Diego Rivera, Mexican, 1886-1957, Title Flower market, Medium Lithograph, Year of Work 1930-1930, Size Height 10.8 in.; Width 16.1 in. / Height 27.4 cm.; Width 40.9 cm. Edition 45/100, Found./Pub. Weyhe Gallery, pub.

Rare pencil signed and numbered lithograph by American and Taxco, Mexico artist William Spratling (1900-67). This depiction of Fiesta Mexicana was printed in 1931 from the original drawing for Spratling's 1932 book LITTLE MEXICO. Signed Spratling in the lower left and numbered 11/35. Litho measures 11 1/2" X 7". Measurements with matting - 12 1/2" X 11 1/2". The piece is not framed. Beautiful original condition...

This original etching is by Francisco de Goya. It is titled, "The Little Prisoner:" (Le Petit Prisonier). In Spanish title is, 'Tan Bárbara la Seguridad como el Delito': (The imprisonment is as barbarous as the crime). It captures and symbolizes Goya's ideas about the human condition and suffering: a poor soul, quite grim. It was first issued in Gazette des Beaux-Arts, vol. XXII, Paris, 1867. It is pre-framed. That actually etching measures 110mm x 85mm (approximately 4 1/8" x 3 1/8"...

This is a brilliant example of Haku Maki's Big Red prints, his frequent use of a large red character on a black background.

Haku Maki started making embossed prints circa 1965. These in the main featured embossing that came out from the back to the front. However, I suddenly discovered that a number of prints in the 1976 - 1977 period were done with the embossing going into not out of the front This style or process does not seem to have hurt any aspect of Maki’s work nor benefited it...

The strokes in this print are "U", no meaning. This is an early print using Hiragana. It is two brush strokes piercing the space, leaving a trace of itself before coming to the bottom of the paper. It has but one splash across the top and a red tear along the side and then: Whoosh it goes as in the red image at the bottom. There is one sun at the outer edge of the stroke and two moons inside the curving stroke. Not so simple after all.

I first saw this print in a small pamphlet from White Lotus Gallery in Oregon, acquired the print in ways that Du Yuesheng would be proud of and it has rested here for over two years It is a small print but it packs a punch. It shows a prancing dancing woman. What do you think? The kanji in the center of the print is set off by a tear at the left and a sun at the right. It measures 5.75” x 8.5”.

Maki’s earliest works were done in the late 1950s and remained rather unknown until the late 1960s. He first started producing prints using red ink in 1965 and this is probably the first example. It is also what I call a Big Red. It is very abstract and it fills up the whole sheet. Maki wanted his prints to have balance. This has it: the red field is pierced by three blue squares: two on the left side of the orange meteor-like strokes, and one on the right side...

This print is 13 inches wide x 20 75 tall. it is a spectacular Big Blue. The kanji reads words to the effect Give an inch, take a mile. Maki produced this print in 1971. It is number30 of 105.

A rare color lithograph by Wayne Thiebaud titled Coronado signed, numbered 5 of 15 and dated 1956. overall sheet size 16 x25 12.5 x 21.5 inches. A beautiful colorful modernist image of sail boats off the San Diego coast with the old Coranado Hotel in the left of the image...

MOORE, HENRY| (1898-1986 English) Sketch collection of works, framed colored lithograph, approximate image size 21" x 14 1/2", frame 28" x 23", signed and dated 1949, numbered in pencil from a total edition of 75 prints.

In 1971 Haku Maki Japanese Master print-maker was at the height of his creative powers. He had already done several “big” prints and turned his skills to producing dramatic prints. This Big Blue was one. It depicts a war instrument, a halberd. Maki created this design so that it showed how the character was written. He showed us how the stroke order flowed on a woodblock print...

Poem 70-72. This striking Maki Big Red has had a long history for being just 40 years old. It has seen the world and is now back in Asia, in Beijing. This is as near to Tokyo, where it was created by Maki, that it has been in many years. In this case, the big red letter is the hiragana "chi" ‚¿ or shiru, which means to know, find out, to learn, or have knowledge...

A Fine Japanese Woodbocl Print by Paul Jacoulet (1902-1960): Japan, Dai oban Yoko-e, 18 3/4” x 14” incl...

Poem 70-73 Taiwa (Level or peace), 31/106, 17.5”x 24.5”...

The paper size: 23" W x 35" H (with border margin)
Unframed Original Lithograph by Artist, Charles Cobelle, (1902-1994)
The title, "Village Concert"
Medium: 100% Rag content Acid Free Paper.
Condition: excellent, never been framed.
Edition number : AP(Artist Proof), signed Cobelle and numbered in pencil on back.
Edition size 500 plus some aritist proof existing.
It was published in 1979 by The Graphic House.
We guarantee it is original lithograph. We w...

Work 73-5 is a funny, lively snowman--or snow child. It is number 28 of an edition of 103 and measures 9.5in W x 17.5in H.

Bakufu Ono, oban tate-e, one of the ¡°Great Japanese Fish Picture Collection (Dai Nihon gyorui gashu)¡±, dated 1951, published by Kyoto, Hanga-in, slightly toned, fine impression and color.