Kawase Hasui (1883-1957)
Moon at Magome
Date: 1930.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Watanabe Shozaburo.
Watanabe C (sausage) seal at right margin, making this a first edition produced between 1929-1942.
Reference: Hotei #165.
Medium: Japanese woodblock print.
Condition: Point-sized repair in upper left corner of sky...

Large Original Japanese framed print by Toko Shinoda (born 1913), entitled "Reminiscence". Color lithograph with sumi-e ink brushwork in black, light blue and gold ink. Signed in pencil and numbered "ED 30AP 7/10". Floated in frame under UV acrylic.

36 1/2" high x 46 3/4" wide x 2" deep framed. Artwork: 28 3/4" high x 39 1/2" wide

Large Japanese woodblock print of a horse by the artist Nakayama, Tadashi (born 1927). Titled, "Cyclone". This image of a horse stands with it's mane billowing with bits of color and metalic leaf. The head of the horse is patterned with colors while most of the body remains a dapple of charcoal and white. In the background, a series of thin circular lines accent a metalic leaf sun or moon. Signed in pencil and numbered 85 of 85...

"Diary June 3rd '78" is a photographic silk screen print of a child holding a blanket on a light ground of traditional woodblock technique. This is one of a series of "Diary entry" prints the artist is most famous for in which he depicts photographed scenes from daily life. Title, signature and date in pencil. Sealed with thumb print. Born in 1940, Tetsuya Noda is considered to be Japan's most important living print artist. He is a professor emeritus at Tokyo University of the Arts...

"Diary March 5th '79" is a photographic silk screen print of a child holding a blanket in one hand with her other hand in a sling on a light ground of traditional woodblock technique. This is one of a series of "Diary entry" prints the artist is most famous for in which he depicts photographed scene from daily life. Born in 1940, Tetsuya Noda is considered to be Japan's most important living print artist...

Kawase Hasui (1883-1957)
Snow at Shiba Park (Shiba Koen no Yuki)
Date: 1931
Size: Oban. Approximately 15.25 x 10.25 inches.
Publisher: Watanabe Shozaburo.
Edition: First. Watanabe B seal (used 1927-32) in right margin.
Reference: Hotei #244.
Condition: Formerly matted with some tonal difference primarily near lower margin. One foxing mark in lower foreground.
Note: This famous Hasui design was also used later in a 1953 Pacific Transport Lines calendar.

Large Japanese woodblock print by artist Mayumi Oda (1941-present) known for portraying male Buddhist deities as female. This print is titled "Victoria Invention, The Locomotive" Low numbered 6/30 in its series, and signed in pencil. Beautifully done. Size: 25.5" height, 19 3/4" width

Large Japanese woodblock print by Joichi Hoshi (1913-1979), signed in pencil, number 64/99 in its series. Gorgeous metallic silver background. Red artist's stamp in bottom corner. Set in heavy metal frame. Size: (entire frame) 21" height, 34.25" width (artwork only) 14.5" height, 27.25" width

A bright, beautiful woodblock print by Mayumi Oda (1941-present), headlining her exhibition in the Satori Gallery, San Francisco, January 1982. It is numbered 93/250 and signed/copyrighted in pencil. Largest prints she has made. Size: 39.5" height, 28" width

Bertha Boynton Lum (1869-1954)
Kites
Date: 1912
Size: 14.375 x 8 inches.
Pencil signed and copyrighted 1913 by the artist.
Edition: "197" noted at lower right.
Reference: Gravalos/Pulin No. 29.
Medium: Japanese woodblock print.
Condition: Wrinkle in lower margin. Paper at a back margin.
"..the wind fills them up till they look like fish" - Bertha Lum: American Printmakers, (Smithsonian)

Paul Jacoulet
La Gerbe D'Anthurium, Angur, Mer du Sud (The Spray of Anthurium Flowers, Angur, South Seas)
Date: July 15, 1951.
Fewer than 150 impressions made. This example has no edition seal visible. Jacoulet's fancy PJ seal is covering another seal on the back.
Size: 18.625 x 14 inches.
Ivy seal. Carver: Maeda. Printer: Honda.
Reference: No. 118 in The Prints of Paul Jacoulet by Richard Miles.
Condition: Excellent color. Light creasing in margins...

Hiroshi Yoshida
Glittering Sea, from The Inland Sea Series
(Hikaru Umi, Setonaikaishu)
Date: 1926. Date of this edition not known.
Medium: Japanese woodblock print mounted as kakejiku scroll.
Signed and sealed in the image.
Size: Oban. Scroll: 45.5 inches 17.75 inches. Blue sheet: 20.5 x 15.75...

Ohara Koson (Shoson)
Mallards and Lotus
Size: Large toku-oban. Approximately 17.125 x 12.25 inches.
Date: pre-1936. First edition.
Publisher: Watanabe Shozaburo. First and only edition with Watanabe D seal in right margin.
Shoson signature and seal lower right.
Medium: Japanese woodblock print.
Reference: S7.1 aand cat. 145 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland). Watanabe cat...

