Antique Japanese man's silk juban, an undergarment worn under a kimono. We can find true works of art hidden in this type of old kimono. The term "Juban" comes from the Portuguese word "gibao" (sleeveless garment). The design of hyotan sake (rice wine) gourds is out-lined with hand tie-dye. Interesting patterns inside the gourds. This is an old gown but the condition is like new except that the tie-dye has stretched out over the years. Circa, early 1900s...

Han-juban (short under kimono) made of plain weave silk and beni-itajime (clamp-board dye) with hand painted Yuzen design. The red dye is chemical which was practiced from Meiji period (late 19th century), after beni-itajime with beni(safflower), practiced in Kyoto in Edo period. The last image is beni-itajime with Yuzen dye. The lining is cotton. In excellent condition...

This is Japanese Indigo dye Stripe and weave beautiful hitoe kimono textile from the Taisho era to the Showa era(1910-1950). The material is silk and cotton. It does not have a stain and damage. It is in a very good state. size:140cm x 120cm(55.1" x 47.2)

Antique Japanese firman's jacket, hakeshibanten, cotton indigo dyed with sashiko stitching and freehand paste resist decoration (tsutsugaki). Middle back of jacket with round mon holding the red colored hiragana character "ha". Even wear overall.

Edo Period, Circa 1850s

Size" 33"H x 41"L

Yukata (cotton unlined kimono) with shibori (tie-dye) whose motifs are tomoe (three-way), aboshi (fishing net being dried) and a logo with the character uma (horse). The shibori techniques are: Miura shibori and Ori-nui shibori (folded and stitched). It is hand-sewn and all tie-dye is by hand. Vegetable indigo dyed. In excellent condition. 20th century. 126cm x 131cm

This tsumugi (raw, knobby silk, similar to tweed) purse was purchased at the well-known Kyoto antique textile shop Nakamura Chingiriya in 1972. It is unused and still has original box. H.6"(15cm) x W.6.25"(16cm.) Snap closes on one side, with eyelet for a hand, shoulder, or waist strap on the other. Indigo dyed folk materials and an elegant purse design make it suitable for kimono or jeans.

Cotton and silk, mixed weave haori with shibori asanoha (hemp leaf) pattern which is dyed with the root of murasaki or murasaki-sou (lithospermum), one kind of grass. It is called "shikon-zome". Murasaki was grown since Asuka period (very late 6th to early 8th century) and purple was thought as the noble color...

Indigo-dyed heavy cotton shop Apron, Unknown business. Stencil-dyed on both sides with shop name and address: “Takara;” braided cotton waist tie. Top line: “Saikou Kyuu Hin” (Top grade Excellent Goods,) logo: “Takara” (Treasure) character with image of Daikoku’s (one of the 7 Lucky Gods) hammer, 3rd line: “Daibenkyo no Mise” (A Shop with great discounts/bargaining opportunities.) This apron could be used generically for any type of business. Very good condition. Late1900’s...

Four-panel kon (dark-blue) indigo-dyed cotton bed cover, red and white threads woven into warp and weft creating patterns of circles , squares, and checks. Top cover only, no backing or wadding, very good condition. Early 1900’s. L.69”(175cm) x W.55”(140cm.) Futonji, bed covers, were a common bridal trousseau item in feudal and early-modern Japan. They may have been made by the bride before marriage (in very rural areas,) or more likely commissioned by the bride’s family...

Japanese Uchikake (wedding gown) with Imperial Carts, flowers and gold color “maku” (outside cloth divider). The divider is used as a street on this gown leading the wagons to the large area at the bottom half. The background colors from the top are orange, light pink to dark gray at the bottom. The liner is red. The condition is excellent, like new.
53" W x 75 1/2" L (sleeve length 41")

Elegant Japanese uchikake (traditional wedding gown) sewn in the style of the twelve layered court attire (juni-hitoe) from the Heian period (794-1160). The longing for the beautiful, culture rich era of the aristocrats that existed so long ago never seems to cease in people's mind even after 1000 years. Here on this red background, the classic design of the ox-cart in a pine forest is beautifully woven in gold. The layer of robes could have gone up to 15 or even more...

Beautiful peonies on a soft pure silk (sho-kinu, 100 percent silk) kimono roll. Hand dyed design (Yuzen zome) went through to the reverse side. The fabric (marked as Tango chirimen) is treated with some new chemical for easier maintenance, wrinkle free, washable (?), etc. Some designs are dyed to be matched for the wider width. Gentle, pale (smoky) purple color, 14 1/2 wide, full roll (enough to make a kimono).

Beautiful vintage Japanese sodenashi (work vest) made with indigo sakiori (rag weave) cotton, woven with multicolor areas to create a lovely patchwork effect, edged in solid indigo cotton, reinforced along the back, sides, and back of the neck in sashiko stitching. These vests were traditionally worn by workers in mountainous regions.

Early Showa period

Size: 13" W x 29" H

Sakiori obi (sash) for casual kimono. Wefts are strips recycled from silk kimono and warps are black cotton. In excellent condition. 20th century. 13.5cm x 2m40cm

This is a beautiful Japanese wedding gown (uchikake). Featured on brownish orange (when you looked at it where the gold does not take over, the basic color looks more like brownish red) silk are flocks of white cranes and stylized water in roundels of gold. The tone of the gold is rich but soft. The design is unique, elegant, artistic and well executed with excellent workmanship. The condition is almost new...

Japanese uchikake (wedding gown) with a colorful design of flowers and birds done in the Tsujigahana-zome (dye) style. The old Tsujigahana dye technique was used on the clothing of the Muromachi to Momoyama period elites. Inside the tie dyed area, flowers and birds were painted with blue, purple and black ink. Tsujigahana-dye was short lived and completely vanished by the early 17th century because of its extreme complexity...

Elegant Japanese kimono wedding gown (Uchikake) designed by Hanae Mori. The gown displays the designer’s logo without a signature; her butterflies and initials are woven all over the red liner. Hanae Mori is truly the first and most famous international Japanese designer of the 20th century. She not only contributed to the Japanese clothing industry but to many other areas since the rebuilding time of Japan after WWII. A year after she opened a boutique in Paris, she became the only asian w...

This is a beautiful dark blue Japanese Uchikake (wedding gown) made in Nishijin, Kyoto. The label states the name of Nishijin and the use of pure gold. The gown is woven with fans and Gosho (palace) flower carts which is one of the favorite motifs used for Japanese wedding gowns. They are remainders of the Heian period (794-1192) which was the last graceful era of the aristocrats. The gown is meticulously hand sewn to perfection as most Japanese kimonos are. The gold picks up and shines...