Etching,1942,image size 2 1/4X2 15/16 inches, edition of 365,pencil signed,Excellent Condition

Oil on paper measuring 18x13”, ……… Anne Lane studied art at George Mason University in Virginia, completed her education at Saint Patrick’s college, Ireland, where she studied theology and philosophy. The tonal and contemplated intensity of her paintings reflect her 10 years spent working as an artist under the desert sun of New Mexico. Her vibrant style,resonant with color and baroque in detail,swoons its delight over her canvases...

Original Japanese woodblock print by 20th century master Jun'Ichiro Sekino (1914-1988) circa 1950s. Unusual column format (roughly 28" by 10" paper, 21" by 5" image), extremely unusual subject, signed "J. Sekino" in pencil lower right and numbered 67/100 lower left. In its original frame, not examined out of the frame but apparently in excellent condition. Sekino's woodblocks are found in the collections of most important art museums, including MOMA and the Art Institute of Chicago.

This 1921 original etching by the British artist, Ernest Lumsden, measures 14 3/8 x 8 1/2 inches, pencil signed, dated in the plate, 1921. Rotherhithe, meaning "a mariner's haven", in southeast London, was the first place that docks were constructed for the convenience of the Londoners.

This is a poetic Asian work, in grayish blues and white, the subject the cone of Mt. Fuji above a cloud deck. The painting measures 14 1/4" by 17" inside the overmat (21 1/2" by 24" as simply framed). The signature at lower left reads Kamemaru and the seal "Kame". I cannot see that this corresponds to a listed artist. The work is in the style of classic Japanese watercolor landscape painting, and is perhaps also inspired by the works of the modern master Yokoyama Taikan...

Watercolor on paper painting, 18" by 12 3/8" (24" by 18" as framed), unsigned, the subject classic red roses, buds and leaves, all in a pleasing vintage gold frame which is in very good condition, with just a little bit of loss at bottom margin. The painting likely dates to the late 19th or early 20th century. It has survived in fine shape, with no foxing nor water stains. If you fancy the Shabby Chic style, this is a natural.

American Artist A.Brown “Riverfront” Landscape Oil 18x27”…the work was done circa 1920s and has a beautiful gold leaf frame original to the piece

An unframed circa late 1600's or early 1700's oil on wood panel painting of old ruins in a poetic Italianate landscape that includes a distant bridge over a river, more ruins, and several tiny foreground figures with their animals. The 9 3/4" by 12 5/8" oak panel shows great age; it is ever so slightly bowed. I do not see a signature although there may have been one at one time at lower left, where others have rubbed perhaps with saliva, to try to bring up a signature...

Peter Moran, American, 1842-1914, "Through the Meadows". This is a beautiful, richly inked original etching by Peter Moran, image size 13 x 19 7/8 inches, published in 1886 by Klackner. It is state IV/IV, cat: Wright-92, pencil signed and titled on the lower margin. This image is listed with the title "Through the Meadow Stream" in the Wright catalog, although there are several alternate titles including the one that appears on this impression.

Green print of Earthship by Mayumi Oda. Print 16/100. A woman sails in a ship with an owl atop her head and a boat full of vegetables. Below the ship, in the ocean a sea turtle and a whale swim by. The sun smiles down upon the woman in the ship. It measures 11.75" wide 19" tall.

A high impact Original Acrylic Painting on stretched canvas by A. Srimai. Signed and dated on the back of the canvas. Size: 31.5" x 24" inches (60 cm x 80 cm). Please inquire for details.

Print of the ruins of the Mayan city of Uxmal in Yucatan, Mexico.
The general views were designed by Jean Arnould Leveil (1806-1866) and engraved by Jean Baptiste Marie Bury and Joseph Durond.
The print was edited as first of twelve depictions of the ruins of Uxmal in the appendix of volume 4 in: Jules Gailhabaud. Monuments anciens et modernes: Collection formant une histoire de l'architecture des différents peuples à toutes les époques...

Mario Russo Italian | 1925 - 2000 Mario Russo was an Italian painter who was born in 1925. Mario Russo's work has been offered at auction multiple times, His was a close friend and taught art to Fellini This is a work done in his studio Our gallery holds a fine collection of his work. Please see our other Listings.

Old circa 1940's chalk portrait drawing of a young woman with red hair and striking light eyes, 22" by 16" (27" by 20 1/2" framed in green metal strip frame), apparently unsigned. This is one of several drawings I encountered by (I believe) the same artist. Two other drawings were signed, but illegibly, so the identity of the artist is a mystery. I think the paper might have been rolled at one time as under certain raking light conditions one can see soft horizontal, roughly parallel creases...

A beautiful watercolor Landscape of a tree in shasdow against a bright sunny landscape signed Pearlman

From our African Collection: African Teke Figure from the Republic of Congo. 18" h. “The Teke people settled in a territory lying across the Republic of Congo, the Democratic Republic of Congo (formerly Zaire) and Gabon. During the 15th century, they were integrated into the Tio kingdom, but attained independence in the 17th century. Today, they live in villages led by a clan elder known as the Mfumu, who answers to a hereditary land-chief called Mfumu na tzee...

A framed and matted etching possibly of the River Seine. There are water stains along the bottom edge of the mat as well as very light foxing; the print also appears to have light foxing around the corners. Stamped A. Delauney del 8c sc in the lower left corner. The picture measures 5-1/4" x 3-1/2"; the frame, 8" x 9-7/8". Not examined out of the frame.

This is an etching by the important American artist JOHN SLOAN (1871-1951), titled "Dupont's Ride", on wove paper, in an edition of apparently 1,000 examples, published in Boston in 1902 by the Frederick Quinby Company. It is part of a series issued to illustrate the writings of French novelist Charles Paul deKock. Artist William Glackens did the primary work and then talented artists including Sloan, George Luks, Maurice Sterne and others were brought in to turn the images to etching...