Japanese woodblock print depicting a lone leafless tree at dusk set against a gold leaf background titled "Evening View (Dusk)" by Joichi Hoshi (1913-1979). Pencil-signed "Joichi Hoshi" and dated '77 at the lower right, with the artist's square red seal above. Pencil-titled in kanji at the lower left and numbered 43/99. A penciled inscription on the upper back reads "8408 S-1 12/12" and the original price of 100,000 yen is at the bottom of the back...

Japanese woodblock print by famed artist Mayumi Oda (1941-present) titled "Storyville I" in pencil, numbered 18/50 and signed. Size: 36"H x 24.5" L

A lovely and whimsical Japanese print by artist Mayumi Oda (1941-present) titled "September Afternoon", numbered 12/50 and signed all in pencil. She is widely loved for her female empowering works, many of which are currently part of the permanent collections of the Museum of Modern Art, New York, Museum of Fine Arts, Boston, and more. Laid down on wooden board for flat presentation.

Size: 24.5" L x 32.5" H

Japanese woodblock print by well-known contemporary artist Tetsuya Noda (b. 1940), a professor at the Tokyo University of the Arts. His techniques combine woodblocks with silk screening. This print is part of his famed "Diary" series, titled "Diary : Jan. 15th '84 (1984)" in pencil. with calligraphy on the lefthand side, no. 39/40, signature in pencil with red fingerprint.

Size: (entire print) 29" L x 14" H

Joichi Hoshi (1911-1979)
Field
Size: 32 inches by 17.25 inches.
Date: 1974.
Edition: 63/99
Signed, dated, and numbered by the artist.
Medium: Japanese woodblock print on gold leaf.
Condition: Light toning at margin. Back margin has tape residue and one reinforced corner.
Note: Please see additional images for texture and metallics.

Rare "Buddha Asuka (B)" woodblock print by Kiyoshi Saito, 1955, number 40 of only 50 printed, signed in white ink and sealed in red ink both on the image area. Signed and sealed printed label "self-carved self printed" also included (attached to paper backing removed to inspect condition.)

We were not able to find a recent auction record for this image with data available. Another mid-century work by Saito (in color) titled Asuka (Kudara Kannon) [possibly confused by the artist with one of...

Shiko Munakata (1903 ~ 1975)
Date: April 10, 1959.
Seated Figure. Here titled by the artist, "At Columbus" (コランバスに於て). Also signed by the artist and dedicated in pencil in Japanese at the top right, "to Ms. Ryuko Sato".
Munakata's famous 1959 United States lecture tour took him through Ohio. On the tour, he was known to carve one-off woodblock prints on the spot at gatherings and present them to hosts or guests, as once described on the Antiques Roadshow. We believ...

Hasui Kawase
Kasuga Shrine, Nara
Series: Collection of Scenic Views of Japan II, Kansai Edition.
Size: Oban. 15.375 x 10.25 inches.
Date: 1933
Publisher: Watanabe Shozaburo. Publisher's 6mm seal (printed 1946-1957).
Reference: Hotei #317.
Medium: Japanese woodblock print.
Condition: Slight toning. Excellent color.

Ohara Koson
Peacock on a bough of a pine tree, a peahen behind
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: ca. 1900s-1923.
Bears Koson signature seal.
Publisher: Daikokuya (6)
Reference: K38.17 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent. Black mark at top margin and in sky at lower right.
Provenance: The Bedford, NY estate of Eleanor Jay and Arthur Iselin. Eleanor Jay was a descendan...

Ohara Koson
Peafowl on flowering cherry
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: ca. 1900s-1923.
Bears Koson seal.
Publisher: Daikokuya (97)
Reference: K38.13 and plate 87 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent. A few small black marks in sky at left and above bird. Pencil number on back.
Provenance: The Bedford, NY estate of Eleanor Jay and Arthur Iselin. Eleanor Jay was a de...

Takahashi Shotei (Hiroaki)
Fireworks at Ryogoku
Size: Mitsugiriban. 14.875 x 6.625 inches.
Date: pre-1936.
Publisher: Watanabe Shozaburo.
Reference: Shotei catalog M-51.
Medium: Japanese woodblock print. Attached at top edge only to original card.
Condition: A little waviness at lower right. Slight fading.
Provenance: Dedication on back reads, "With best of wishes from (Rabbi) Jacob J. Eisen." Rabbi Eisen was the first rabbi appointed as chaplain in the Ro...

Ohara Shoson (Koson)
Snow on Willow Bridge
Size: Oban. Approximately 15.25 x 10.25 inches.
Date: 1927.
Publisher: Watanabe Shozaburo. With Watanabe C seal (Used 1929-42).
Shoson signature and seal.
Reference: S44.3 and image #166 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: A conservator has repaired top margin blanks and tears. One had impinged on the image.
Note: One...

