Japanese uchikake (wedding gown) with a colorful design of flowers and birds done in the Tsujigahana-zome (dye) style. The old Tsujigahana dye technique was used on the clothing of the Muromachi to Momoyama period elites. Inside the tie dyed area, flowers and birds were painted with blue, purple and black ink. Tsujigahana-dye was short lived and completely vanished by the early 17th century because of its extreme complexity...

Elegant Japanese uchikake (traditional wedding gown) sewn in the style of the twelve layered court attire (juni-hitoe) from the Heian period (794-1160). The longing for the beautiful, culture rich era of the aristocrats that existed so long ago never seems to cease in people's mind even after 1000 years. Here on this red background, the classic design of the ox-cart in a pine forest is beautifully woven in gold. The layer of robes could have gone up to 15 or even more...

Beautiful peonies on a soft pure silk (sho-kinu, 100 percent silk) kimono roll. Hand dyed design (Yuzen zome) went through to the reverse side. The fabric (marked as Tango chirimen) is treated with some new chemical for easier maintenance, wrinkle free, washable (?), etc. Some designs are dyed to be matched for the wider width. Gentle, pale (smoky) purple color, 14 1/2 wide, full roll (enough to make a kimono).

This is an antique men's silk juban, an undergarment worn under a kimono. For today’s standards, it is very odd to see such an extravagant hidden personal item.

During the Edo period, which ended in 1868, common people were not allowed to wear silk. The growing economical power of merchants came along with social disorder and corruption. Tokugawa government issued many sumptuary laws to limit the spending of the general people on luxury items...

A colorful Japanese Art Deco man's juban (under kimono), comprising a crazy quilt pattern of wonderful period hand-woven silk crepe fabrics in rich colors of indigo, red, green and purple, and brown, circa 1930, decorative trim and frog clasp, hand stitched, blue silk lining. Measurements: Sleeve tip to tip-48", shoulder to bottom hem-49"; A beautiful example of Art Deco fabrics in fair condition with frayed silks and lining fading, easily restored. Taisho or early Showa period

A large cloth, silk brocade, lined with cotton with ties on one side. Dimensions: 104 1/4” long x 45” in width (2.65m x 1.14m). There are four 26” panels sewn together (sewing machine), each panel is decorated with a pair of phoenix birds one parched on a paulownia tree and the other on a rock. Although the fabric is of high quality silk, it actually is older than it appears - you need to handled gently. The gold sparkles when it is hit by lights. The color is not red...

Silk obi with a grey-green background and gold thread cherry blossoms in honeycomb patterns. It features several images of two cranes with crossed beaks and wingtips touching, one with green, navy and orange feather and the other with yellow and blue feathers beside the branch of a pine tree and bright red, orange, and white flowers. Taisho period (1912-1925) Size: 168" length, 12.75" width

Japanese obi, nagoya style, painted with two noh masks on soft satin silk. The base color is a gentle pink/wisteria color with earth-tone. Taisho/Early Showa.

Japanese antique buddhist priest's robe, made all of woven silk, blue ground with gold medallions with cranes and pine bow design, sewn in panels, original white and purple cord on sleeves, late Meiji Period. Size: 60" high x 77" wide.

The design of the bamboo grass this snow lies thick is a famous costume of kabuki. This silk kimono is making yuzen dyeing and embroidery with a hand.That's bold and the striking design. There are discoloration and a little stain for that. But there is no damage and it's a valuable silk kimono by the very good condition. size:Length 154cm (60.6") sleeve to sleeve 124cm (48.8")

Japanese woven kimono in a beautiful shade of violet, lined with white cotton fabric. It has a vertical linear allover pattern in white thread. Taisho period (1912-1925) Size: 62.5" height, 47.75" width

This is a beautiful Japanese wedding gown (uchikake). Featured on brownish orange (when you looked at it where the gold does not take over, the basic color looks more like brownish red) silk are flocks of white cranes and stylized water in roundels of gold. The tone of the gold is rich but soft. The design is unique, elegant, artistic and well executed with excellent workmanship. The condition is almost new...

This is a beautiful dark blue Japanese Uchikake (wedding gown) made in Nishijin, Kyoto. The label states the name of Nishijin and the use of pure gold. The gown is woven with fans and Gosho (palace) flower carts which is one of the favorite motifs used for Japanese wedding gowns. They are remainders of the Heian period (794-1192) which was the last graceful era of the aristocrats. The gown is meticulously hand sewn to perfection as most Japanese kimonos are...

Japanese silk kimono decorated with a beautiful scene of flowers including irises, peonies, and chrysanthemums with a little stream in color with gold details all on a very light cream color ground, Taisho Period. Size: 58" high x 51" wide.

Japanese Uchikake (wedding gown) with Imperial Carts, flowers and gold color “maku” (outside cloth divider). The divider is used as a street on this gown leading the wagons to the large area at the bottom half. The background colors from the top are orange, light pink to dark gray at the bottom. The liner is red. The condition is excellent, like new.
53" W x 75 1/2" L (sleeve length 41")

Four-panel kon (dark-blue) indigo-dyed cotton bed cover, red and white threads woven into warp and weft creating patterns of circles , squares, and checks. Top cover only, no backing or wadding, very good condition. Early 1900’s. L.69”(175cm) x W.55”(140cm.) Futonji, bed covers, were a common bridal trousseau item in feudal and early-modern Japan. They may have been made by the bride before marriage (in very rural areas,) or more likely commissioned by the bride’s family...