Painting of two children hugging tenderly, 24" by 20", unframed, signed at upper left by the noted Brazil-California 20th century artist OZZ FRANCA (1928-1991). Franca is perhaps best known for his paintings of Native American women, and "Big Eye" children, but he also painted a wide range of other subject matter. The Askart listing says he painted, among other subjects, fantasy, dreams/mystery, female figure, still life, cityscapes, seascapes, and pure abstraction...

A most decorative painting: a contemporary oil on canvas laid on board, 17 1/2" by 23 1/2", (26" by 31 1/2" in really beautiful and unusual contemporary hand carved silvery frame in Art Nouveau style), the painting and possibly frame also by noted Chicago artist and antiques restorer DMITRI RYBCHENKOV (1959-), who has signed the work with his initials at lower right. The painting is poetic and classic, two women and a fountain in a Mediterranean sunny landscape...

Oil on canvas scene of a flower-bedecked coastline, 24" by 30", unframed, signed at lower right by the noted, popular, prolific California contemporary artist, GARY RAY (1952-). This is an impressive example of Ray's work, with a thick, rich impasto, and size larger than most. The scene reminds of the Santa Barbara or Laguna Beach regions. Ray is a 4th generation Californian, born in Venice near Santa Monica...

A late 20th century oil on canvas painting of a landscape, 30" by 30", unframed, signed at lower right "M T O'Brien". The colors used are light and airy----pinks, light blues, whites predominating. The creek or pond is very impressionistically presented. Great for a beach house or other sunny abode.

Oil on canvas, unframed, 15 3/4" by 11 3/4", unsigned, the subject a colorful Indonesian or Chinese traditional dancer in elaborate costume, complete with extra long fingernails and fierce-looking mask. The work was likely executed in the past twenty years or so. A Chinese ad for cigarettes is used as backing paper (a tear in that). This is a most decorative piece that took a long time to create.

Oil on canvas painting of a small structure surrounded by a beautiful autumnal forest, 16" by 31 1/2" (21" by 36 1/2" as framed), signed at lower right "C. Jonnevelt" (or Sonnevelt), suggestive of a Scandinavian, Dutch or Belgian artist. The painting, in the tradition of earlier works, was probably executed by a Northern European artist circa 1960 to 1970. Note the skilled handling of the reflections at left...

Oil on canvas laid against panel, 10 1/2" by 13 1/2" (14" by 17" framed), signed at lower right by mid-century artist A. R. NOULIN. The beautifully painted little work reminds of Maurice Utrillo's 1920's paintings of the famed quarter around Sacre Coeur's white church. The shutters on all the buildings, the other details, all so nicely crafted. There are three tiny figures in the street. The painting is on a coarse weave canvas and is laid against a panel (not laid down onto it permanently)...

Oil or acrylic on canvas painting, measuring 30" square, unframed/unsigned, the subject a young woman, painted in the style of famous twentieth century artist Patrick Nagel (1945-1984). This is offered as a decorative "style of" work. The only information on the frame is the word "Mexico" (as in, origin of the frame I would imagine) and the number 30, the dimension. The painting is wrapped around the stretcher so that the edges are all therefore painted...

A vintage still life oil painting of yellow daffodils and other spring flowers in a tall silvery jug on a table top, 32" by 25", 37 1/2" by 30" as framed, signed at lower right by listed Southern California artist BERTHA TOWNSEND COLER (1865-1948). Coler was born in Ohio and studied with Robert Henri and William Merritt Chase in New York City...

A work by the noted California plein air artist RALPH HOLMES (1876-1963), featuring a stark arid landscape of the Southwest: a scene from Capitol Reef National Park in southern Utah (previously Capitol Reef National Monument), one of Holmes' favorite locales for painting. ***The 24" by 30" (28 1/2" by 34 1/2" in the probably original frame) painting is in need of restoration; there are numerous cuts and tears in the canvas, but it is hardly beyond recovery...

A small tight little contemporary acrylic or oil on canvas painting for that small wall, 7 7/8" by 7 7/8", unframed, with reverse dedication "For Shell Sam and Mina", and signed there on stretcher by artist Warren Boothby. Condition is excellent. Found in the Pacific Northwest; the style resembles that of the influential, famed artist associated with that area, Mark Tobey.

Painting on canvas of urban skyline with foreground boats, painted in modern and stylish grays, black, white and red, signed at lower right "LF Mark" or similar. The piece, in strip typical late sixties or early seventies frame, measures 18 1/2" by 26". Condition is very good save for a small puncture at lower left that actually blends in with the design and is not all that easy to find. Frame at left and lower right is also ever so slightly askew...

An old "cabin art" oil on soft paper board primitive style painting of Northern California's famed Mt. Shasta, towering over a rugged landscape including waterfall, tall trees, steep gorge, and a charming log house at left with smoke coming from the chimney. The painting measures 24 1/2" by 19 1/2", unframed. The board is warped, the surface uneven, and there is a snaking 8" crack in the board at right and small puncture at lower center. The work is delicate and requires very careful handling...