Rare Artist's Proof by Japanese Woodblock Print Artist, Gen Yamaguchi (1896 - 1976): Poetry of Early Autumn (1948). Illustrated in Yamaguchi, pl. 61. This is the artist's proof of this image, created for the artist's approval before the set of fifty prints were created. Yamaguchi achieved an international reputation when he was awarded first prize at the International Print Biennale in Ljubljana, Yugoslavia, 1957, and a grand prix at Lugano, Switzerland in 1958. He experimented constantly, manip...

Japanese woodblock print entitled "Moon at Umagome" by the artist Kawase Hasui. From the series "Twenty Views of Tokyo". Tall pine trees frame a full moon through the mist. A farm house with thatched roof shines light from a single window. Rows of crops are illuminated blue in the night. With black 6mm seal. Publisher: Watanabe Shozaburo. Produced during the lifetime of the artist.

Age: 1944-1957

Dimensions: Paper size: 15 1/4" high x 10 1/8" wide

Japanese oversized limited edition sosaku hanga woodblock print on gold leaf by Tadashi Nakayama (1927-2014) titled “Armored Horse (A).” This rare early image was created from six blocks, nine colors, and nine stages of printing. The vertical image is pencil-signed “T. Nakayama,” numbered 47/65, and dated 1969 in the bottom margin. The red kanji Nakayama seal is on the back. A color illustration of this image can be found on plate 129 of “T. Nakayama” published in 1989. Paper si...

Toko Shinoda (1913-2021)
Title: Discovery
Size: Approximately 14.125 x 10.5 inches.
Date: 1980s or earlier.
Edition: 33/35.
Medium: Lithograph with red and black sumi-e brushstrokes.
Condition: Slight toning to former matte edge.

Hiroshi Yoshida
Horse Turnback (Umagaeshi)
Series: Ten Views of Mt. Fuji
Date: 1928.
Size: Oban. Approximately 16.25 x 10.5 inches.
Signed and sealed in the image and lower margin.
Jizuri seal at upper left margin indicating self-printing by the artist.
Published by the artist.
Reference: Abe #52.
Medium: Japanese woodblock print.
Condition: Margin has light toning and creasing.

Japanese framed print by Yoshitoshi Mori (October 31, 1898 - May 29, 1992). Depiction of a beautiful geisha combing her hair with bright pops of color. Number 18/50, signed and dated 1978 in pencil.

Size: (entire frame) 17" Wx 24.5" H (artwork only) 10.5" W x 17.25" H

Woodblock print of a maiko. She sits in profile, dressed in a flowing kimono decorated with a colorful fan motif. Here ornate obi is embellished with details in gold leaf. In the background is a design of waves in blue and white on a dark gray ground.

Jun-ichirô Sekino traveled widely, not just throughout Japan but also in America, Mexico, Africa and Europe. He started making woodblock prints early in his middle school days and was prolific until his death in 1988 at age 74. He...

Japanese framed woodblock print by esteemed artist and forerunner to the sosaku-hanga movement Jun/Junichiro Sekino (1914-1988). The subject is a young woman sitting in a red chair, embracing a swan. The forms and colors he uses are pleasing to the eye in the way they compliment each other. Signature in bottom. Size: (entire frame) 53.25" height, 27.25" width (artwork only) 24" height, 18.5" width

Kawase Hasui (1883-1957)
Dancing Girls Enjoying Cool Breeze On River Kamo
Date: 1919.
Size: Approximately 7 x 4.5 inches.
Hasui signature and seal at lower right.
Publisher: Yoshusha.
Edition: First.
This marginless print was issued as seen here tipped along its top edge into the 1919 first edition book, "Sights of Old Capital" by Aisaburo Akiyama. The book is included and also contains a Hiroshige woodblock print and a woodblock printed dedication page.
...

Kawase Hasui
Spring Rain at Gokokuji
Size: Oban. Approximately 16 x 10.75 inches.
Date: 1932.
This edition 1948-50.
Publisher: Doi Hangaten. Carver: Katsumura (same carver as first edition). Printer: Ito.
Doi publisher's watermark at upper left corner margin.
Artist's signature and seal at upper right.
Condition: A surface dot on the base of the lantern. A few light margin creases. Back top corners have two small bits of paper residue.
- A wonderful e...

Kawase Hasui
Dawn Over Lake Shoji
Size: Approximately 8.75 x 7 inches.
Date: 1935. First and only edition.
Publisher: Watanabe Shozaburo for a calendar commissioned by Japan Government Railways. Please see the included original Japanese Government Railways tag.
Reference: Hotei #370.
Medium: Japanese woodblock print.
Condition: Margins trimmed. Back has areas of paper residue and slight thinning.
Note: Not many examples of this woodblock print have survive...