Matsue Hariko Koma, paper mache horse from Matsue, Shimane Prefecture. H.3.25"(8.5cm) x L.3"(7.5cm) x W.1"(2.5cm). Ca. early 1970's, made by H. Kimura. Painted paper, straw tail. Matsue paper mache dates back to the Edo Period (1600-1868) and has a wonderful robust charm. The horse, in this rural area, is a symbol of good harvest. Matsue is known in the West as the long-time Japanese home of writer Lafcadio Hearn (1850-1904.)

Matsue Hariko Tawara Ushi, Paper Mache Ox Carrying Rice Bales from Matsue, Shimane Prefecture. Ca. early 1970's. Made by H. Kimura. L.3.375"(8.5cm) x H.2"(5cm) x W.2.375"(6cm.) Matsue paper mache dates back to the Edo Period (1600-1868) and has a robust charm. In this rural area, the Ox signifies a good harvest. Matsue is known in the West as the long-time Japanese home of writer Lafcadio Hearn (1850-1904.)

A large cloth, silk brocade, lined with cotton with ties on one side. Dimensions: 104 1/4” long x 45” in width (2.65m x 1.14m). There are four 26” panels sewn together (sewing machine), each panel is decorated with a pair of phoenix birds one parched on a paulownia tree and the other on a rock. Although the fabric is of high quality silk, it actually is older than it appears - you need to handled gently. The gold sparkles when it is hit by lights. The color is not red...

A charming baluster form vase decorated with a ring of drying fish by Katsuo Seiryudo (1907-1984) in the original signed wooden box. The hirame (flat fish) are unglazed except for an iron like underglaze used to draw the details, and shiny black dots for eyes. The contrast between the unglazed fish and white ceramic is unexpected and pleasing, in that ordinarily it would be opposite...

Here is a quintessential piece by Master Mashiko Potter and Living National Treasure Hamada Shoji (1894-1978) enclosed in the original signed and stamped wooden box. The subtlety of the wide faces is a pleasant contrast with the rich iron frame of the narrow sides and top. A cluster of leaves in a zen circle underscored or shaded by tapering rails under heavily crackled clear glaze, a snowy white belt running across the scene is what we see...

Satsuma Maple Leaves Pattern Kogo Box Signed Yabu Meizan, circa 1930's

It is 0.5 inch (1.2 cm) tall by 3 inches (7.7 cm) wide.

It is in good condition with no repairs, chips, or cracks except stain in side the box (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Japanese uchikake (wedding gown) with a colorful design of flowers and birds done in the Tsujigahana-zome (dye) style. The old Tsujigahana dye technique was used on the clothing of the Muromachi to Momoyama period elites. Inside the tie dyed area, flowers and birds were painted with blue, purple and black ink. Tsujigahana-dye was short lived and completely vanished by the early 17th century because of its extreme complexity...

Japanese Hakata ningyo, unglazed clay doll of a young samurai (wakashu) with a dancing fan. This doll may have been modeled after a character in Kabuki (played by all males) or Takarazuka (played by all females). There were many play houses in Hakata during the late Meiji, Taisho and early Showa period. The Takarazuka theater (Fukuoka Takarazuka?) was also there...

Artist: Kawase Hasui
Title: Daimotsu, Amagasaki
Publisher: Watanabe Shozaburo, 6mm seal.
Date: 1940. The 6mm seal was used between 1946 and 1957.
Size: Oban, approximately 15.5 x 10.25 inches.
Condition: Pristine. Unframed. Never displayed. The two left margin pinholes are the original state.

Japanese obi, nagoya style, painted with two noh masks on soft satin silk. The base color is a gentle pink/wisteria color with earth-tone. Taisho/Early Showa.

9.5 feet long hand-painted Japanese carp banner (Koi-nobori) for Boy's Day. Here on this banner, a mighty little boy named Kintaro, is hitching a ride on a carp. Kintaro may be a creation from a theater play (jyoruri and kabuki) of the Edo period – although he is said to be a childhood figure of the 10th century samurai, Sakata no Kinsuke - he is extremely strong and still a popular hero figure for Japanese boys...

From our Japanese Collection, a fine and very attractive mid-century silk thread composition depicting a Shinto shrine nestled within a treed riverbank, with a foot-bridge and boats in the foreground. The composition uses rich but tasteful shades of burgundy, brown, cream, dark green, a touch of soft pink, and other subtle earth tones. The piece evokes a relaxed charm.

Size and Condition: Framed dimensions are 25 inches wide, 19 3/4 inches tall...

A very elegant Japanese sand-cast iron tea kettle and brazier (furokama, fuuro-kama) of unusually small size (making water for one person). The round brazier (Furo) has an opening on each side; the kettle with a tapering top is finely cast with romping horses, loose ring handles and delicately shaped top with simple knob. The brazier with cast mark 'Nanbu, Morioka, sei(?) mitsu(koi) dou. Nanbu and Mizusawa of Morioka in Iwate prefecture (northern Japan) has been famous for cast iron wares...

Japanese antique cha tansu (tea chest) made of dark hardwood, many open shelves with decorative cut out areas, compartment on top right with sliding panels, larger compartment on the bottom with hinged doors, 2 small drawer on the bottom right, Taisho Period. Size: 45" high x 46" wide x 14 1/2" deep.

Japanese Fukagawa porcelain vase decorated with the double arched bridge (Nijyu-bashi) of the Imperial Palace in Tokyo. Singed by the artist、Zippo Araki (1872-1944), in underglaze blue beside his two red seals. This bridge was the one of first place to have electric lights from gas lights in Japan. Mt. Fuji logo of Fukagawa on the base, with inscribed original wood box (tomobako). 8 1/4" (hight) x 7 1/8" (width)

Gorgeous art deco Tamekichi Mitsui III signed Kutani plate. He received his artist's name Tamekichi III in 1961 from his teacher, and was soon afterward commissioned to create a plate for Edwin Reischhauer's visit in 1962...

Ohara Shoson (Koson)
Title: Crow on a Snow Covered Branch
Date: 1910s ~ 1920s
Publisher: Watanabe Shozaburo
Size: 11.25 x 5.5 inches.
Reference: Newland, Amy R."Crows, cranes & camellias" p. 196.

A rare creped woodblock print by Koson. Creping was popular in the early 20th century due to superior durability.
Condition: Unframed. Excellent. This print appears to be as fresh as the day it was made. It is an absolute knockout. The scans do not do justice to th...

Japanese early 20th century bronze water lily design vase. By artist, BOKUZEN. Comes with TOMOBAKO, or original artist signed wooden storage box. The vase measures 11 1/8" tall by 7" wide at the widest point.