Large original mid-century woodcut by Davira Fisher (USA, Cincinnati, 1918-1986). This work is signed in pencil by the artist L.R. Dated 1960, titled "Lonely Trees", and numbered 18/100. Framed. Davira Fisher is a well listed African American artist from Cincinnati aptly known for her woodblock prints, often depicting the Mount Adams neighborhood of her city.

PAIR of fine engraved prints, 9 1/4" by 13" inside the innermost mat, and 20 1/2" by 26" as framed in attractive quality burl wood, one titled "Windsor and Eaton", the other "Carfax and Abingdon", created by the well-known late 18th century topographical artist and diarist JOSEPH FARINGTON (1747-1821). These are quality prints ready for display in any traditional interior, with fine detail and subtle coloring complemented by the rich brown burl and fine matting...

This is a medium folio size (lithograph 12 5/8" by 15 1/2" inside the mat, the sheet " by ", and as framed 20" by 22 1/2") by famous American printmakers Currier and Ives. Judging from internet offerings of the image by major print dealers around the nation, the print is a popular one, although it is not among the so-called "Best 50". Note the horses, the ducks and pigeons, the turnips, and the hogs at left. All in all, this is a peaceful scene of another America in another century...

For the Andrew Wyeth collector, a color collotype print "Arthur Cleveland", circa 1965, from a limited edition of only 100, **with INK SIGNED-by-the-artist label** affixed to the backing. The print measures 26" by 18 3/4" and frame is 1 1/2" wide on a side. This was acquired in Connecticut; the seller stated that it had been acquired from a Boston gallery in the 1960's by her parents, who had unfortunately trimmed off the margins to make it fit the frame...

Albert Abramovitz, Latvian/American, 1879-1963, "Worker's Head". Albert Abramovitz $595.00 1879-1963, Latvian/American Worker's Head This is a beautiful, intimate portrait of a Depression-era worker by Albert Abramovitz. Linocut, image size 7 x 4 1/2 inches, c. 1930s, pencil signed and titled. Abramovitz was known for his dramatic images with sharp social commentary, many portraying the hardships of daily life for working class people in both America and Russia...

"Veduta della Piazza della SS. Nunziata, Statua Equestre di Ferdinando Primo, Fonti, e Loggie Laterali" Lively view of Nunziata square with the statue of Ferdinand I in Florence after Giuseppe Zocchi (1711or 1717 - 1767) and engraved by B.Sgrilli. From "Scelta di XXIV Vedute delle principali contrade, piazze, chiese, e palazzi della Città di Firenze". The 24 plates in this work show views in Florence. The scenes are enlivened by human activity...

James Gillroy ('Bristol-cheese, made, and sold, by Percival & Co') Sitter William Lort Mansel (1753-1820), Bishop of Bristol and college head. by James Gillray (1756-1815) hand-coloured etching, 1809? 9 7/8 in. x 7 1/2 in. A hand colored copy of this image is in the English National portrait gallery we have included an image of the colored version mat size 14" by 18"

This color aquatint by Luigi Kasimir measures 17 3/4 x 15 inches, pencil signed, plated dated 1925, cat: Lorenz-5. Kasimir studied at the Vienna Academy of Art, although much of his etching technique was self taught and learned through working from nature. He specialized in atmospheric images of architecture, city scenes and landscapes; some bustling with people and automobiles, others quite timeless and serene.

Johan Barthold Jongkind, Dutch, 1819-1891, "Moulins en Hollande". This 1861 etching by Johan Barthold Jongkind measures 5 1/4 x 7 1/4 inches, plate signed, framed. D-14, early proof before letters, I/III.

Jacques Callot, French, 1592-1635, Engraving, "Scenes From the New Testament", image size: 2 5/8 x 3 7/16 inches, 1635, inscribed: "Jesus adductam ad se mulierem adulteram absoluit."

Peter Moran, American, 1842-1914, "On the Road to Santa Fe," etching, image size 11 1/2 x 17 1/2 inches, 1884, cat: Wright-72, plate signed, l.r. Published in "Selected Etchings by American Artists", Philadelphia, 1884.

