black American Indian shawl with turquoise colored fringes on all sides and three applied turquoise felt designs. Measures 54" long by 28" wide doubled and stitched closed at the shoulder for body. excellent condition......$8 for insured USA shipping.

A fine, high quality pair of vintage Iroquois child's beaded moccasins c1900-20. Measuring 4-1/2" x 2-3/4" across the deerskin soles, they are constructed with deerhide, velour and cotton; the beading is metallic clear, turquoise, red, white and deep blue...

2" long, silver.

Northern Plains Indian pipe carved from red catlinite and black steatite stone with a pewter or lead geometric inlay. The vertical pipe bowl is round and tapered, while the pipe stem is of faceted, octagonal form. Circa 1870s. Excellent original condition, no chips or cracks. Size: 7.75 inches length x 3.5 inches ht. x 1.25" diameter pipe bowl.

DESCRIPTION: A quite spectacular Acoma pot of great size and shape with a wonderfully complex design by Acoma artist, Adrian Vallo. A double rainbow of light and dark sienna bands divides this beautiful greenware olla into four quadrants, with two lively dark-sienna parrots below the arched rainbows, and two lighter sienna parrots above horizontal rainbow bands. Additional geometric designs in black on white are executed with clean, crisp lines...

DESCRIPTION: An attractive Native American sterling cuff bracelet, late 1900s, by Navajo silver artist, Leonard Jackson. This striking and somewhat delicate design features three natural stone flowers with turquoise petals and coral centers mounted onto a sturdy sterling cuff with fine hand-stamped designs. Very good condition, no chips to any stones, signed "L Sterling J." Beautiful colors, very attractive and comfortable on the wrist...

DESCRIPTION: A fine hand stamped sterling sunburst design pendant with a large, high quality Cerillos mine turquoise stone set in shadowbox style. Reverse is stamped, “E. Bilagody, Sterling.” A Navajo silver artist, Ernest Bilagody is based in Gallup, NM. Late 1900s, excellent condition. DIMENSIONS: 2-1/4" x 1-5/8"

DESCRIPTION: Fine Acoma Pueblo terra cotta olla, circa 1920, with intricate black on white geometric designs with blossom, eye and cross themes; unsigned, good condition, no chips or repairs. DIMENSIONS: 8 3/4" high x 9 1/8" diameter.

ABOUT ACOMA POTTERY: Thin, hand fired walls (a common and sought after characteristic of Acoma pottery), light weight, and geometric designs characterize Acoma pottery...

DESCRIPTION: A hand carved and painted pair of Native American Hopi Kachina (or Katsina) dolls, one in a long green and blue robe with red neck kerchief, the other in an elaborate headdress. Each is signed, one signed “Mongwa, D. Scott, Old Oraibi” and the other “D. Harvey, Koyemsi, Hopi Tewa, ‘96”. DIMENSIONS: Tallest 10.75” high.

CULTURAL BACKGROUND: The Hopi people live primarily on three mesas in northeastern Arizona, about 70 miles from Flagstaff...

DESCRIPTION: A Native American silver cuff bracelet having hammered and stamped accents; silver band is a nice, wide 1.5”. Stamped “RVF” by Navajo Silver Artist Roger Francisco. DIMENSIONS: Inner circumference = 5.75"; wrist opening = 1.75". Total weight = 52 grams.

DESCRIPTION: A fantastic Acoma pottery water jar of large size with a wonderfully complex polychrome design containing bear and Kokopelli figures. A double rainbow of light and dark sienna bands divides this beautiful greenware olla into six cartouche segments, three larger ones with bears below the arched rainbows, each with different background designs, and three smaller ones with stylized Kokopelli figures (fertility deities) playing flutes...

Hand carved cedar wood panel, in traditional style with black and red paint, 14 1/2" by 5 1/2" by 1 1/2" deep, signed at lower right corner by contemporary British Columbia Wet'suwet'en carver JAMES MADAM and dated 2008. The work is meant to hang on the wall as is (reverse hook). Madam is a talented carver schooled in the long tradition of Northwest Coast carving. He was born in Moricetown, in inland British Columbia...

A wonderful and charming pair of Navajo child's moccasins made of hide and fur with turquoise bead decorations. Superb condition with no flaws or problems of consequence.

A late 20th century oil on canvas painting, the scene a classic, arid, Southwest landscape, with two Native American New Mexico pottery ceramic bowls in the foreground. The work, 24" by 30", is signed at lower right "Monso". The artist, interestingly, painted in a border roughly 2 1/2" on a side, outside the actual landscape imagery. Condition is generally very good, I note a very small puncture in that border area at lower left, which is easy to overlook and which could be easily remedied...

A painting on Masonite panel, the surface of the oil or acrylic highly varnished, 29" by 21 1/2" in narrow metal frame, signed at lower right by noted contemporary American artist ROBIN GARY WOOD. The artist evidently completed and signed the work on December 25, 1992 in Taos, New Mexico, where he was working at the time...

A PAIR of oil on canvasboard paintings of Native American women, each 12" by 10" framed, one signed on the front left and again on the reverse in ink, (and titled there "Apache Woman"); the other signed faintly in pencil on the reverse, both by listed southwestern American artist CHARLES LAMONK (1910-1990). LaMonk, born in Kemmerer, Wyoming, was a painter of American and Central Mexican Indians as well as the caves, canyons and petroglyph rock art of the Southwest...

A pastel and watercolor on paper drawing of a Native American Indian, unframed, 30" by 20", signed at lower right by the artist, the signature appearing as "F. Davis", and the adjacent date as 3/84. The artist was talented. Condition is good, lower left corner is separating from the Crescent art board backing, there having been some slight moisture exposure there at some time in the past.

A contemporary hand carved stylized animal of Northwest Coast legend, probably a bear, beaver or badger or similar, 7 1/2" by 4 1/2" by 2 1/2", signed on reverse by the artist; the name appears as "Who Two Tookh" though I am likely misreading the first words. The piece is carved out of the correct cedar wood, with its distinctive grain and color, so is NOT one of the cheap Southeast Asia-origin fakes of NWC carvings that flood the market and confuse the less experienced collector...