrait of Miss Davenport, 12 x 9 inches, signed and inscribed "M. v. Schmaedel/München" lower right, period frame. The sitter is identified in a copy of a letter dated August 3, 1905, from Seth Mendell to William C. Davenport, President of The Machinists' Bank, Taunton, Massachusetts, in an envelope affixed to the back of the painting. Provenance: Estate of N. David Scotti, Providence, Rhode Island.

Original oil painting on canvas by Hilda Rubin--aka Hilda Rubin Pierce--aka Hilda Pierce (American, born in Austria in 1922). This painting measures 22" by 28" and 28" by 34" in its original frame. Signed "Hilda Rubin" l.l. In excellent original condition. Hilda Rubin is an American artist of Austrian-Jewish descent...

Description: Wonderful oil on board painting of Jerusalem's old bazar, vibrant colors, artist's signature, A. Sal, is displayed on the lower left, sight 15.5" x 11.5" housed in a 23" x 19" wood frame. Great condition and shipping is FREE within the U.S.

This gifted artist was born in the Tyrolean Alps in 1911. He studied in Munich and Viena. Returning to his homeland, he specialized in painting portraits. His subjects were usually sun-browned peasants, depicted with brilliant realism and detail. He has exhibited and has received wide acclaim throughout Europe and the United States. The painting measures 8"W x 10"H framed in a 16.5"H x 14"W gilt wooded frame. Artist's signature, great condition. Shipping is FREE within the U.S.

Original oil painting on board by Pierre Fau (French, 1889-1960) of a Moroccan landscape with mountains in the background, circa 1930s. This painting measures 11" by 15.5" (painting alone). It is signed l.r. "Pierre Fau". Very typical example of Fau's Moroccan paintings of the same period in palette and style. Fau's Africanist works occasionally surface at auction. Listed in the usual databases.

Introduction: Wai Ming's original oil paintings and fine art reproductions, mainly of oriental subjects, are admired and collected by people throughout the world, including the famous and foreign dignitaries. Seldom has the impact of an artist been so immediate as that of Wai Ming on his arrival in San Francisco from Hong Kong in 1974. His artistic sensitivity is combined with a startling realism that has caught the attention of the public...