Sir Richard Steele (bap. 12 March 1672 – 1 September 1729) was an Irish writer, playwright, and politician, remembered as co-founder, with his friend Joseph Addison, of the magazine The Spectator. Steele became a Whig Member of Parliament in 1713, for Stockbridge.[3] He was soon expelled for issuing a pamphlet in favor of the Hanoverian succession...

Rowland Langmaid, British, 1897-1956, "Westminster". This is an atmospheric original etching by British Marine artist and Lieutenant-Commander of the Royal Navy Rowland Langmaid. Etching with drypoint, image size 5 5/8 x 8 inches, c. 1930, pencil signed and titled. A beautiful image of the silhouette of Westminster Abbey rising above the busy Thames River.

Etching on paper, 10" by 7 1/4" inside the mat, 16" by 12 3/4" framed, signed at lower right in pencil by well-known New Orleans artist EUGENE F. LOVING (1908-1971). The print is titled at lower left, "The Marchand Court Old New Orleans", and bears the artist's notation "Ed/200" at lower center. Loving was a familiar figure on the New Orleans art scene for decades, painting and executing prints as well...

Felix Bracquemond, French, 1833-1914, "Canards Surpris", etching, plate measures 13 3/4 x 10 3/8 inches in a gold colored 21 x 17 inch frame. Drypoint etching. Catalog: Beraldi 778. C. 1882. A very detailed etching with meticulous linework and a unique composition. Initialed in ink in the lower left, pencil signed in the lower right.

Original etching on copper by Wendell H. Black (American, 1919-1972), first edition, printed posthumously by Berkley Chappell. In excellent original condition, titled and numbered 9/25 l.l. and signed and dated l.r. Also signed and inscribed "imp" by Berkley Chappell. cf: "The Lost Prints of Wendell H. Black" by Henry Sayre.

David Muirhead Bone, Scottish, 1876-1953, "The Piazza- Glasgow Exhibition," Etching, image size 4 1/2 x 6 7/8 inches, 1901, Dodgson 101, edition of about 90, plate signed l.l. "Muirhead Bone". the published edition of 90 proofs was not pencil signed.

Joseph Pennell 1857-1926 American This is a fine original pencil signed etching by American artist Joseph Pennell. The subject is: Athens from the Tomb of Philopotes, it was created and printed in 1913, printed by the artist with his "imp" after his name in the lower border. The image measures 10 3/8X18 1/2 inches. This image appears in the Wuerth catalog as image number 656 and was printed in an edition of 40. This etching was originally sold by Frederick Keppel in New York...

Luigi Kasimir Open Luigi Kasimir configuration options 1881-1962 Austrian This is an original color aquatint etching by Austrian artist Luigi Kasimir. The title of this work is: "Fleet Street,London", circa 1930, one of his best works. The view is of St.Pauls and Ludgate Hill from Fleet Street. The image measures 21 1/4X17 inches. very nice condition, pencil signed in the lower left border, printed on a wove type paper. It appears in the Kasimir catalog as image number 10.

Original limited edition hand colored etching titled "Haggling" featuring Korean women in a marketplace by German artist Willy Seiler (born 1903) from his Korean series. Signed in pencil on the lower margin. Reverse with limited Korean edition seal marked Plate #68A/110, stamped in red "original hand colored," and with Seiler's address in Japan (see enlargements). Willy Seiler's etchings captured the essence of life in rural Japan...

By the Liege, Belgium-born artist ARMAND HENRION (1875-1958), a fine color etching in oval shape, of two clowns in full makeup, pencil signed and numbered 19/500. The artist is known today for his wonderfully expressive depictions of the clown, as well as mime reactions. Most of the works are actually self portraits. The depictions in these portraits reveals an affinity for humanity rarely captured in portraiture...

Arthur J. T. Briscoe, British, 1873-1943, "The Main Rigging". This 1928 original etching by Arthur Briscoe measures 13 3/8 x 8 3/4 inches, pencil signed and numbered, 10/75, cat: Laver 116, plate titled and dated, published by H.C. Dickins. This spectacular image was created at the height of Briscoe's popularity, depicting the dangerous and challenging daily routines aboard a seafaring vessel...

Ovesized Japanese limited edition copperplate etching titled “Takafune Village” by Tanaka Ryohei (1933-2019). Pencil-signed, dated 2004, and numbered 8/100 in the lower margin. Paper size: 22 1/8" x 14 3/4" (image: 18 1/4" x 10 3/4"). This etching was never framed and is in excellent condition.

Manuel Robbe, French, 1872-1936, "La Parisienne". A beautiful subtly colored etching and aquatint, image size 19 1/4 x 13 5/8 inches, 1907, pencil signed in the lower left corner of the image. One of the leading French artists of the ‘Belle Epoch,’ Robbe studied at the Academie Julien and the Ecole des Beaux Artes, becoming a master of the aquatint medium. He developed much of his own aquatint techniques, which enabled him to create his uniquely painterly, richly colored images...

William Lee Hankey, 1869-1952 British, Mother and Child, etching/drypoint, image size 7 3/4X6 inches, pencil signed and artists blindstamp

Kruseman Van Elten, American, 1829-1904, Etching, "Summer Morning", Image size 17 7/8 x 29 5/8 inches, printed by Wm.Pate & Co, NY, plate signed 1886

Arthur Heintzelman, American, 1891-1965, etching, "Cafe Montmartrois", BPL 114, plate destroyed, Characters from French art culture of 1925; Scene features Heintzelman, left, bending over table, the Parisian model, Kiki who appears in Planche aux Cinq Croquis. To her right, Fredie, subject in Fredie du Cafe "Le Lapin Agile" and of Le Poete regarded by Heintzelman as the last of the great Montartre singers, Young man with the guitar is Fredie's son.

Aloys Wachelmayr, Austrian, 1892-1940, "The Guitar Player," etching, pencil signed, image size is 6 x 7 3/8 inches on 9 3/4 x 14 3/4 inches wove-type paper. Circa 1917.

For the collector of Ashcan School/The Eight, or early 20th century American art, here is a special work: a pencil signed print by JOHN SLOAN (1871-1951), titled "Man Monkey", and inscribed "100 proofs". This special piece, which dates to the year 1905, came from the personal collection of Peter Morse, who wrote the catalog raisonne of Sloan's graphic work. There is a charming typed letter in a sleeve on the reverse side, on the letterhead of Morse in Washington, D.C., dated Christmas 1966...