Japanese woodblock print by Benji Asada, oban tate-e, ¡°The Pagoda of Ninnaji Temple,¡± published by Uchida, ca.1960. Good impression, slightly toned and burned.

Woodblock Print "Kin Kaku", Signed Hiroshi Yosida, circa 1933

The print is unmounted. It is 15.5 inches (39.5 cm) long by 10.6 inches (26.8 cm) wide.

It is in good condition with no stain, tears, foxing, or crease, except two pin size holes at the edge ( as seen in the photos).

Large format photos available upon request.

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Woodblock Print "Cheing Blossoms by the Gate", Pencil Signed Toshi Yoshida, circa 1950's

The print is unmounted. It is 15.9 inches (40.1 cm) by long 10.8 inches (27.3 cm) wide.

It is in good condition with no stain, tears, foxing, or crease, except two pin size holes at the edge ( as seen in the photos).

Large format photos available upon request.

Our Guarantee: We stand behind all of the items that we sell...

Kashigata, mold for making Japanese sweets, in the shape of a wasabi root. Carved wood, ca. early-mid 20th century. H.1.5"(3.75cm) x L.8.25"(21cm) x W.3.5"(8.75cm). Kashigata have long been in use for making molded sweets in Japan and many other parts of the world (especially Asia and Northern Europe.) In Japan, shapes often include felicitous or auspicious themes for luck, long life, wealth, etc. This one, shaped as a wasabi root, is unusual and interesting.

Artist: Oda Hironobu [signature and seal]
Descrption: Mountain scene
Date: 1930s
Size: Oban, approximately 15.5 x 10.5 inches
Publisher: Maeba Han (oval seal)
Condition: A thinning area at the upper left. Crease at left. See verso photo of small tape/pencil notes.
- Oda Hironobu was born in 1888. His prints were produced in very small quantities and are rare. The colors in the hills would be at home in a California/Western woodcut.

Artist: Jun'ichiro Sekino
Title: Shono, from his monumental "New 53 Stations of the Tokaido" series (1959-1974)
Size: double oban, 21.5 x 16.75 inches
Self-published, with Sekino signature and seal. Also bears the Jun Sekino watermark.
Condition: Unframed. Pristine.
- To see the detail of this work, allow us to e-mail you a large tiff file of this image taken by Robert Watson Photography, Toronto.

Japanese sosaku hanga woodblock print depicting a pavilion on Peony Point (Botan-dai), Pyongyang, Korea and is No. 28 from the series "One Hundred Views of New Japan" by Hiratsuka Un'ichi (1895-1997). The artist's red ink Hiratsuka Un'ichi seal is at the lower right. The black ink title and artist's red "Un" seal is at the upper left. Known to date to 1940. Paper size: 9 7/8" x 12 5/8" (image: 8 7/8" x 11 7/8"). This print was never framed and is in very good overall condition...

Ohara Shoson (Koson)
Title: Crow on a Snow Covered Branch
Date: 1910s ~ 1920s
Publisher: Watanabe Shozaburo
Size: 11.25 x 5.5 inches.
Reference: Newland, Amy R."Crows, cranes & camellias" p. 196.

A rare creped woodblock print by Koson. Creping was popular in the early 20th century due to superior durability.
Condition: Unframed. Excellent. This print appears to be as fresh as the day it was made. It is an absolute knockout...

Artist: Kawase Hasui
Title: Daimotsu, Amagasaki
Publisher: Watanabe Shozaburo, 6mm seal.
Date: 1940. The 6mm seal was used between 1946 and 1957.
Size: Oban, approximately 15.5 x 10.25 inches.
Condition: Pristine. Unframed. Never displayed. The two left margin pinholes are the original state.

Kawase Hasui
Kankai Temple, Beppu Hot Springs, 1927
Publisher: Bijutsusha. One of only eight Hasui designs published by Bijutsusha. Bears the red "Rumi" publisher's seal.
Size: Oban, approximately 15.0 x 10.25 inches.
Condition: Unframed. Excellent. A small (2 mm) hole in the dark green foliage has been invisibly repaired by a conservator. Short green dash in grey upper right sky.
A lush landscape format print and a rare design...

Yamakawa Shuho (1898 - 1944)
Premonition of Snow, 1927
Size: Oban, approximately 15.0 x 10.5 inches.
Publisher: Bijutsusha
Condition. Unframed. This print has had tears and toning professionally restored.
An intriguing bijin image with an unusual title.

Artist: Uchima (Aohara) Toshiko (1918-2000). Aohara would marry the renowned artist Ansei Uchima.
Scene: Girl in Costume.
Image area: 5.5 x 3.5 inches. A woodblock print tipped at the top to original cardstock.
Bears the "Aohara" seal.
Publisher: Kyoto Hanga-In.
Condition: Excellent.

Toshi Yoshida (1911~1995)
Depicting: Snow scene
A woodblock print tipped at the top to a Japanese Christmas card from the early 1950s. Please photo of the inside of the card.
Signed "T. Yoshida"
Condition: Excellent.

Hiratsuka Un-ichi (1895 ~ 1997)
Nihonbashi Bridge in Tokyo (aka. Night at Nihonbashi Bridge)
Date: 1946
Card size: Approximately 6.0 x 4.25 inches.
This woodblock print is the front cover of a Christmas/New Year card signed in pen by the artist at the inside.
Reference: Collection of the Art Institute of Chicago.
Medium: Japanese woodblock print.
Condition: Excellent.

Kashigata (wooden sweet mold,) Matsu (pine) motif; Japan, early 20th C. L.8.5"(21cm) x W.4.0"(10cm) x H.1.75"(4.5cm.) The pine symbolizes "evergreen" and was a popular motif for celebratory occasions such as weddings and New Year's. It is one of the "Three Friends of Winter," which also includes plum and bamboo. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia...

Kashigata (wooden sweet mold,) Hi No De Tsuru (Rising Sun Crane) motif. Japan, early 20th C. L.7.0"(18cm) x W.3.75"(9.5cm) x H.1.625"(4cm). The Crane symbolizes long life, as does the Tortoise, in many Asian cultures. In Japan, it was a popular traditional motif for celebratory events such as weddings, New Year's, and birth. This particular example shows the rising sun, a symbol of Japan, behind the crane...

Kashigata (wooden sweet mold,) Momiji (Japanese Maple) motif...

Kashigata (wooden sweet mold,) Biwa (loquat fruit, Eriobotrya Japonica) motif, Japan, early 20th C. L.8.125"(20.5cm) x W.4.374"(11cm) x H.1.5"(4cm.) The image on this mold shows a bunch of loquat fruit, known as "biwa" in Japanese. Biwa are indegenous to SE China, and the Japanese name may refer to the oblong shape of mature fruit that resembles the shape of the musical instrument, lute (also "biwa" in Japanese.) In olden days, a type of cough medication was made from the syrup of the fruit. The...