Watercolor painting of autumnal tree in a landscape, 21" by 14", unframed, signed at lower left Virginia Dicken and on reverse is written "Autumn Gold". I do not see information on an artist by that name but she was obviously familiar with watercolor technique, including wet-on-wet technique visible at upper right. Presently the work is taped at edges to a mat (can and should be removed). Condition is excellent; just frame it.

Oil on canvasboard painting of red tulips in a bright yellow vase on a tabletop, two apricots or peaches at lower left, unsigned, in a gold frame in wall-ready condition. This is likely by the hand of a talented amateur painter, but it all "works", with bright attractive colors and a clean overall appearance. The entire work as framed measures 16 1/2" by 13 1/2". See a number of other floral works in my shop.

Oil on canvasboard painting of a young girl, in the style of Margaret Keane and the "Big Eyed School" of the period, 24" by 18", unframed. The work is signed, charmingly, at lower right "Grandpa Friedman" and is dated there "64". The board is curved---a bit concave, or convex, as you might put it---but otherwise the painting is in good condition. A nice addition to your mid century Retro collection.

A contemporary, unsigned oil on canvasboard work, 9" by 12" (12 1/2" by 15 1/2" in simple black frame), the subject small boats at a dock, one likely a fishing boat. The work was likely painted rather rapidly by an artist of talent. It is clean and ready for the wall.

An impressionist street scene of Koge, Denmark (a market town about 25 miles southwest of Copenhagen), signed at lower right "A Krogh Petersen", and titled below that "Kirkistrad (Church Street) Koge". The unframed 17 7/8" by 20" painting on canvas is sold in as-is condition. There is a ragged puncture at upper left in the tree, and nearly all parts are present except for an area smaller than a pencil eraser. Have this patched and the painting lightly cleaned...

A contemporary oil on canvasboard painting, 16" by 20", 19 1/2" by 23 1/2" as framed, the subject an intimate little harbor no doubt in coastal Maine, with a lobsterman's shack and traps stacked on the deck, and his trap-identifying floats hanging on the side of the structure. The talented amateur artist "Paula" signed at lower right and dated the work '98. The work has accumulated a little light soiling and two small abraded areas, as shown.

In the tradition of Victorian rose paintings of the late 19th and early 20th century, here is an unframed work, canvas laid on board, 11 1/2" by 21 1/2", signed at lower right "IDMAY". The painting likely dates to the early years of the 20th century, a time when young girls were encouraged to take up the "ladylike" skill of flower painting. "IDMAY" might have been Ida Mae----one of these young ladies. Our artist was of average skill, but her handiwork has outlived her...

Old horizontal format landscape, oil on board, featuring trees, a creek or lake, the only sign of man a picket fence near the group of trees at center, signed at lower left "Ferguson". The painting likely dates to about 1925 or 1930. Measurements are 14 1/2" by 25" (19" by 32 1/2" in frame that dates to about 1965). There is stable authentically old "alligatoring" of the paint (a crackling pattern related to how quickly the paint dried)...

For the collector of botanical drawings and art, a nice unframed 11 7/8" by 9 3/8" floral watercolor drawing highlighted with a little gum arabic in the nineteenth century tradition. It is not signed, but I think at lower left in old faint pencil it says "yellow aralia", and at bottom, very faint and barely visible, there is a lot of illegible pencil writing. This likely dates to the 1860's to 1880's period...

An original gouache on illustration board drawing of a native American dancer performing the "eagle dance" of the Southwest, measuring 8" by 6 1/2" (12 1/2" by 11" in wood frame), signed at lower right by artist H. Kunkle and dated '79. Definitely an original gouache drawing, not a serigraph or reproduction of any kind. See close-up images. I have not been able to locate information on an artist by this name. The work is loose in the frame, needs to be nailed in again...

Highly detailed gouache on silk painting, 7 1/2" by 16 1/4" (11 1/2" by 20 1/2" as framed), unsigned, featuring approximately 75 to 80 figures participating in some kind of ceremonial procession. The work, circa 1960's or 1970's, is framed with bamboo style frame. There is a water stain at lower left in the mat area, which is actually composed of a thin wood veneer...

Watercolor on heavy paper of trees leaning over a lake, a swooping bird and small boat with primitive figures in the right lower portion, 12" by 21 1/2", signed at lower left "J. H. Dore" or "T. H. Dore". This is a late 19th century work with a primitive and folky touch. The green mat is too wide. Reframe this charming work with a smaller mat for optimum presentation.

Gouache on paper still life with iris and porcelain figurine of a woman, 20" by 15 1/2" and narrow gold frame of the period, signed at lower left with what appears to be "g. r. becker", and bearing in German script a Christmas (Weihnachten) 1941 dedication, the work apparently given as a gift, on the reverse framing paper. I do not see a listing for a name that would match this signature so am offering this as a decorative work...

A floral still life painting on pebbled paper, 14 1/2" by 10 1/4" inside the mat, 19" by 15" as nicely framed (no glass). The work bears signature "Montezin" at lower left but I have researched the piece and it is not by the noted French artist. It is offered solely on its decorative qualities. There are light folds in the paper at top but they are not really a concern.

Large impressionist painting of violet mountains, pond and green meadow with white fence, 24" by 30" (31" by 37" framed), signed at lower left by artist HENRIETTA S. RUDDER, further titled "Mountains" on reverse where there is a label of the 1989 Artists Guild of the Norton Gallery Fifth Annual Exhibition (probably West Palm Beach, Florida), providing the artist's name, and the original price of $500. The painting is created primarily with palette knife, the paint richly and generously applied...

Watercolor painting of a lone fisherman on coastal rocks, 14 3/4" by 22" (22 1/2" by 29" framed), signed at right center "E. Dunlavey". This is a well executed impressionist work by an artist who does not appear to be listed in standard directories...

Watercolor on paper of wildflowers in a ceramic vessel, and what appear to be cherries in the foreground, 19 3/4" by 15 1/2" as framed, signed at lower right with a signature that looks like "M. Bals-Werthmann" or similar, and dated there 1944. I don't see a listing for that name or variants I have tried. The artist, working during the darkest days of World War II, must have been wanting to try to bring a little brightness to grim times...

Likely painted for the southern tourist trade between about 1920 and 1950 or so, is this oil on a slice of palmetto wood, roughly oval shape, approximate dimensions 10" by 13", the slab 1" thick, signed at bottom left in the image "A. Donhauser". This locale could be anywhere from Texas through Georgia, given the Spanish Moss on the tree. The palmetto slab is unusual and adds interest. An unusual item. There is a small loss on the tree trunk.