An oil on canvas painting of a clipper in full sail on the high seas, 16" by 20" (19 3/4" by 23 3/4" framed), signed at lower right in red by artist PAUL MASON and dated there with what appears as 1936. The work features attractive impressionist technique and colors. A search for information on the artist was not productive. There is a framer's label from Boston's Beacon Hill area, so we can likely assume that the artist was a New Englander. The surface is dry and there are some tiny losses ...

A contemporary painting in semi-abstract style, the image apparently of a horse and his flowing mane, staring at the viewer. The work is unsigned. Acrylic on canvas, 16" by 20" (a regular size, easily framed). A twist on equine art.

An 18th or early 19th century painting of a noble gentleman, oil on canvas, 30 1/2" by 23 1/2" on the stretchers 35" by 27 3/4" framed. This work does not appear to be actually signed, though there is much writing in blurred old ink on the stretcher in old German hand, seemingly identifying the sitter. The old style script and the way the ink has spread into the wood makes it all difficult to read. I do see, I think, "Franz Joseph Augustin von Stichner" or similar, and elsewhere the word "...

An oil on canvas painting of a young prince or son born of a noble family, 30" by 24 3/4", unframed, unsigned. The boy's face to my eye reminds of Goya, so perhaps this could be of Spanish origin (though, "FRANCE" is written on the stretcher in modern hand). The painting was relined sometime in the mid 20th century. There are some scratches at upper right which appear as white marks in the photos, some minor edge losses at lower left, and there is an even craquelure over much of the surface.

Oil on canvas painting of pears and glass vase with flowers arranged artistically on white and striped cloths, signed at lower right and again on the reverse side of the canvas by listed American woman artist SUSAN CROOK INGERSOLL (1908-). The unframed work measures 22" by 18" and is in very good condition, with just a bit of stretcher bar show-through. Colors are vivid and rich, and the modernity of the arrangement is striking. To a certain extent, there is some resemblance to the naturalism...

The pair of antique paintings will make for a highly decorative addition to a home. One of the apparently unsigned and undated works features mostly vegetables, with a game bird and possibly a fish, while in the other work, fruit predominates. The rustic paintings were executed by a competent though not highly refined hand. Measurements are similar but not identical. The vegetable piece measures 19 1/2" by 28" and 26" by 34 1/4" framed; the fruit work 23 1/2" by 31 3/4" and 31" by 39" frame...

Oil on canvasboard painting, 14" by 18" (17 1/2" by 21 1/2" in simple wood frame), signed on the reverse by artist James E. Carson of Andover, Massachusetts and titled there "Lobster Cove". This is a peaceful scene, most likely of the Lobster Cove near Annisquam and Gloucester, MA, but I see there is also a Lobster Cove in Maine. Regardless of the exact location, this is a classic scene of New England, captured by a talented artist. There is a listed illustrator by this name but I cannot dete...

Oil on panel painting of pink desert mountains and flowering dunes in the foreground, 16" by 20" (25" by 29" in wood carved frame), signed in the paint at lower left with a signature that appears as "Bo W(xxxxxxx)". The circa 1960 oil is by an artist who certainly must have been familiar with the palette knife California desert scenes, with rich impasto, of John Hilton (1904-1983). The style and feeling is similar. The painting could benefit from a cleaning, after fifty years. A gold frame ...

Oil on canvasboard circa 1960 painting of a variety of flowers in a ceramic yellow vase artistically placed on a textile with another ceramic vessel nearby, signed at lower left "Betty Way". The work, which measures 24" by 18", also bears a label on the reverse with the artist's name and address in Springfield, Pennsylvania, a suburb of Philadelphia. To date I have not located a known artist by this name. A Betty Way of Harrisburg, PA was a newspaper circulation manager. There might well be ...

Haitian art is rightly popular for its color and exotic subject matter. This little painting, 9 1/4" by 7 1/4', set into a larger quality frame/mat, 22" by 19 3/4", depicts a thatched roof hut, figures carrying items on their heads, and lush tropical mountains and vegetation. The artist signed his name "Serge Louis" and the date 1995. The painting is exceptionally clean and ready to hang on the wall.

A scarce oil on canvas PAINTING (not the usual prints seen), signed at lower left by the noted French 20th century impressionist painter CHARLES BLONDIN (1913-1991). Blondin was active in Paris in the post war years, painting and creating very popular editions of prints which he numbered and hand signed, and oil paintings as well. This work measures 8 3/4" by 10 1/2" (14 1/2" by 16" in appropriate mid century frame). Condition is excellent. Probably dates to late 1950's or early 1960's. See a n...

Oil on board landscape, unsigned, the subject a panorama of red rock cliffs and distant butte, likely in Arizona, or possibly Utah, the scene framed by tree at right. The work has some age, a guess would place this circa 1955 to about 1965. Certainly it is good enough to have been painted by a listed artist. The condition is acceptably good. There is a little moisture warp (not stained, just a warp) from possible past storage perhaps in a garage setting, and the back of the board is rough fr...

