This is a puzzling piece; a print in colors, appears to be a lithograph, not an offset, measuring 13 1/4" by 9 1/8" inside the present mat (21 1/4" by 25 1/4" as framed). It is signed "Picasso" in the plate at lower right in the image and dated below that 21-6-20. I don't believe this is from the period, nor do I believe it is listed in a catalogue raisonne; rather, it appears to be some kind of later reproduction perhaps after a drawing or painting...

Frederico Castellon, American, 1914-1971, Lithograph, "Taos Tryst", circa 1942, image size 7 1/2x11 3/4, pencil signed

A fine etching, titled at lower left margin "The Intruder", signed in pencil at lower right margin by the noted English-born dog artist MARGUERITE KIRMSE (1885-1954). The black Scottish Terrier has discovered several fox terrier pups and is intently staring them down. Kirmse was born in Bournemouth, England, showing early talent in music and drawing animals. She stayed in the United States after what was to have been a brief vacation...

Charles Wheeler Locke, American, 1899-1953, Lithograph, "Tramp Steamer", AAA, image size: 9 1/4X12 1/4", pencil signed

Original black and white photograph, circa 1930 to 1950, 13" by 10 1/4" inside the mat (20 1/2" by 16 1/2" as framed), bearing on the reverse of the photo the rubber stamp of mid century California photographer WILL CONNELL (1898-1961). The subject is a complex industrial machine, with lots of cables and wires, steel and wheels, and even some sparks coming from somewhere...

A Fine Pair of Monotypes by the well regarded Taxco, Mexico Artist, Carl Pappe (1900-98). Each measure about 17 1/2" by 24 1/2" overall. Slight water staining on bottom as shown. Each pencil signed and titled.

One of a number of prints by this artist in my inventory, this is a fresh and clean rather early example of one of William Russell Flint's fine color reproductions issued in limited editions for collectors over a period of decades. This one is signed by the artist in pencil at lower right and bears the characteristic embossed Fine Art Trade Guild blind stamp in lower left margin. The title of this image, which was issued in the year 1942 in an edition of 500 examples, is "Mirror at the Ballet"...

Carl Pickhardt, American, 1908- , Lithograph, "Back Stage", image size: 8 3/4 x 7 1/2", pencil signed

Louis Auguste Mathieu Legrand, French, 1863-1951, etching, "La Femme au Parapluie" (Lady with Umbrella), image size 14 1/4 x 6 inches, signed and dedicated in pen "A Mon Ami Mil..." (To My Friend Mil...), framed.

Miniature sized etching (2 1/2" by 3 1/4", and 7 1/2" by 8" framed), titled in margin at lower left in pencil "Cape Cod Shoreline", and pencil signed at lower right by Massachusetts listed artist MARGARET ELDER PHILBRICK (1914-1999). This is a mid-century work, I would guess, by a woman artist who was known for still life and landscape works, primarily in the etching medium. She was a member of the Society of American Etchers, and the Brooklyn Society of Etchers...

John Taylor Arms, American, 1887-1953, "Cavendish Common," Etching, image size 6 3/8 X 14 9/16 inches, printed in 1942 by Charles White in an edition of 150, 2nd state proof, numbered "II", cat: Fletcher-370, pencil signed and dated. This atmospheric etching is a great example of the delicate lines precise detail for which Arms was known. This image won several awards in the early 1940s; the Mrs...

Reproductive etcher and watercolourist; born in Walkern, Hertfordshire; studied at Bedford Park School of Art and St John's College, Richmond; a gold medalist at St Louis in 1904, his first major success; exhibited from 1895 at the Royal Academy, Grosvenor Galleries, Royal Glasgow Institute for the Fine Arts, Paris Salon, Connell and Sons, Walker Art Gallery, Liverpool and with the Society of Mezzotint Engravers; commissioned by major publishers: Henry Graves, Frost & Read and James Connell to p...

Original color lithograph by Jean Charlot (American, born in France). Titled "Mexican Mother" in pencil l.l. Also signed and dated in the plate l.r. and signed in pencil by the artist l.r. Jean Charlot emigrated to Mexico in 1922 where he created woodcuts and lithographs depicting the Mexican people. This work was pulled in Colorado Springs in 1948 with master printer Lawrence Barrett. Morse #520. Offered framed and archivally mounted. Image size: roughly 17" by 13".

Hans Bok, American, 1914-1964, "Lazy Afternoon". This c. 1940 lithograph by the American artist Hannes Bok measures 9 1/4 x 13 5/8 inches, pencil signed and titled. AAA label with artist provenance included, edition of 250. Bok's real name was Wayne Francis Woodard, a talented artist, apparent at an early age, who went on to become an illustrator, writer of poetry and science fiction, painter and printmaker...

This is an interesting example of a monotype, in which art is created on a piece of glass which is then pressed against paper to produce a unique image. The artist is well listed and his paintings sell well at Canadian auctions. At first glance, this work could easily pass for a watercolor; a monotype is something of a hybrid, with characteristics of prints and original art. It measures 17 3/8" by 13 1/2" inside the mat; with an additional 5 1/4" of mat and frame on a side...

This is a fine, limited edition wood engraving by the highly regarded American artist THOMAS WILLOUGHBY NASON (1889-1971). The print is signed in pencil at lower right and dated there 1956, when the artist was 67 years old. At lower left in pencil is "Ed. 100". Nason was a Boston-born artist who by the late 1920's had taught himself the fine art of creating prints in the wood engraving process...

after Picasso "Table before the window" 1922 from "Picasso 15 Drawings" lithograph plate signed good condition slight edge damage at the bottom will frame very well. limited edition of 500, printed in 1946 they reproduced a group of paintings in a large format folio printed in lithographic plates with a dimension of 19-3/4" x 14" inches. The edition was 500 unsigned and unnumbered.

John Taylor Arms 1887-1953 American This is one of the finest works by John Taylor Arms etching and aquatint. It was created and printed in 1940 as image number 1 of his Scandinavian Series. Pencil signed twice, dedicated to William Schaldach, lower border. The image measures 7 9/16X13 9/16 inches. It appears in the Fletcher catalog as image number 346. It is the third state of three from the edition of 330 impressions...