Alméry Lobel-Riche, 1880–1950, French, etching, "Le Bar," plate measures 13 1/4 x 9 1/2 inches in a 21 1/2 x 17 1/2 inch gold frame. Plate signed in the lower right, with the publisher's blindstamp, le Cercle Moderne, in the lower left. C. 1912. Edition of 200, from the Paris series. Probably printed by the artist in black ink on cream wove paper with full margins, as issued. A fine impression with a rich drypoint burr.

Stephen Parrish American, 1846-1938, "Bethlehim ,Pennsylvania, etching, image size 3 7/8X8 3/8 inches,pencil signed

Etching, tightly trimmed to round shape ("tondo"), 8 5/8" by 8 5/8" (12" diameter in quality round, gold modern framing by Los Angeles framers Jerry Solomon Enterprises Inc.), the title "The Satyr Family", dating to 1657. This is a fine 17th century etching by a talented Old Master...

John Taylor Arms, American, 1887-1953, "Amiens". This 1926 etching by the American artist, John Taylor Arms, measures 10 3/4 x 9 7/8 inches, pencil signed and dated, also called "The Cathedral of Notre Dame, From the Lower Town", edition of 100, from his French Church Series #8, cat: Fletcher 181, printed by Frederick Reynolds. This etching won the "John G. Agar Prize, Fifth Annual Exhibition by Living American Etchers, National Arts Club, New York, N.Y." in 1927.

Alfred-Alexandre Delauney, French, 1830-1894, engraving after Peter Paul Rubens, "Marche de Silene", image size: 13 17/16 x 18 1/8 inches, framed.

Stephen Parrish, American, 1846-1938, etching, "Mills at Mispek, N.B.", image size: 8 3/4 x 11 3/4 inches, 1884, seconds state, cat. Schneider-104, pencil signed lower right.

Pierre Aveline, French, 1656-1722, engraving after the painting by Georgion de Castel-Franco", "Moses Presented to the Daughter of the Pharoh", circa 1740, provenance: Gray Collection, Fogg Museum (on Verso #123) image size: 12 7/16 x 24 7/8 inches

John Taylor Arms, American, 1887-1953, etching, "Aspiration, La Madeleine Verneuil-Sur-Avre", image size 15 1/2 x 10 inches, pencil signed and dated 1939, inscribed Roman numeral V in pencil and dedicated "To my friend Timothy Parforman in deep and lasting appreciation, from John Taylor Arms - 1943." Also called Fraternite, Egalite, Liberte.

Sir Francis Seymour Haden, British, 1818-1910, "Ye Compleat Angler". This is a very rare pencil signed etching by Sir Francis Seymour Haden; it is an early proof, from before the edition published in Hamerton's 1880 'Etching and Etchers'. The image size is 5 1/2 x 7 7/8 inches, 1877, cat: Schneiderman-161, plate signed and dated, pencil signed, a very rich impression on a laid type paper, framed...

Lithograph on paper, the title "Nuit Blanche" ("White Night"), 17 1/4" by 12" inside the innermost of two mats (20 1/2" by 15 3/4" as framed), signed in pencil within the image at lower right by the well-known Belgian-born modern artist PIERRE ALECHINSKY (1927-), and numbered at lower left 222/300. This a modern image was published in 1969. The artist is a major figure in late 20th century art's CoBrA movement, counted as one of the founders of it in 1949...

William Lee Hankey, 1869-1952 British, "Woman in Thought", etching, image size 8 3/4X5 inches, pencil signed and artists blind stamp monogram

Japanese limited-edition copperplate etching titled "Big Tree No. 2" by Tanaka Ryohei (1933-2019). Pencil-signed, dated '83, and numbered 33/130 in the lower margin. Paper size 13 1/4" x 12” (image: 9 x 8 1/4"). Never framed. Very good overall condition. There are a few pinhead sized light brown spots in the margin.

Etching on paper, 1923, measuring 9" by 13" (15" by 18 3/4" framed---no glass), titled "La Lagune--Venise" in pencil in lower right margin, signed in pencil at lower left margin and numbered there 80 from an edition of 100, by the important artist EDGAR CHAHINE (1874-1947). The influence of Whistler's similar graphic works and drawings featuring Venice is very obvious, what with the big sky and tiny silhouettes of the buildings on the horizon far away...

Original deep etching on zinc by Wendell H. Black (American, 1919-1972), first edition posthumously printed by Berkley Chappell. In excellent condition. 11 1/2 by 19 1/4 image alone. Titled and numbered 7/25 in pencil l.l. Signed "Wendell H. Black '61 by Elaine" l.r. Plate 9 in The Lost Prints of Wendell H. Black by Henry Sayre. Provenance available.

