Paper mache Daruma Dolls from Tamashima district of Kurashiki in Okayama Prefecture by Ono Ichi, ca. 1972. Pair or single, smaller (FI-8b): H. 4.875"(12.2cm) x W.3.5"(9cm.); larger (FI-8a): H.5.25"(13.25cm) x W.3.375"(8.5cm.) Painted paper mache. These dolls were made in 11 sizes ranging from 11 - 45cm. The small one here is the second smallest size made, known as "9-go", and the larger is an "8-go" size...
Takamatsu Yomeiri Ningyo; Clay Bridal Trousseau Dolls from Takamatsu, Kagawa Prefecture, Shikoku Island. Set of 5 depicting auspicious images: Happy Couple, Dog, Rabbit, Ebisu with Tai (Sea Bream,) Dog with Tai. H. .75" to 1.125" (2cm-2.75cm) x W. .875" to 1.375" (2.25cm - 3.5cm;) painted clay, ca. 1972. Condition notes: .75cm paint chip on back of Ebisu, paint chipped away on fish of Dog with Tai figure. Others all in excellent condition...
Kawase Hasui
Kankai Temple, Beppu Hot Springs, 1927
Publisher: Bijutsusha. One of only eight Hasui designs published by Bijutsusha. Bears the red "Rumi" publisher's seal.
Size: Oban, approximately 15.0 x 10.25 inches.
Condition: Unframed. Excellent. A small (2 mm) hole in the dark green foliage has been invisibly repaired by a conservator. Short green dash in grey upper right sky.
A lush landscape format print and a rare design...
Akebi Hato Guruma, Vine Pigeon on Wheels; Nozawa, Nagano Prefecture. L.4.75"(12cm) x W.2.375"(6cm) x H.2.5"(6.5cm.) ca. 1972, woven akebi vine. The region of Nozawa has long been known for vine weaving craftsmanship, producing utilitarian items like hats, baskets, and teapot trivets. Vines were sourced from nearby mountains and then bleached naturally in local hot springs...
Kubi Furi Tora; Bobbing Head Paper Mache Tiger from Nishi-Oodera, Okayama Prefecture. H.6.5"(16.5cm) x L.6.25"(16cm) x W.2"(5cm.) Painted paper mache, ca. early 1970's. Excellent condition WITH ORIGINAL BOX. Paper mache folk crafts were popular in Nishi-Oodera since the mid-late Edo Period (1600-1868.) This particular style of tiger with high hip, curled tail, heavy black stripes, and fierce countenace has been produced since about 1897...
Hirosaki Hato Bue, Clay Pigeon Whistle from Hirosaki, Aomori Prefecture. Painted clay; L.6"(15cm) x H.4"(10cm) x 2.5"(6.5cm.)ca. 1970's...
Tsuchi Ningyo, Clay Doll. Kintaro with Giant Carp. ca. early 1900's. H.4.25"(11cm) x W.3.375"(8.5cm.) Signed on bottom "Yano." Body is 100% intact and in good condition, but most of the paint has flaked off of the fish...
Matsue Hariko Koma, paper mache horse from Matsue, Shimane Prefecture. H.3.25"(8.5cm) x L.3"(7.5cm) x W.1"(2.5cm). Ca. early 1970's, made by H. Kimura. Painted paper, straw tail. Matsue paper mache dates back to the Edo Period (1600-1868) and has a wonderful robust charm. The horse, in this rural area, is a symbol of good harvest. Matsue is known in the West as the long-time Japanese home of writer Lafcadio Hearn (1850-1904.)
Matsue Hariko Tawara Ushi, Paper Mache Ox Carrying Rice Bales from Matsue, Shimane Prefecture. Ca. early 1970's. Made by H. Kimura. L.3.375"(8.5cm) x H.2"(5cm) x W.2.375"(6cm.) Matsue paper mache dates back to the Edo Period (1600-1868) and has a robust charm. In this rural area, the Ox signifies a good harvest. Matsue is known in the West as the long-time Japanese home of writer Lafcadio Hearn (1850-1904.)
A large cloth, silk brocade, lined with cotton with ties on one side...
A charming baluster form vase decorated with a ring of drying fish by Katsuo Seiryudo (1907-1984) in the original signed wooden box. The hirame (flat fish) are unglazed except for an iron like underglaze used to draw the details, and shiny black dots for eyes. The contrast between the unglazed fish and white ceramic is unexpected and pleasing, in that ordinarily it would be opposite. The vase measures roughly 8-1/2 inches (21.5 cm) in diameter and height, and bears the artists cartouche-like sta...
Here is a quintessential piece by Master Mashiko Potter and Living National Treasure Hamada Shoji (1894-1978) enclosed in the original signed and stamped wooden box. The subtlety of the wide faces is a pleasant contrast with the rich iron frame of the narrow sides and top. A cluster of leaves in a zen circle underscored or shaded by tapering rails under heavily crackled clear glaze, a snowy white belt running across the scene is what we see. However there is more to this vase, a subtle textur...
Satsuma Maple Leaves Pattern Kogo Box Signed Yabu Meizan, circa 1930's
It is 0.5 inch (1.2 cm) tall by 3 inches (7.7 cm) wide.
It is in good condition with no repairs, chips, or cracks except stain in side the box (as seen in the photos).
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Japanese uchikake (wedding gown) with a colorful design of flowers and birds done in the Tsujigahana-zome (dye) style. The old Tsujigahana dye technique was used on the clothing of the Muromachi to Momoyama period elites. Inside the tie dyed area, flowers and birds were painted with blue, purple and black ink. Tsujigahana-dye was short lived and completely vanished by the early 17th century because of its extreme complexity. This gown is very beautiful with many woven metal threads;...
Japanese Hakata ningyo, unglazed clay doll of a young samurai (wakashu) with a dancing fan. This doll may have been modeled after a character in Kabuki (played by all males) or Takarazuka (played by all females). There were many play houses in Hakata during the late Meiji, Taisho and early Showa period. The Takarazuka theater (Fukuoka Takarazuka?) was also there. Live theater play was quite popular before play houses and theaters went through destruction in the form of fires, bombing or simply ...
Artist: Kawase Hasui
Title: Daimotsu, Amagasaki
Publisher: Watanabe Shozaburo, 6mm seal.
Date: 1940. The 6mm seal was used between 1946 and 1957.
Size: Oban, approximately 15.5 x 10.25 inches.
Condition: Pristine. Unframed. Never displayed. The two left margin pinholes are the original state.
Japanese obi, nagoya style, painted with two noh masks on soft satin silk. The base color is a gentle pink/wisteria color with earth-tone. Taisho/Early Showa.
9.5 feet long hand-painted Japanese carp banner (Koi-nobori) for Boy's Day. Here on this banner, a mighty little boy named Kintaro, is hitching a ride on a carp. Kintaro may be a creation from a theater play (jyoruri and kabuki) of the Edo period – although he is said to be a childhood figure of the 10th century samurai, Sakata no Kinsuke - he is extremely strong and still a popular hero figure for Japanese boys. Kintaro (Kinta) figures are often seen carrying an ax, wrestling with bea...