Porfirio Salinas (American Artist) 1910-1973. This painting is signed on the lower left corner and measures approx. 20" tall x 24" and is in Excellent condition. These are the dimension of the painting. The owner purchased this painting in the early 1950's in Texas. It has hung in her living room ever since. This Painting is in original untouched condition and in the original frame. This is a lovely Landscape Painting of the Texas Bluebonnets...

Julian Walbridge Rix, Peacham, Vermont, 1850-1905. this oil on canvas is 14" by 17" in a beautiful 3 1/2" 19th C frame. It is in excellent condition with one older repair, and is signed lower right. He is listed in Who was Who in American Art and hie painting go up to $15,000.

Niemann Edmund John (I), British, 1813-1876. This oil on canvas is 12" X 18" in a period frame. It is in good condition and will be undergoing a light cleaning. It is signed lower left. This landscape is a very vivid example of Niemann ability to convey the beauty of a spectacular sunset. The detail is excellent on the painting. His paintings go for up to $20,000. The provenanc of the painting is Schilley and Rehs Inc, New York.

Hippolyte Camille Delpy, 1842-1910, French. This oil on cradled panel is 13" X 23 3/4" (33 X 60.5 cm)in an original 3 1/2" frame. It is signed lower right H.C.Delpy.

George Loring Brown, Malden, Massachusetts, 1814-1889. This expensive landscape is a view of Sorrento including Mount Vesuvius in the background. This oil on canvas is 12" x 20" in a 3" 19th century frame. It is signed and titled verso very clearly and it is in very good condition with appropriate craqueleur. The edges have been reinforced but are still original. He lived in the U.S. and Europe and his more sought after paintings are those of southern Italy...

Henri Duvieux, 1855-1882, French. This is one of a pair of Venetian scenes by Duvieux. It is oil on panel 13 1/2" by 17 3/8" in an original 2 1/2" gold leaf frame. It is signed lower right. Provenance: Private Collection Midwest, Doyle Auction, NY, Private Collection. Henri Duvieux was an artist influenced by the interest in Orientalism, a widespread preoccupation of many artists of the mid to late-nineteenth century...

Henri Duvieux, 1855-1882, French. This oil on panel is 13 1/2" by 17 3/8" in an original 2 1/2" gold leaf frame. Duvieux is known for his Venetian Scenes. It is signed lower right. Private Collection Midwest, Doyle Auction, NY, Private Collection. Henri Duvieux was an artist influenced by the interest in Orientalism, a widespread preoccupation of many artists of the mid to late-nineteenth century...

Max Kuehne, New York, 1880-1968. This vivid impressionist painting is an exceptional example of Max Kuehne's work. It is 15 1/2" by 20" in a 3" original period American Impressionist gold leaf frame. It is in perfect condition and is signed lower right. It came directly out of the artist's estate. Born in Halle, Germany in 1880, Max Kuehne was a colorist who created cheerful landscapes that appear to be painted spontaneously and with freshness...

Joseph Mallord William Turner,(attributed to). This oil on canvas is 8 1/8" by 12 1/2" in a 3 1/2"carved guiltwood frame. It is in excellent condition and is signed and titled verso. This artist is considered a romantasist or a impressionist precursor. He is known for landscapes, lakes, castles, ruins, ships, coast lines and his paintings command up to $1,000,000.

George Hawley Hallowell 1872-1926, Arlington, Mass. This exceptional oil on canvas is 30"x30" in a 1920's 2" period gold leaf original Newton Macklin frame. It is in good condition, signed and dated on the lower right. His paintings sell for up to $10,000. He is listed in Fieldings, Mallett, and Who Was Who in American Art.

Warren Davis, American/New York, 1865-1927. This perfect painting is oil on canvas in its original frame. Signed verso and titled "The Ripple", it is the last oil painted by Davis in 1926-27, from the estate of his widow. It is in perfect condition with only a slight wave in the canvas which would easily be corrected by keying out the canvas. The back of the painting is intact with original paper and gallery sticker.

This is an OIL PAINTING ON CANVAS by the Listed Artist: MARTHA HENDERSON. Size is 16" X 20" with Vivid Spring Colors. Note the Building in the Background which is the SMITHSONIAN'S INDUSTRIAL ART BUILDING. Signed by the Artist lower right: M. Henderson. Found without a Frame from a Maryland Estate. Back of the canvas is inscribed with light black ink ..see jpgs for more detail

Fausto Zonaro, Italian, 1854-1929. This small jewel is 6" by 8 1/2" . It is oil on board in a newer goldleaf frame. This is a charming landscape depicting children with animals. Zonaro was known for painting genre portraits, landscapes, and farms. His paintings go for $1,280 up to $13,500. He is listed in Benezit. An Italian he lived in Constantinople and painted for the Sultan. He showed in Milan, Rome, Tunis and Venice and his works are in Museums...

Detail Two

Oil on Canvas by William Bradford Green (American 1871-1945), signature lower right. Portrait of a Robed Woman, 24"x 18", with frame 29"x35"-circa 1930. There is a Floral Painting on verso, "A La Japonese" shown at the Connecticut Academy of Fine Arts, circa 1926 (signature lower left). Green is a listed artist in Who Was Who in American Arts.

Lillian MacKendrick, American. This painting is 20" by 22".

Adolph Richard Fleischmann, American, 1892-1969. This Renoir like floral still life is perfect in its simplicity and strong colors. It is 18" by 14" in its original 5" gold leaf frame. It is signed lower left with the monogram RF in the tablecloth. Fleischman was born in Germany and exhibited in Europe and New York. His work is in museums in New York and east coast museums and in France and Germany. He is listed in Who was Who in American Art as well as in numerous publications.

Blanche Camus, French, 1881-1968. This wonderful portrait of a woman on a terrace is 18.5" by 21.2" in an impressive 6" French Impressionist Frame. The canvas has been relined and there is minimal inpainting on the canvas with no repairs. It is from circa 1920-30 and is an extremely fine example of the use of broken brush strokes to convey the spray of sunshine and shadows in the scene.