Tsuchiya Koitsu
Zojoji Temple in Snow, 1933.
Size: Oban, approximately 15.5 x 10.5 inches
Publisher: Doi Hangaten. Also bears Doi watermark.
Carver: Harada.
Printer: Yokoi.
This seal combination indicates an early post-war edition.
Condition: Excellent. A couple of nearly imperceptible waves in the paper.

The natural ash glaze gradates from a light-glossy grey on one side to a blueish grey on the other. The foot of the bowl is unglazed at the base and shows traces of ferrous-rich clay in the form of an orangish hue. The mouth of the piece is somewhat oblong giving it an attractive shape and the rough texture and ash deposits in places give this bowl a weighty presence...

A Chinese turquoise stone urn and cover carved with phoenix and other birds and animals among branches and flowering vines all around.

Age: Late 19th to early 20th century

Condition: Some breakage and losses (restoration) but in generally good condition (please refer to pictures)

Size: Approximately 5-1/2" high by 3" wide by 2" diameter

Chinese white bowl carved on the outside with two rows of overlapping lotus petals. Covered with a clear ivory glaze that falls to reveal the white ware. The base and the top rim left unglazed.

Age: Song dynasty (960-1279)

Condition: Very good condition

Size: Approximately 6-1/2 cm high by 14-1/2 cm diameter

Old monkey mask for Eastern Himalaya, Hard wood, H 20 cm wide 17 cm , obvious sign of important age, at least from early 20th, more information on request

Please check our new category 'Vintage Tea Bowls', where we present once in a while high quality vintage chawans. This is a vintage Japanese hand-shaped pottery tea bowl of Seto ware, which was made about 50 years ago.

The seal of the potter is stamped on the bottom. Very artistic Tenmoku glaze.

Size: 8,8 cm height x 13 cm in diameter...

A fine, colorful boxed set of six sterling silver coffee or demitasse spoons with gilt and guilloche enamel decoration by the Birmingham silversmith, Turner & Simpson. The delicate shades of the guilloche enamel are accented with white champlevé enamel. Turner & Simpson sold sets such as this through luxury jewelers such as Garrard and Asprey in London. Each spoon is fully hallmarked by the maker. The set is presented in its original fitted box.

Origin: Birmingham, England, 1956...

A pair of Chinese yellow glazed porcelain ogee shaped bowls with incised design on both the inner and outer rim. The center is with an incised design of a lotus bloom. The base glazed in the same yellow with a six character Hongzhi script mark. On the base of each bowl there is a Jian Ding seal.

Size: 7 cm high by 17-1/2 cm diameter

Condition: Very good condition

Age: Late 19th to early 20th century (Republic)

Tea bowl, thinly potted with apricots on leafy branches surrounding the cup on a white ground. The inside left bare. The top rim done in gilt. The bottom rim decorated with an additional gilt circle bordered in iron red. The base with Guangxu six character mark in iron red.

Purchased as an Imperial Mark and Period

Condition: Very good condition, no breaks or cracks...

Pair of cylinder cases, thinly potted with narrow necks and feet painted in mirror image with birds perched among flowering prunus plants. Accented red hand drawn borders at the rims and base of each vase with a poem on the opposite side.

On the base of each is a red overglaze seal of Liu Yucen.

Condition: On one of the vases, there is the remnants of a Jianding export seal. Next to this seal is a glaze crack, most likely from trying to remove the seal...

Well hollowed, the glass of varied strawberry and milky tones colour, well carved in the form of a mallow flower. Complete with a jade and agate stopper.

Age: Qing Dynasty

Condition: There is a scratch/shallow surface crack at the bottom base.

Size: 2-3/4" high by 1" depth by 2" width

Garlic shaped mouth with twin turquoise ground handles supporting it. The flask is covered in flower heads and bats surrounding a shou character over a stylised lotus flower with other Buddhist emblems all outlined in gilt...

Chinese antique turned wooden brush pot in Huanghuali wood. The pot tapers towards the triple beaded turned base, fashioned to look like a stand and has a slightly rolled top with a recessed base. No mark. Good patination of the wood.

Approximately 22 cm high by 17-1/5 cm diameter at widest point.

Good condition with normal signs of use.

Note: I have lightened some of the pictures up quite a bit so that the details of the grain of the wood can be seen.

Painted in mirror images with figures surrounded by buildings in a mountainous coastal landscape. The opposite side with grey birds perched upon a slender prunus. Each side and tops of the vase contain texts and poems...

A Chinese Beijing yellow glass vase, 'yuhuchunping'. This thick-walled multi-layered vase formed with a pear-shaped body is raised on a slightly flared rolled foot. The opaque glass is a bright egg-yolk yellow colour. Qianlong incised four-character mark within a single square. A well-made and heavy vase.

Qing Dynasty - (circa 19th century)

Very good condition (refer to pictures)

Approximate size is 10" high by 6-1/2" diameter at it's widest part

Japanese early to mid 20th century ceramic tea cup by SUIGETSU. The tea cup has the design of a camellia blossom done in high relief around the sides of the cup. The cup measures 4 3/8" tall and 3 1/8" in diameter.

Japanese bronze usubata in the form of an open natural lotus, standing on a coiled stem with a lotus bud. Usubata are used for beautiful flower arrangements, an art form known as ikebana.

Size: 9" L x 9" W x 6" H

Japanese bronze suiban, or a dish to be filled with viewing stones called suiseki, as well as small plant arrangements. The rim has flower petal incision motifs while the sides are decorated by medallions and a pair of handles shaped like elephant heads. Artist's signature on bottom.

