A truly spectacular portrait miniature executed in watercolor on natural wafer. This is, by quite a few years, one of the earliest known pieces by Samuel Cotes. The painting is signed "SC" and dated "1756" at the center left. The sitter, clearly a nobleman, is seated in a chair as he plays a mandolin. It appears, from his expression and eyes, that the music is transporting him to some remembered or imagined place.

The condition of the painting is excellent...

A watercolor on organic wafer, painted by John Smart, and initialed lower left, along with the date of 1797. The sitter is a young woman with brown curls and eyes. She is attired in a green and blue feathered cap, a white gown with lace on the collar, and a green sash.

The brushwork is impeccable, the texture and blush of the skin, the details of the eyes, the clarity of each hair, and the overall luminescence of this painting are stunning...

Painted by Samuel Shelley, this is a beautifully limned portrait miniature of a British officer. The epaulette being on the left shoulder, instead of on the more usual right, indicates that the sitter was in a cavalry regiment of the British army. That, taken with other characteristics of the uniform show him to be with the heavy dragoons...

Francoise Boucher Attr or School of : Cupids in Landscape: Pair 18th C French. This pair of oils on canvas is lovely in the quality of painting and the charming subject matter. Each panel is 28"w by 64"h. They had hinges on them as a standing screen but were later used as hanging panels. They are from a prominent french family who brought them to the USA.

A watercolor on organic natural wafer of a somewhat older woman wearing a blue jacket with fur edging, a pearl choker, and a rust colored cap with lace. The unusual characteristics of the piece are the hand decorated paper surround and that the painting is in a frame that slides into a close fitting leather case.

The condition of the painting is excellent, with no issues, while the case has exterior wear but is structurally sound. Sight size is 2: by 1 5/8", and the case is 2 7/8" by 2 1/8"

Charles Brooking, 1723-1759, English. This oil on panel is a fine example of the early work of Charles Brooking, known as one of the finest British Maritime painters. It is 13" by 19" in a handsome newer frame (overall dimensions of 16 3/4" by 22 2/4".) The condition is good and it is signed indistinctly (as many of his paintings are) on the piece of wood floating in the lower front of the painting. He is listed in Benezit and his paintings sell for up to $400,000.

A superb double silhouette on natural organbic material, in a cast foliate locket, by John Field. One side is of a woman, the other of a man, wearing spectacles (highly unusual) and both are signed "John Field 111 Strand" along the lower edge of the bust line. These paintings display the finely executed bronzed work that was a hallmark of Field's.

The sight size is 1 1/2" by 1 1/4"...

A finely painted portrait miniature of a young girl, presented in its original gilded case, the reverse with woven plaits of hair under glass. The sitter, who has a slight smile playing on her lips, has blue eyes and brownish-blonde hair, and is simply dressed in a white top.

The painting and the case are both in excellent condition with no issues at all. The case size is 1 5/8" by 1 3/8".

A beautifully painted portrait miniature by William Naish, done in watercolor on natural wafer. The sitter is a nice-looking gentleman with brown eyes and powdered hair with a pigtail. He is attired in a blue jacket, a white ruffled shirt, an elaborately tied white scarf, all highlighted with a slash of brilliant red. The case is copper, of very high quality, of the type with side pins holding together the front and back...

A well painted miniature portrait done by Charles Robertson. The subject is a bewigged blue-eyed gentleman of striking visage, posed in a blue and gold jacket. The miniature is presented in a silver case with silver scrollwork. The reverse of the case has the impressed mark "L.V".

The condition of the painting and the case is excellent...

This fine work, done in watercolor and bodycolor on organic material, was most probably done in Naples. The sitter is an attractive child looking directly at the viewer and holding a jumping jack toy of Pulcinella, a classical character that originated in commedia dell'arte of the 17th century and became a stock character in Neapolitan puppetry. The reverse of the portrait is also quite special, with its plaited hair, ivory plaque, golden hair work initials, metallic threads, and pearls...

An interesting color printed engraving of George Washington published in London in 1798 by Robert Cribb, Holborn, engraved by William Nutter after a painting by Gilbert Stuart purported to belong to J.S. DeFranca of Devonshire Place. Devonshire Place is a part of London, but a quick search did not turn up a J.S. DeFranca and it is possible that this print is a copy of another print of Washington, based on the Lansdowne portrait by Gilbert Stuart...

A superb enamel on copper portrait miniature by Jean Andre Rouquet. The sitter, dressed in an embroidered red jacket, ia a royal personage, evidenced by the ermine trimmed robe or cloak on his lap.

The condition of the miniature is excellent, with bright colors, no cracks, and no restoration. The duller areas along the edges are due to the way the light reflects off the curved edges. The early 19th century ormolu frame also is in fine condition...

Hindola Ragamala miniature painting on card. 23x17cm Undated estimated to be 18th century. Can be viewed in central London and shipped worldwide

A nice example of a miniature portrait, painted by Nathaniel Hancock on organic material. The sitter is a woman in a blue gown with a lace edged bodice. The gold case has chamfered glass on the front, and the reverse identifies the sitter as "Ridgely 1791."

The condition of this little gem is very fine, with no flaws to speak of. There was some minimal clean-up of a few painting drips in the background...

This beautiful miniature portrait, painted in watercolor on natural material, is signed "SH 1786" on the right center of the painting, and also on the reverse as "Sophia Howell 1786"...

Isaac Van Oosten, Flemish, 1613-1661,Attribution. Stunning Flemish/Dutch, 16-17th C. Oil on copper. This piece is in excellent condition. The in-frame dimensions are 38" W x 30" H while the painting itself measures 28 1/4" W x 20 1/4" H. The amazing frame is from the 19th Century and showcases the beauty of the piece. The subject matter is Venus (in her Half Shell chariot pulled by doves) finding Adonis dead after the hunt she begged him not to go on.

Russian Icon . 18th Century. 17th Century Crucifix. 17" x 13".