Dark glaze covers this beautifully crafted Koro from Kawai Kanjiro dating circa 1936 enclosed in the original signed wooden box. It is 11.5 x 9 x 8.5 cm (4-1/2 x 3-1/2 x 3-1/2 inches) excluding the lid and is in excellent condition. The lid is of exotic hardwood with an agate finial, and is a later addition (Kanjiro did not make lids for his koro). For similar examples see the Katsukawa collection published in the biblical tome by the Kyoto National Museum of Modern Art...

Antique Chinese Yixing snuff bottle of fine porous unglazed body of 'purple clay'. It's front side a landscape scene in white slip and back side with a prunus floral design, sides with pierced handles. Red agate and bronze ring cap cover. Good condition with impressed seal on inset bottom.

Circa 1900, Late Qing Dynasty
Size 2 1/4"H x 1 3/4"W x 1 1/8"D

Japanese Silver box from the Taisho period c1920. The decoration has a inscribed leaf design with a hardwood interior and bottom, good condition.

Provenance Zelig Collection

Dates Taisho c1920
H 2.75" x W 5.375" x D 4"

Circa 1960's-70's, this Matl jeweled cross produced by Ricardo sits on a pedestal and is a hand-wrought work of art. Ricardo Salas worked with his aunt, Matilde Poulat. After her death in 1960 he continued producing her designs, as well as his own. After 1980, Matl Salas pieces were also marked with MS-12. This cross pre-dates that mark. This is a magnificent and highly detailed cross, with pyramidal amethysts, turquoise and coral cabochons, tiny silver beading, and a coral branch...

Chinese antique blue and white underglaze stickneck vase with beautifully painted blooming prunus and flying birds design, key fret design at high footed base. Signed at bottom.

Republic period, 1930s

Size: 12 1/2"High x 4 1/2" Diameter

Large Indian yantra , 89x85 cm. red ink on paper. Reinforced with gummed tape on reverse. Damaged corners as shown. Undated,estimated to be 19th/20th centuries. Can be viewed in central London and shipped worldwide.

Very old mask presumably from the district of Humla, the mouth The ears are barely evoked, there is a small crest possibly fractured, on the top of the mask. Traces of red and white pigments on the top and around the mouth.Black patina ofsoot with hairs fixed around the noos and the eyes/ Semi-hardwood with long fibers, in very good condition considering the age of the mask, at least early 20th. H 27 cm, W 17 cm

Rare statue of a sitting female protector, her hands in praying posture. Eroded wood, fine patina. Nepal, mid 20th C. Height: 34 cm. Very good condition. NOTE: collected in 1974 by its former owner.

Statue of a standing protector, his arms alongside his torso. Eroded wood, fine patina. Nepal, early 20th C. Height: 44 cm. The statue is mounted on a custom stand. Left leg partly missing, otherwise good condition. NOTE: collected in 1974 by its former owner.

In Japan every season and every phase of the year is marked by the presence of a flower, the most noted of course being the cherry blossoms signifying the long-awaited arrival of spring. Lesser known to the outside world is the importance of the iris flower marking the end of spring and the beginning of the summer months. Growing along river banks and in other wetland, the iris is thought to have purifying properties to ward off evil and is also associated with the expression of heroic deeds...

Shoda Koho
Moonlit Sea
From the Hasegawa Night Scenes series.
Size: Chuban. Approximately 11 x 8 inches.
Artist's seal lower left.
Date: 1930s. Printed 1938-1960.
Publisher: Nishinomiya Yosaku.
Medium: Japanese woodblock print.
Condition: Excellent.
"Made in Japan" stamped on verso.

A classic sterling silver double jigger, the stem enhanced with incised lines. The jigger is marked "Sterling".

• Origin: America, ca. 1960
• Condition: excellent, no dings or monograms
• Dimensions: 3-5/16" tall
• Weight 55.2 grams.

A vintage sterling silver figural jigger by Gorham, the sides marked off with enameled stoplights in green, yellow and red meant to signify "go," "caution," and "stop." Each light corresponds to the 1, 2-1/2, and 3-1/2 ounce markings on the jigger's bottom. The bottom is hallmarked by Gorham.

• Origin: America, ca. 1950
• Condition: very good, a small ding on the bottom edge visible in raking light; professionally polished Weight: 53.5 grams

A Modernist sterling silver graduated jigger by Tiffany marked off in half-ounce increments. The bottom is marked “Tiffany & Co./Makers/Sterling Silver/22714.”

• Origin: America, ca. 1965
• Condition: very good, a few very small pinpoint dings on the bottom, no monogram
• Dimensions: 1-7/8” tall
• Weight: 43.3 grams

This wonderfully inventive Art Deco silverplate jigger measures 3/4, 1, 1-1/2 and 2 ounces. The cube joining the various cups shows measurements on one side and is stamped with the hallmark for Benedict Manufacturing Company (1894-1953) on the other. The cube is perfectly weighted so the jigger does not tip over when the upper cup is filled. This implement was created by the noted modernist designer Albert F. Saunders as a part of Benedict's "Modernistic" line...

A French Art Deco cocktail pick set in the unusual form of a large snail accompanied by a pair of baby snails. The snail is usually alone or perhaps with just one smaller one. They are worked in chrome and are set on a mahogany base. The design is by the famed French Art Deco illustrator Benjamin Rabier, who had a side jpb designing entertaining barware. The twelve picks have unusual green bakelite finials...

A handsome sterling silver rollover jigger by Cartier. The jigger's two arms rest across the top of a glass or cocktail shaker. After filling, it's simply flipped over the empty the contents without making a mess. The bottom is marked "Cartier Sterling", indicating it would have been sold at Cartier's flagship New York store.

• Origin: America, ca. 1940
• Condition: excellent, no dings
• Dimensions: 5-13/16" wide
• Weight: 47.8 grams

A handsome mid-century sterling silver gavel-style double jigger with a turned ebony handle. Gavel jiggers are usually in a more traditional style, but the plain lines of the silver and relatively simple handle give this example a nice mid-century modernist feel. The jigger is marked by Boardman, a silversmith who sold under their own mark and also manufactured barware for Cartier's New York store.

• Origin: America, ca...