Kawase Hasui (1883-1957)
Moon at Magome
Date: 1930.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Watanabe Shozaburo.
Watanabe C (sausage) seal at right margin, making this a first edition produced between 1929-1942.
Reference: Hotei #165.
Medium: Japanese woodblock print.
Condition: Point-sized repair in upper left corner of sky...

Large Original Japanese framed print by Toko Shinoda (born 1913), entitled "Reminiscence". Color lithograph with sumi-e ink brushwork in black, light blue and gold ink. Signed in pencil and numbered "ED 30AP 7/10". Floated in frame under UV acrylic.

36 1/2" high x 46 3/4" wide x 2" deep framed. Artwork: 28 3/4" high x 39 1/2" wide

Large Japanese woodblock print of a horse by the artist Nakayama, Tadashi (born 1927). Titled, "Cyclone". This image of a horse stands with it's mane billowing with bits of color and metalic leaf. The head of the horse is patterned with colors while most of the body remains a dapple of charcoal and white. In the background, a series of thin circular lines accent a metalic leaf sun or moon. Signed in pencil and numbered 85 of 85...

"Diary June 3rd '78" is a photographic silk screen print of a child holding a blanket on a light ground of traditional woodblock technique. This is one of a series of "Diary entry" prints the artist is most famous for in which he depicts photographed scenes from daily life. Title, signature and date in pencil. Sealed with thumb print. Born in 1940, Tetsuya Noda is considered to be Japan's most important living print artist. He is a professor emeritus at Tokyo University of the Arts...

"Diary March 5th '79" is a photographic silk screen print of a child holding a blanket in one hand with her other hand in a sling on a light ground of traditional woodblock technique. This is one of a series of "Diary entry" prints the artist is most famous for in which he depicts photographed scene from daily life. Born in 1940, Tetsuya Noda is considered to be Japan's most important living print artist...

Hiroshige Ando
Suidobashi, Surugadai (Suido Bridge and Surugadai)
Series: No. 48 from Meisho Edo Hyakkei (One Hundred Famous Views of Edo)
Date: Intercalary 5th month, 1857.
Size: Oban 14 x 9.75 inches.
Publisher: Uoya Eikichi.
Medium: Japanese woodblock print.
Condition: Margin blanks and tears repaired by conservator. Soiling.

Kawase Hasui (1883-1957)
Snow at Shiba Park (Shiba Koen no Yuki)
Date: 1931
Size: Oban. Approximately 15.25 x 10.25 inches.
Publisher: Watanabe Shozaburo.
Edition: First. Watanabe B seal (used 1927-32) in right margin.
Reference: Hotei #244.
Condition: Formerly matted with some tonal difference primarily near lower margin. One foxing mark in lower foreground.
Note: This famous Hasui design was also used later in a 1953 Pacific Transport Lines calendar.

A bright, beautiful woodblock print by Mayumi Oda (1941-present), headlining her exhibition in the Satori Gallery, San Francisco, January 1982. It is numbered 93/250 and signed/copyrighted in pencil. Largest prints she has made. Size: 39.5" height, 28" width

Large Japanese woodblock print by Joichi Hoshi (1913-1979), signed in pencil, number 64/99 in its series. Gorgeous metallic silver background. Red artist's stamp in bottom corner. Set in heavy metal frame. Size: (entire frame) 21" height, 34.25" width (artwork only) 14.5" height, 27.25" width

Large Japanese woodblock print by artist Mayumi Oda (1941-present) known for portraying male Buddhist deities as female. This print is titled "Victoria Invention, The Locomotive" Low numbered 6/30 in its series, and signed in pencil. Beautifully done. Size: 25.5" height, 19 3/4" width

Bertha Boynton Lum (1869-1954)
Kites
Date: 1912
Size: 14.375 x 8 inches.
Pencil signed and copyrighted 1913 by the artist.
Edition: "197" noted at lower right.
Reference: Gravalos/Pulin No. 29.
Medium: Japanese woodblock print.
Condition: Wrinkle in lower margin. Paper at a back margin.
"..the wind fills them up till they look like fish" - Bertha Lum: American Printmakers, (Smithsonian)

Paul Jacoulet
La Gerbe D'Anthurium, Angur, Mer du Sud (The Spray of Anthurium Flowers, Angur, South Seas)
Date: July 15, 1951.
Fewer than 150 impressions made. This example has no edition seal visible. Jacoulet's fancy PJ seal is covering another seal on the back.
Size: 18.625 x 14 inches.
Ivy seal. Carver: Maeda. Printer: Honda.
Reference: No. 118 in The Prints of Paul Jacoulet by Richard Miles.
Condition: Excellent color. Light creasing in margins...

Hiroshi Yoshida
Glittering Sea, from The Inland Sea Series
(Hikaru Umi, Setonaikaishu)
Date: 1926. Date of this edition not known.
Medium: Japanese woodblock print mounted as kakejiku scroll.
Signed and sealed in the image.
Size: Oban. Scroll: 45.5 inches 17.75 inches. Blue sheet: 20.5 x 15.75...

Ohara Koson (Shoson)
Mallards and Lotus
Size: Large toku-oban. Approximately 17.125 x 12.25 inches.
Date: pre-1936. First edition.
Publisher: Watanabe Shozaburo. First and only edition with Watanabe D seal in right margin.
Shoson signature and seal lower right.
Medium: Japanese woodblock print.
Reference: S7.1 aand cat. 145 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland). Watanabe cat...

Japanese woodblock print depicting a lone leafless tree at dusk set against a gold leaf background titled "Evening View (Dusk)" by Joichi Hoshi (1913-1979). Pencil-signed "Joichi Hoshi" and dated '77 at the lower right, with the artist's square red seal above. Pencil-titled in kanji at the lower left and numbered 43/99. A penciled inscription on the upper back reads "8408 S-1 12/12" and the original price of 100,000 yen is at the bottom of the back...

Japanese woodblock print by well-known contemporary artist Tetsuya Noda (b. 1940), a professor at the Tokyo University of the Arts. His techniques combine woodblocks with silk screening. This print is part of his famed "Diary" series, titled "Diary : Jan. 15th '84 (1984)" in pencil. with calligraphy on the lefthand side, no. 39/40, signature in pencil with red fingerprint.

Size: (entire print) 29" L x 14" H

Japanese woodblock print by famed artist Mayumi Oda (1941-present) titled "Storyville I" in pencil, numbered 18/50 and signed. Size: 36"H x 24.5" L

A lovely and whimsical Japanese print by artist Mayumi Oda (1941-present) titled "September Afternoon", numbered 12/50 and signed all in pencil. She is widely loved for her female empowering works, many of which are currently part of the permanent collections of the Museum of Modern Art, New York, Museum of Fine Arts, Boston, and more. Laid down on wooden board for flat presentation.

Size: 24.5" L x 32.5" H