A most unusual modern painting----oil and sand on canvas, 48" by 32" including the frame, which, painted on all edges, can be considered an integral part of the work. The subject is most impressively complex---abstract yet suggestive of perhaps a central fish, or primitive ethnographic art imagery....all in a controlled palette of gray, muted rust red, white, black, and a touch of yellow. There is a signature, which has defied efforts to read it......looks like "Karnastas" or "Karnotas", or an...

A contemporary painting featuring the streets of Paris' famous Montmartre, the dome of white Sacre Coeur cathedral towering over narrow streets filled with pedestrians. The work measures 10 1/2" by 8 1/2" (12 3/4" by 10 1/2" as framed in black). The work is signed at lower right "Georges" and on reverse is written "Georges---Paris---2010/Montmartre". Condition of painting is excellent but lower left corner of frame shows some damage and there is scuffing elsewhere. Paint it black or reframe.

French late 19th century oil on canvas still life of flowers in various vessels on a tabletop, signed at upper right corner "J. Billou" (the "J" could be a "G" or "T"). Oddly I do not see a listing that would correspond with this name, but this is clearly a talented artist. The work measures 19 1/2" by 24" (22 1/2" by 27" framed). The colors and handling remind of some Renoir still life paintings. This was found "as-is" in northern New Jersey. Due to careless past handling, the work has acq...

In the style of masters like William Harnett, John F. Peto, Otto Kaye and others, this is a painting of an ink bottle, old style fountain pen, pipe and matches, stamped envelope and calendar, signed at lower right "Roy Fay". The letter, in the trompe l'oeil" (French for "fool the eye") tradition, is addressed to himself, in "Pasadena, Cal", and is interestingly postmarked in Kansas. The calendar is from the "Ohio Grocery", of Pasadena, and the calendar sheet reads November 1912. The painting...

Oil on pine wood panel, 6 1/2" by 8 1/2" (11" by 13" in old frame), unsigned, the subject figures in a clearing surrounded by feathery trees, a tiny brush stroke also indicating the presence of a scampering dog accompanying the small party. A charming old antique work in the Hudson River tradition; disappointing not to have found a signature, but I would think the artist listed. The painting has normal old light soiling, and the frame has some edge chips missing in a few places. The work like...

Oil on canvas painting titled at lower left "Morn. nr. Frinsbury Kent", signed at lower right "Alf. Bennett 87" (and titled again and signed again by the artist on the reverse canvas), 20" by 30" (27" by 36" as framed). The scene feature a filled hay barge at left with two figures aboard, two houses in the middle distance, and tall ships in the far distance. Frinsbury is in southeastern England, east south east of London, not far from the mouth of the River Thames. The artist appears to be on...

Oil on canvas Asian painting of a rural landscape in tropical Indonesia, 19 1/2" by 27 1/2" (24 1/2" by 32 1/2" framed), two female figures at center washing in the small lake or pond, a towering mountain range piercing the clouds in the distance, bamboo thicket at right, and a flaming flamboyan or poinciana tree at left, signed at lower left "M. DULLAH". This is a circa 1960's or 1970's work, most likely. The last name is common in Indonesia. There is an important artist with that name but I...

An oil on board painting of flowers in a green vase against a tan/brown background, signed at lower left with monogram of a capital "B" in a circle. The oil, 12" by 9" and 16 1/2" by 13 1/2" framed, was beautifully painted by an unknown hand. For a number of years I have attempted to learn the identity of the artist, so far without success. The board size and handwriting on reverse suggest the artist was American. Painting is in excellent condition, old gold frame has a big loss at lower rig...

Oil on canvas painting of flowers, possibly asters, signed at lower right by 20th century listed English artist Leslie S. G. Harries. There is no date on the painting but a guess of 1950 would likely be close. The work measures 18 1/2" by 15 1/4" (21 1/2" by 18" framed). Condition is excellent with just a very small uneven/pressure mark area in the canvas to the right of the petal at right, and there are a few pinpoint losses in that area. The artist, known to have been active in the 1930's...

Oil on canvas painting of a pinkish jug and blue-green vase on a neutral background, 15 1/2" by 11 1/2" (17 1/2" by 13 3/4" framed in light wood) signed at upper left "K Petersen". The impressionist work is skillfully painted though I do not see any information on the artist. Condition is excellent---ready for display.

A rather elegant landscape painting with a modern feeling, the predominating colors subdued yet elegant grays and earth tones, signed rather illegibly with a European hand at lower right corner and dated there 53. The unframed work on canvas measures 23 1/2" by 31 1/2". Signature looks something like "Oltarini" or "Ott....." or "Ult....." but despite years of trying to figure this out I have not succeeded. Most likely the work is Italian modernist, but if not Italian, the signature could be a...