Lithograph print "The Tyresmith", 1890, featuring a Chelsea (London) wheelwright's shop, by JAMES ABBOTT McNEIL WHISTLER (1834-1903). Forges and smithies are said to have been a lifelong favorite subject of Whistler. My research online suggests that this example is one of the 500 to 1000 examples printed from a transfer stone, to be published in The Whirlwind 2, no. 20, issue of November 15, 1890...

Porcelain Sculpture measuring 20” x 12”……..Marie François Sadi Carnot (French: [maʁi fʁɑ̃swa sadi kaʁno]; 11 August 1837 – 25 June 1894) was a French statesman, who served as the President of France from 1887 until his assassination in 1894. His presidency was marked by a series of poorly handled crises, according to David Bell...

Oil on board painting of a young fair-haired woman in a pastoral landscape, caressing a dove in her hands, the subject handled in a dreamy impressionist style, signed at lower right with initials "HBK" and dated there 97. The work measures 12 3/4" by 8 3/4 including a narrow old style gold frame to which the board was mounted long ago. I am attempting to determine who "HBK" might have been. The artist was skilled and created a timeless image...

PAIR of hand colored lithographs of two species of hummingbirds, Chlorostilbon portmanni and Cyanomia violiceps, drawn by the famous 19th century English naturalist, ornithologist and natural history illustrator JOHN GOULD (1804-1881)...

Oil on board, measuring 13 1/2" by 13 1/2" and 1 1/2" wide gold frame, unsigned, depicting a number of California poppies vignetted against a neutral background. This is a very decorative painting of the California state flower, executed in late Victorian times or early 20th century when such paintings were all the vogue. This one has survived in excellent condition and would be perfect for a Mission, Arts and Crafts, or Southwest style interior. Frame has small losses.

A Fine and Rare 1893 Etching and Aquatint by the Well Regarded Belgian Artist, Felicien Rops (1833-1898). Image size is about 3 1/2" by 4 1/4", sheet size about 7" by 10 1/2". Monogramed lightly F.R. in red pencil under image.

“Stopping The Runaway Cartiage” early 19th century aquatint measuring 12x14”,artwork is beautifully framed 3.5x5.5 inch

Printed 1850 Map for France, 21" x 14"(frame size), 17" x 11"(print size), Title is "France En 1850", "A Paris, chez, edit Rue de La Pareheminerie", Atlas National Illustre", 3 tears on the top and bottom, yellowed paper with some yellowed spot, belongs to the private collection in DC area.

Comic scenes of Wartime camp life were part of every major Civil War artist portfolio. Measuring 30 x 25“ circa 1864 For a time, Price studied portrait painting with William Reading, an artist in Louisville, Kentucky, and later with Oliver Frazer in Lexington, Kentucky. In 1849, Price left Kentucky for New York City where he enrolled in the School of Design and studied for five months...

A nineteenth century magnificent polychrome wooden Sculpture and Altarpiece unsigned from Italy circa 1830-60 of Saint Peter (removable) measuring 46 x 38 inches the sculpture is polychrome and gold leaf. Beautiful patina. Right hand of the sculpture is missing (many years prior)

A highly decorative item that will be certain to gather attention, an original 1896 lithograph by the father of Art Nouveau and giant of the Belle Epoque in Europe, Czech artist ALPHONSE MUCHA (1860-1939). The work will appeal to collectors looking for a purely decorative addition to their home or office, as the print at some time in the past was laid down on foamboard and also radically trimmed to the custom shape now outlined by the light blue inner mat...

A late 19th century etching of a young woman, measuring 5 3/4" by 4" inside the mat, the laid paper sheet 10" by 7 1/4", and 19 1/4" by 15 1/2" nicely framed, with a monogram in the plate at right center and an illegible pencil signature at lower right that appears to begin with "J". As the work somewhat resembles some portrait etchings by the famous artist Whistler, and the monogram almost appears as an early Whistlerian "butterfly" before it evolved, I thought the work possibly by Whistler...

James Abbott McNeill Whistler 1834-1903 American This is a fine impression of the well known Whistler etching, Bibi Lalouette, created in 1859. Cataloged as Kennedy 51, II/II . The image measures 9X6 inches, printed on a thin Japan type sheet, "This curly-haired little boy sitting on the edge of a bed comes from a series of portraits that Whistler made in 1858-59. Known by the pet name of Bibi, the child was son to J. M...

Artist William Brooke Thomas TREGO, “Dual between a union Calvary man and the confederate trooper“ The black-and-white oil on canvas was created for the century edition of battles and leaders of the Civil War of a true 1862 incident...

An extensive landscape with picturesque castle ruins at left on a leafy Arcadian glen overlooking a lake and distant mountains, unsigned, 16" by 24" (25" by 32 1/2" in wide gold frame), presenting at first a Hudson River School appearance, but perhaps more likely by an English or Scottish artist, or by a period American artist imitating an English style and scenery. Jasper Francis Cropsey painted similarly (but I am not suggesting that this is his work)...

French Artist Pierre Labrouche, born 1876 traveled extensively through the Middle East searching for exotic places to paint in the late 19th and early 20th century. This work, done near the Nile River in Egypt

Fine print by the renowned artist Goya, matted and framed. Condition is good with very slight foxing at top. Although the matting could be updated, it is still in ready to hang condition. From festivalofbritain.org: Francisco José de Goya y Lucientes: Woman seized by a horse, c. 1815 - 24.Etching, burnished aquatint, drypoint and burin...

Sculpture shown: The Wounded Companion by Charles Humphriss, bronze. 21” high x 9” x 7”. Bio: Charles Henry Humphriss (1867-1934) was born in England but lived for many years in Pleasanton, New York with a studio in New York City. He exhibited at the Academy of Design in New York, and with the Pennsylvania Academy.*** Humphriss admired native cultures and continually strove to represent them faithfully in his work.