Tavik Frantisek Simon, Czech, 1877-1942, "Quai Voltaire au Printemps". This sunny Paris street scene was created in 1914 by Czechoslovakian artist Tavik Frantisek Simon. Soft ground etching and aquatint, image size 12 7/8 x 14 5/8 inches, pencil signed, edition of probably 250, cat: Novak 225.

The sheet size: 24" x 32"
The image size: 31" x 38"
The title: "London"
Artist: Linnea Pergola (American)
Medium: 100% Arches paper, Unframed.
Signed by artist: Lower right in pencil
Edition Numbered : 121/295, in pencil
The year made: 1990
Publisher: Martin Lawrence Limited Edition
The condition: Mint, never been framed.
The serigraph was stored away last 20 years...

John Taylor Arms, American, 1887-1953, "Cavendish Common," Etching, image size 6 3/8 X 14 9/16 inches, printed in 1942 by Charles White in an edition of 150, 2nd state proof, numbered "II", cat: Fletcher-370, pencil signed and dated. This atmospheric etching is a great example of the delicate lines precise detail for which Arms was known. This image won several awards in the early 1940s; the Mrs...

Lithograph of Mohongo, an Osage Woman from Thomas L. McKenney and James Hall's The Indian Tribes of North America, with Biographical Sketches and Anecdotes of the Principal Chiefs, published in 1837 in three volumes. This lithograph from the collection is of an Osage woman named Mohongo, or Sacred Sun, from a portrait by Charles Bird King...

Offset Lithograph by ALIZERA aka ALIZERA GOLKAR
The title: GOLDEN POND, written by pencil on lower left of margin,
The size of Lithograph Sheet: 27” Long x 20” High,
Image size: 24” Long x 18” High,
Signed by artist, ALIZERA 89 on the lower right side in plate
Medium: Offset Gallery quality Lithograph on Heavy Paper.
Published by Art in Motion, Inc., Vancouver, B.C. in 1989
Printed in Canada.
The condition: Excellent, never been framed...

Arthur J. T. Briscoe, British, 1873-1943, "Hauling the Net Aboard". This 1926 etching by master printmaker Arthur Briscoe measures 7 x 11 7/8 inches and is signed in ink and editioned as 38/75. Lable on backing with provenance from C.W. Kraushaar Galleries, NY. Members of the crew aboard the trawler "Guess Again" concentrate on hauling the days catch aboard. The forground figure is "Old Sam" a figure Briscoe used in many of his images...

Clifton Karhu (1927-2007)
Tominaga-cho, Gion
Date: 1993.
Edition: 55/75.
Size: 24.25 x 17.75 inches.
Signed, titled, numbered, and dated in pencil by the artist in lower margin.
Medium: Japanese woodblock print.
Condition: Slight toning in margin due to former matte. Left and right outside margins each have a dot of foxing. Print has never been adhered to a backing.

TWO wood engraving prints of the posthumous late 1960's/early 1970's edition of "L'Enfant", each sheet 16 1/2" by 12 7/8", with stamp signature in lower margin, by the important French twentieth century artist ANDRE DERAIN (1880-1954). These are from The Collectors Guild, New York edition, the imagery in red on a black background, each stamped lower right margin "a. Derain". They were found without glass so are in good presentable condition though not mint...

David Muirhead Bone 1876-1953 Scottish "This is one of the most famous prints from the British Etching Revival" This image is titled: A Spanish Good Friday,created and printed in 1925 by British artist David Muirhead Bone. This pencil signed drypoint measures 12 5/8X8 inches, printed on a laid type sheet with deckeled edges. Numbered as XXVII lower left corner. The image depicts the solemn festival at the end of Passion Week. Ref. Campbell Dodgson 412 .

A group of THREE 19th century English botanical prints, two framed identically in gold with closed corners, the third framed in a different gold frame with beading. The matching pair measure 19 1/2" by 17 1/2" in the frames; the final piece slightly smaller at 19" by 16". The print in that latter piece, by artist Fitch, has horizontal creases, one sharp; the year "1846" is written in pencil at bottom edge...

Original 1627 etching by Jacques Callot L'ENTREE DE MONSIEUR LE PRINCE DE PFALTZBOURG from LE COMBAT A LA BARRIERE, Lieure catalog number 576, the only state. From a series of 10 etchings by Callot to commemorate a tournament sponsored by Charles IV of Lorraine in honor of the Duchess de Chevreuse. The print depicts chariots and processions for one of the participants - the Prince of Pfaltzbourg...

William Lionel Wyllie, British, 1851-1931, "Sugar Boats off Greenwich". This lovely atmospheric image by William Wyllie measures 4 7/8 x 12 7/8 inches, pencil signed on the l.l. and created c. 1920. This is a view of Greenich from the Isle of Dogs with a view of the Royal Navel Academy on the left with the domes of the Royal Observatory high in the background. Wyllie was a well known marine painter and printmaker, studying at the Heatherley School of Fine Art and then at the at the Royal Academy...

If the Master could do a Seat series in the 1960s he must have decided to do a Sink series in 1972. First, it did a small image in 1972 and then he ended the year with a larger image depicting the same sink theme. It is the one pictured here, Poem 72-61 Sink-S. It measures 9.75sq in.

Japanese Woodblock Print Nineteenth Century , Geisha 17x21. We have a fine selection

An offset limited edition pencil signed print of St. Michael's Church in historic downtown Charleston, South Carolina, pencil signed by the artist, Charleston's long time fixture VIRGINIA FOUCHE BOLTON (1929-2004)...

This is an original etching on laid paper by renowned artist Edouard Manet [MANET, Édouard (1832-1883)]. It is titled, "Baudelaire de profil en chapeau." Created in 1869, this etching features Edouard Manet’s signature monogram stamp in the upper left, ‘Peint et Gravé par Manet 1862’ was engraved in the plate in the lower left with ‘Imp. A. Salmon’ in the lower right. This magnificent etching was inspired by an original oil portrait of Charles Baudelaire, the famous poet in profi...

Every so often, Maki decided to create an all-white print to which he added two or three small bits of color. Daniel Tretiak talked of Maki’s fondness for adding balance to his prints especially with the use of moons or splashes of color. Poem Y is an example. The print is beautifully textured with the colored spots placed in smooth areas among the overall embossing. It measures 17 1/8 square inches and is no.15 of an edition of 50.

A striking black and white lithograph, 10 1/2" by 16 1/2" inside the mat, 14 3/4" by 20 3/4" simply framed, the subject matter a landscape with trees and structures, the imagery artistically distorted in a Cubist fractured style, pencil signed at upper left "Wheelock" by the artist and dated there '29. The handling is reminiscent of Andrew Dasburg, Howard Cook, and some other modernists working in New Mexico. The artist is Massachusetts-born WARREN WHEELOCK (1880-1960). Wheelock served in the...