"Veltliner, Zurich". Photograph by Jost Honk. #2/50. 19 x 23". Frame Size 36 x 32".

Reproductive etcher and watercolourist; born in Walkern, Hertfordshire; studied at Bedford Park School of Art and St John's College, Richmond; a gold medalist at St Louis in 1904, his first major success; exhibited from 1895 at the Royal Academy, Grosvenor Galleries, Royal Glasgow Institute for the Fine Arts, Paris Salon, Connell and Sons, Walker Art Gallery, Liverpool and with the Society of Mezzotint Engravers; commissioned by major publishers: Henry Graves, Frost & Read and James Connell to p...

This is an original lithograph by the famous French artist MARC CHAGALL (1887-1985), titled "Le Clown Fleuri" (Clown with Flowers), 1963, from "Lithographes Originales de Marc Chagall", printed by Mourlot. There was a signed (1962) edition with margins, and examples sell between $6,000 and $12,000 at auction (size significantly larger). This appears to be from the unsigned 1963 edition of 2,000 examples, which were of this smaller size...

A pair of fine lithograph prints on Arches paper, from an edition of 300 examples, signed in the plate, printed in 1966 in Paris by Andre Sauret for Mourlot Freres. The prints are from a set of twelve images that were used as illustrations in the book "Stempeniou" by Cholen Aleikhem. The major Jewish-Ukrainian artist, EMANUEL MANE-KATZ (1894-1962) began working on the project in Geneva in 1958, at which time he created the gouaches on which the prints were later based...

A scarce botanical mezzotint engraving of the plant species "Caryophyllus gramineus humilis" (carnation), plate No. 330, from Phytanthoza Iconographia, 1737-1745, considered the first important botanical work to use color engraving prints...

Etching, 8 3/4" by 7" inside the mat, 14 1/4" by 12 3/4" framed, pencil signed at lower right margin, by the famous French artist, JEAN-FRANCOIS RAFFAELLI (1850-1924). This image of a building along a road, with small figures, is an example of the poetic impressionist style of his later period. Raffaelli found the common, the poor, the working class, and the underprivileged people of Paris and its industrial suburbs to be his favorite subjects, leading some to call him the "Millet of Paris". He...

William Walcot, British, 1874-1943, "The Thames," Etching with drypoint, image size 4 1/8 x 12 3/4 inches, 1922, pencil signed.

A most unusual item and conversation piece: a color print, 26" by 22" as framed, the subject a decorated Christmas tree, titled at top "Joy to the World", "Arnold & Maria" at bottom center, numbered 31/100 examples at lower left margin, and pencil signed at lower right, by none other than one of the most famous people on the planet, Arnold Schwarzenegger. Information I developed online indicates that Schwarzenegger himself was the artist, and not just someone signing his name to someone els...

Albert Abramovitz, Latvian/American, 1879-1963, "Construction Work, Moscow". A remarkable original linocut, image size 8 3/4 x 11 1/2 inches, c. 1930s, pencil signed and titled. Albert Abramovitz was known for his dramatic images with sharp social commentary, many portraying the hardships of daily life for working class people in both America and Russia. Born in Latvia, Abramovitz studied at the Imperial Art School in Odessa and the Grande Chaumiere in Paris. While in Paris he was a member and j...

Lithograph with hand coloring from the Imperial folio quadrupeds series circa 1846, plate number 119, depicting the species Myodes hudsonius (the Hudson's Bay lemming), by the important American naturalist artist and lithographer JOHN JAMES AUDUBON (1785-1851). Audubon was assisted by his son John Woodhouse Audubon, and the printing was by J. T. Bowen of Philadelphia. The creator of this print hardly needs introduction, seeing as that he is considered one of the foremost naturalist illustrators ...

A beautiful multi-plate color etching by master printmaker LUIGI KASIMIR (1881-1962), dated lower right 1922, and pencil signed there in the margin by the artist. The subject could be mistaken for Paris, what with the advertising kiosk, but this is in fact the Vienna Opera House in Austria. Kasimir was born in present-day Slovenia into a family of poets and artists. He attended the Vienna Academy of Art, studying under William Unger, who introduced him to color etching; previous to the perfec...