Size: 17" L x 9" W x 4.5" H

Japanese framed print by artist Tanaka Ryohei, born in 1933 in Takatsuki City, Osaka Prefecture. He has appeared in numerous art exhibits all over the world and his collections may be viewed in many museums such as the Cincinnati Art Museum, Museum of Modern Art San Francisco, and the Shanghai, China Museum. The medium used for this print are copperplate etching with aquatint. Titled "June", dated 1993, signed, and numbered 110/150 in its series in pencil...

A large Japanese framed print by renown artist Mayumi Oda, born 1941. Mayumi is most well known for her depictions of male Buddhist deities presented as women. This silkscreen print is titled "Daikoku", normally a male, the god of good luck and fortune. The title, number 22/40, and Mayumi's signature are done in pencil along the bottom margin. The print itself is tastefully framed behind special UV blocking glass. Circa 1984...

Japanese framed woodblock print by artist Hiroshi Yoshida (1876-1950), from the Sailing Boats series, titled Sailing Boats - Night, signed and dated, with publisher's marking in left margin, red artist's chop.

Size: (entire frame) 19.5" L x 25.5" H (print only) 15.5" L x 21" H

Japanese framed woodblock print by Kihei Sasajima (1906-1993), signed, titled, and numbered 54/100 in pencil, with red chop. Image of a samurai running with sword over his shoulder in black with deep blue pigments.

Size: (entire frame) 21" L x 17" H (print only) 14" L x 10.5" H

Japanese framed woodblock print by Shiro Kasamatsu (1898-1991) of a bridge and a quiet lake in the evening. Lanterns illuminate cherry blossom trees among the darker color palette. Print is laid down and framed. Artist's chop and signature with title in right margin.

Size: (entire frame) 15.75" L x 21" H (print only) 10.75" L x 16" H

Kawase Hasui (1883-1957)
Yomei Gate, Nikko, 1930.
Oban. Approximately 15.25 x 10.25 inches.
Publisher: Tokyo Shobido. Yomei Gate is one of only six Hasui designs published by this publisher.
Condition: Very good with faint matte line near image edge.

A lovely Shino tea bowl fashioned from coarse, iron-rich Mino clay and covered in feldspar glazing. The crackled glazing along with the elongated kutsugata shape (shoe shape) are very typical of this type of Shino-ware and these elements compliment each other nicely...

Japanese framed woodblock print by artist Hasui Kawase (1883-1957), depicting a man walking down a cobblestone path to the beach. Markings include Hasui's red chop and signature, publisher seals in left margin, red chop in bottom left corner.

Size: (entire frame) 16" W x 21" H (print only) 10 1/2" L x 15" H

Japanese framed woodblock print by artist Hasui Kawase (1883-1957), titled "Rain at Shinagawa", from the series "Selection of Views of the Tokaido", depicting several persons under umbrellas as they travel through town during a rainy afternoon. Markings include Hasui's red chop and signature, Watanabe publisher seal in left margin (dated 1931-1941), titled in right margin.

Size: (entire frame) 16" W x 21" H (print only) 11.5" L x 16.5" H

Japanese woodblock print by artist Hiroshi Yoshida (1876-1950), from the series The Kansai District, titled Sarusawa Pond, dated with signature, red artist's chop, publisher's markings in left margin.

Size: 10.5" W x 16" H

Japanese woodblock print by artist Hiroshi Yoshida (1876-1950), from the series The Kansai District, titled Seta Bridge, dated, signed in pencil, with Jizuri (self-published) seal along left edge, red artist's chop.

Size: 16" L x 10.75" H

Japanese woodblock print by artist Hiroshi Yoshida (1876-1950), from the series Korea and Manchuria, titled Market in Mukden, dated, signed in pencil, with Jizuri (self-published) seal along left edge, red artist's chop.

Size: 16" L x 10.75" H

Kawase Hasui (1883-1957)
Arifuku Hot Springs, Iwami, 1924
Size: Oban. Approximately 15.25 x 10.25 inches.
Publisher: Watanabe Shozaburo. Bears the Watanabe "A seal," indicating a first edition.
Condition: Very good with faint matte line near image edge.

Japanese woodblock print by artist Hiroshi Yoshida (1876-1950), from the series Fuji jukkei (Ten Views of Fuji), dated, titled Fuji Yama from Okitsu and signed in pencil, with publisher's marks along left edge.

Size: 16" L x 10.75" H

An exquisitely crafted candleholder executed in the pure palate of crystal glass with gold inclusion that is a hallmark of Archimede Seguso's work. The masterful sculpting of the flowers is remarkable. 9" x 4" x 4.5" This fine piece is in perfect condition.

A charming expression of the Rosen Cavalier from the opera by Richard Strauss. Executed in clear crystal with a generous application of gold leaf and gold powder, it is the purity of the artist's choice of clear glass which guides the attribution to Archimede Seguso. The piece retains its label, and is in perfect condition. 13.5" x 7" x 6".

A lovely set of Cartier silverplated cocktail picks, buffet markers and champagne whisks, presented in their original fitted and embossed case...

A nice vintage leather box embossed “Studs” on the top. Most of these boxes are round, but this example is a much more uncommon horseshoe, the lid also embossed with a horseshoe. These boxes were original intended to store shirt studs or cufflinks, but can be used for any variety of gentleman’s accessories.

Origin: probably England, ca. 1950. Condition: excellent. Dimensions: 2-1/2” x 2-3/4” x 1-3/16.