Yuzo Kondo is one of the more recognized names in the world of modern Japanese pottery of the 20th century. Though known mainly for his sometsuke creations (blue and white porcelain), he did not settle on this style until well into his potting career that lasted nearly seven decades. The piece shown here is from an earlier period and has been expertly repaired with gold joinery...

Sodenashi (vest) with very fine sashiko　which is from Shonai region in Yamagata prefecture in Tohoku district. It is made of two layers of cotton dyed with vegetable indigo. In good condition. The first half of the 20th century. 48cm(hem) x 68cm

Toshi Yoshida
Autumn in Hakone Museum
Date: 1954.
Signed and sealed in Japanese. Signed in English. Size: Oban. Approximately 16.25 x 10.5 inches.
Medium: Japanese woodblock print.
Condition: Excellent. Soft corner margin creases.
Notes: I've included photos of Toshi Yoshida's vintage envelope and the collector's notes of the previous owner, both of which accompanied this group of Yoshida prints...

Fostoria Glass Company made Navarre from 1937-82. There are no chips or cracks in the glass. Thanks for looking.

A classic Art Deco first standard (950/1000 pure) silver jigger by the Parisian silversmith Auguste Roustang. The tapered form is simply decorated with a series of increasingly narrower steps at the base for a streamline look. The rim is hallmarked by Roustang.

• Origin: France, 1909-29
• Condition: excellent, no dings
• Dimensions: 1-15/16” tall
• Weight: 34.9 grams

Vintage sterling silver figural jigger in the form of a jigger by Towle. The rim is engraved “Just a thimbleful.” Thimble jiggers became popular in the late Victorian era and remained so through the mid-20th century. The base is hallmarked by Towle.

• Origin: America, ca. 1960
• Condition: very good, a pinpoint ding on the side, just above the letter “s”
• Dimension: 2” tall
• Weight: 34.0 grams

A classic figural sterling silver thimble jigger by Thomae & Co. The rim is engraved “Only A Thimble Full.” The interior retains its pale gilding. Several companies made variations of this jigger, but those by Thomae are among the best because of their superior weight and workmanship.

• Origin: America, ca 1935
• Condition: excellent, no dings or monograms
• Dimensions: 2” tall
• Weight: 42.4 grams

Ema (pictorial offering) with a pair of "Aka Oni and Ao Oni"(red and blue ogres) which is hand-painted. It is an offering at Kijin Shrine in Saitama prefecture next to Tokyo which is the one of four shrines worshipping ogres in Japan. In good condition. The first half of the 20th century. 14cm x 8cm x 0.8cm

Uehara Konen (1878-1940)
Hirosaki Castle
Size: Mitsugiriban. Approximately 15 X 6.75 inches.
Publisher: Likely Watanabe Shozaburo.
Date: ca. 1920s-1930s.
Artist's seal at lower left.
Medium: Japanese woodblock print
Condition: Excellent.

Wood spoon, its handle finely carved in the shape of a standing female figurine. Nice age patina. Ifugao tribes, Northern Luzon Island, Philippines archipelago. Height: 18 cm. The spoon is nicely mounted on a custom stand. Very good condition. Provenance: Zemanek Munster tribal art auction sale # 77.

Shotei Takahashi (Hiroaki) (1871-1945)
Arai Inn (Omori Arai Inn)
Series: Eight Views South of the Capital
Date: 1921.
Size: Oban. Approximately 15.25 x 10.75 inches.
Shotei seal at upper right.
Publisher: Watanabe Shozaburo.
Reference: O-20 in Shotei catalog.
Medium: Japanese woodblock print.
Condition: Center crease. Soiling in margins. Toned paper...

A classic sterling silver handled jigger by Tiffany & Co. The simplicity of the design is relieved only by the slight flare at the rim and the curve of the handle, typical of Tiffany’s Deco designs. The bottom is stamped with Tiffany marks used 1907-47.

• Origin: America, ca 1930
• Condition: excellent, no dings or monograms
• Dimensions: 2-1/16” tall
• Weight: 63.5 grams

Kikuchi Yuichi (aka Tomokazu)
Shinano Taisho Pond
Date: 1954.
Size: Oban. Approximately 14.75 x 9.75 inches.
Publisher: Adachi. Seal on back.
Yuichi seal at lower left.
Condition: Slight fading. Flattened crease along top margin.
Most Kikuchi Yuichi prints are small. This oban-sized work is rarely seen.

A vintage sterling silver figural jigger by Gorham, the sides marked off with enameled stoplights in green, yellow and red, meant to signify “go,” “caution,” and “stop.” Each light corresponds to the 1, 2-1/2 and 3-1/2 ounce markings on the jigger’s bottom. The bottom is hallmarked by Gorham.

Origin: America, ca. 1950

Condition: excellent, no dings or monograms

Dimensions: 2-7/16” tall

Weight: 53.1 grams

A vintage sterling silver figural jigger by Gorham, the sides marked off with enameled stoplights in green, yellow and red, meant to signify “go,” “caution,” and “stop.” Each light corresponds to the 1, 2-1/2 and 3-1/2 ounce markings on the jigger’s bottom. The bottom is hallmarked by Gorham.

Origin: America, ca...

Kawase Hasui
Zojo Temple, Shiba.
Series: Twenty Views of Tokyo.
Size: Aiban. Approximately 13.0 x 8.75 inches.
Date: 1934. The oban sized edition (Hotei #147) is 1925.
Published in 1934 by Osaka Mainichi in Japan Today & Tomorrow.
In the publication, the print was attched to black paper...

