A watercolor on organic wafer, painted by John Smart, and initialed lower left, along with the date of 1797. The sitter is a young woman with brown curls and eyes. She is attired in a green and blue feathered cap, a white gown with lace on the collar, and a green sash.

The brushwork is impeccable, the texture and blush of the skin, the details of the eyes, the clarity of each hair, and the overall luminescence of this painting are stunning...

A c1790 fine miniature done by John Barry. This portrait of a gentleman in a gray coat, with his powdered hair en queue, is an extremely well painted example, and in excellent condition. Presented in a 1 7/8" by 1 1/2" period gilt metal case.

BIOGRAPHICAL NOTE: John Barry, who lived in London and was active from 1784 to 1827, exhibited at the Royal Academy during this period. Among his sitters was Rev. John Wesley, the founder of Methodism...

Painted by Samuel Shelley, this is a beautifully limned portrait miniature of a British officer. The epaulette being on the left shoulder, instead of on the more usual right, indicates that the sitter was in a cavalry regiment of the British army. That, taken with other characteristics of the uniform show him to be with the heavy dragoons...

A nice miniature painting done, in watercolor on natural material, by Ebenezer Mack. The sitter is dressed in a black jacket, and a white vest, shirt, and stock. Housed in its original gold case.

Although all of Mack's works are quite naïvely rendered, this example is even more primitive than most, indicating that it was done quite early in his career, probably in the 1785 time frame. His works are very rare, and he did not sign his paintings...

Italian. 17th-18th Century, Oil on Copper, 21"w by 15.25"h in an antique frame 26.25"w by 22"h. On the verso is an antique inscription that attributes the painting to Jean Honore'Fragonard 1775. The inscription is obviousely antique and written in English.

Russian Icon . 18th Century. 17th Century Crucifix. 17" x 13".

Antique Japanese Scroll of Two Quails amidst chrysanthemum flowers, painted with a delicate painterly touch. Signed and sealed by Tosa Mitsuoki (光起) (1617-1691). In 1654, Mitsuoki won back the position of edokoro-azukari for the family, which enabled him to revive the school.Mitsuoki rejuvenated the traditional Tosa style by introducing elements from Chinese painting...

Circle of Henri Met De Bles, 1480-1550. This wonderful early painting is oil on Wood Panel is in an 18th-19th C Frame. It is 9.75"H by 14.75"W and is 17" by 22" in the frame. It has been restored and backed with wood. Henri Met De Bles, or Henri or Herri,was called Civette (owl) in Italy, also called Master Met den Nil. Born in 1480 in Bouvignes. Died after 1550. 16th Century, Flemish School.A painter of religious compositions, animated landscapes and drawings...

Godfried Schalcken or Gottfried Schalken (1643 – November 16, 1706), was a Dutch genre and portrait painter.

From our European Collection, a very good 17th century Italian School oil on canvas, 'Ecce Homo.' An enduringly poignant and iconic image of Christ in Pathos and everything else that this represents, it needs no further elaboration from us.

Size and Condition: Framed dimensions, 31.5 x 25.5 inches; Unframed image size is 25.75 inches x 19.75 inches. The painting has crazing / craquelure consistent with its 17th century age...

Godfried Schalcken (attribution), Dutch, 1643-1706. This oil on panel is 9.5" by 7.5" in a gold leaf frame with overall dimensions of 12" by 15".

Please notice the new photo which shows a stylistic monnogram on her collar. We believe this monnogram represents P J P. We will be doing more research on this monnogram. We are researching this exceptional 16th century portrait of Mary, Queen of Scots (1542-1567). This oil on panel measures 20" x 17". The frame label reads Mary Queen of Scots by Pieter Pourbus 1510-1584. The frame and panel appears to be original. If you need detail photos, please advise.

16th C Italian Crucifixion, Joseph Heintz the Younger, Augsburg(1600-1678) Venice. This magnificent painting is oil on canvas with old relining. It was most likely commissioned for an altarpiece painting. The painting is 41.5 W by 41.5" H. Collectors label verso. Provenance: Private Midwestern Collection, Private NY Collection, Private Prominent Old Master collection of J.J. Hollenbeck, Palm Beach Florida . Verified by Robert Simon, NY, NY as 16th C Italian Venetian...