Rare vintage sterling silver figural jigger in the form of wing-handled fire bucket. The side is engraved “Fire Water.” Figural jiggers gained popularity in the Art Deco era. The bottom is marked “Lunt Sterling 15”.

• Origin: America, ca. 1940
• Dimensions: 2” tall to rim, 2-3/4” to top of handle
• Weight: 34.6 grams

Kawase Hasui (1883-1957)
Sakurada Gate (Sakuradamon)
Size: Oban. Approximately 15.375 x 10.25 inches.
Date: 1928.
Publisher: Watanabe Shozaburo. Round, red 6 mm seal at lower left, indicating a lifetime printing (1946-1957). Old Watanabe seal at back.
Signed and sealed by the artist.
Reference: Hotei #156.
Condition: Excellent color. Toned paper. Two pieces of paper at back margins.

A fine tribal necklace made of conch shell, glass, bronze and bone parts. North East India, Naga ethnic group. Length: around 40 cm. Very good condition. Provenance: 1) old European collection, 2) auction sale.

Kawase Hasui
Bird's Eye View of Kiyomizu Temple in Snow
Date: 1930s.
Size: Approximately 5.675 x 3.675 inches.
Publisher: Watanabe Shozaburo.
Artist's oval seal at lower right.
Reference: Hotei #Hp-59.
Medium: Japanese woodblock print.
Condition: Excellent.
This marginless print is from a mid-century collection that included another marginless Hasui print.
Most examples are found with margins, so it may have been trimmed or issued in this state.

Hiroshi Yoshida
Little Harbour
Date: 1941.
Size: Chuban. Approximately 10.375 x 7.825 inches.
Signed and sealed in the image. Titled and signed in pencil.
Jizuri seal at upper left margin indicating self-printing by the artist.
Medium: Japanese woodblock print.
Condition: Excellent.

Ohara Koson
White Eagle On Pine Branch During a Heavy Storm
Size: O-tanzaku. Approximately 13.5 x 7.375 inches.
Date: ca. 1900s-1923.
Koson signature and seal at upper right.
Publisher: Daikokuya
Reference: K13.10 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print on heavy paper.
Condition: Some darker areas near edge from former adhesive. Toning. Pencil notes on back...

A roll of asa (hemp) kaya cloth whose wefts and warps are hand-plied and dyed with vegetable indigo. In excellent condition. The first half of the 20th century. Approx. 34cm x 18m35cm

A pair of wooden tabi-kata, patterns for tabi socks. In good condition. The first half of the 20th century. L:21cm W:8cm H:5cm

Amazing boro tabi made of hand-spun cotton with mending patches. All original condition. The first half of the 20th century. 22.5cm x 11cm (sole)

Silk meisen kimono without lining. It has double ikat checker board pattern. In excellent condition. Mid century (1930s to 1940s) 128cm x 148cm

Takahashi Shotei (Hiroaki)(1871-1945)
Packhorse in Snow
Print size: Approximately 3.75 x 2.5 inches.
Publisher: Watanabe Shozaburo.
Shotei seal at lower left.
Date: Pre-1923 earthquake. Original blocks destroyed.
Reference: Shotei catalog S-129.
Medium: Japanese woodblock print tipped along its top edge to original card.
Condition: Excellent.

From the collection of Desmond Morris comes this exceptional protective figure. The face and body have fine carvings and red and white pigments. H. 75 cm, W. 68 cm. Provenance: Bonhams London 2004, Mallams Auctioneers Abingdon, 2015, Collection Desmond Morris, Mallams Auctioneers Oxford 2019.

Elegant figure with great age. H. 30 cm. Condition: old worm holes. Early 20th century. Provenance: Christophe Rolley, Paris, Srdjan Sremac, Den Haag.

Hardwood and iron. H. 38 cm. Provenance: Robert van der Heijden, Amsterdam, Srdjan Sremac, The Hague.

Wood, animal teeth and hair, human hair, iron.H. 23 cm (without the beard). Van Rijn: ao-0161468-002 Provenance: William Siegmann, curator emeritus, Brooklyn Museum, New York.

H. 23 cm. (Excluding the beard. Very good complete condition. The mask is covered with red fabric, the eyes are made of aluminium. Provenance: Klaus Paysan (1930-2011), Stuttgart, Germany. Robert van der Heijden, Amsterdam. Exhibited: Staatliches Museum für Naturkunde Schloss Rosenstein, Stuttgart - ‘Afrika, Tiere, Maske und Magie’.

Anthropomorpic cup, depicting a standing female. H. 21,5 cm. Rare and early piece. Repair to the rim of the cup. Provenance: Dutch private collection.

Bateba Phuwe, made by the ‘carver of the long neck’. Mid 20th century. H. 29 cm. Good condition. Literature: Katsouros/Herkenhoff - Anonyme Schnitzer der Lobi.

Made of hardwood. Early 20th century. Laos is famous for its ‘tribal’ Buddhas. They were made by village carvers and donated in large quantities to the temples. H. 55 cm. Condition: remains of polychromy, age wear, cracks.

A vintage Japanese Geta Bako (chest for shoe storage) made of Tochinoki (Horse Chestnut) and Hinoki (Cypress) woods. Two sliding doors hide a storage area separated by 2 removable wood shelves...