A pair of Japanese wooden carvings of the Nio, or wrathful guardians to the Buddha. While Buddhism beliefs are typically pacifist, the Nio justified physical force in order to defend against evil and are usually found on either side of a temple door. The Nio called Misshaku Kongo or Agyo keeps his mouth open to represent the first sound in the Sanskrit language "a", symbolizing birth and overt violence...

Kashigata (wooden sweet mold,) Kiku (chrysanthemum) motif; Japan, early 20th C. L.5.875"(15cm) x W.3.0"(7.5cm) x H.1.75"(4.5cm.) The chrysanthemum is a symbol of late fall and was also a popular motif for celebratory occasions. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries such as Germany, Holland, and England have a rich history of cake mold production...

Paul Jacoulet
Une Averse A Metalanim Ponape, Est Carolines (Downpour at Metalanim Ponape, East Carolines)
Date: October 1, 1935. First edition. This edition was issued without a title. The title label at the lower right was added by the original collector.
Size: Approximately 18.75 x 13.75 inches.
Jacoulet signature and watermark with mandarin duck seal.
Edition: 053/150 numbered in kanji. (The edition of 150 is the earliest...

Kashigata (wooden sweet mold,) Take (bamboo) motif, Japan, early 20th C. L.7.375"(18.5cm) x W.4.375") x H.1.375"(3.5cm.) This mold features a bamboo stalk with two groupings of leaves, and the sweetmaker has written "sa-sa-ba" (bamboo leaves) on the side of the mold. Bamboo's resilient nature makes it a symbol of resilience in hard times and was a traditional symbol used for many celebratory occasions, such as births and weddings...

Kawase Hasui
The Beach at Kaiganji in Sanuki Province, 1934.
Publisher: Watanabe Shozaburo. Bears the D seal, indicating a first edition.
Size: Oban, Approximately 15.25 x 10.25 inches.
Condition: Excellent with nearly invisible tone line near left margin.
A magnificent rare print.

Woodblock Print "Cheing Blossoms by the Gate", Pencil Signed Toshi Yoshida, circa 1950's

The print is unmounted. It is 15.9 inches (40.1 cm) by long 10.8 inches (27.3 cm) wide.

It is in good condition with no stain, tears, foxing, or crease, except two pin size holes at the edge ( as seen in the photos).

Large format photos available upon request.

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Paul Jacoulet
Tatooed Woman of Falalap, West Carolines
(Femme Tatouée de Falalap Ouest Carolines)
Date: July 5, 1935.
First edition: 91/150 numbered in kanji. Fewer than 100 impressions produced.
This edition was issued without a title...

Kashigata (wooden sweet mold,) Warabi (fiddlehead fern) motif; Japan, early 20th C. L.5.875"(15cm) x W.3"(7.5cm) x H.1"(2.25cm.) Condition Note: No top cover, bottom piece only. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries such as Germany, Holland, and England have a rich history of cake mold production...

Kashigata (wooden sweet mold,) Momiji (Japanese Maple) motif. Japan, early 20th C. L.8.125"(20.5cm) x W.3.0"(7.5cm) x H.1.75"(3.5cm.) This kashigata displays 2 Japanese maple leaves. As seasonality was often a concern in Japanese confectionery tradition, this image would have been a lovely inference to the autumn season...

Japanese framed print by sosaku-hanga artist Haku Maki (1924-2000) titled "Work 73-122". Depiction of a bright embossed persimmon against black background. Signed in pencil with red artist's cartouche. Set in a black and gold wooden frame. Size: 17.25" height, 14" width (entire frame) 11.25" height, 8.5" width

Ohara Koson
Matsushima - A bay with rocky islands and a sailing boat seen from above
Date: 1900s-1910s.
Size: Chuban. Approximately 10.5 x 8.25 inches.
Reference: K44.15 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent.
A very rarely seen seascape. "Made in Japan" stamp on verso.

Japanese woodblock print by Yoshida Hiroshi, oban tate-e, dated Showa 10 (1935), signed in pencil ¡°Hiroshi Yoshida,¡± very good impression, color and condition (void of jizuri seal).

Shapely vintage Japanese wood crane, bending with fish in beak, naturalistic. Artist signature reads "Taro". Showa Period c. 1950 Size: 20.75" height x 10.5" length x 6.75" deep.

Kashigata (wooden sweet mold,) Japanese Imperial Army Emblem, early 20th C. L.6.375"(16.25cm) x W.3.625"(9.25cm) x H.1.5"(4cm). This unique kashigata features an emblem of the Imperial Japanese Army; the Star over two crossed swords, with a hammer and chain. The overall outline shape is that is a war fan.This item shows how even nationalism came into the designs of Japanese sweets in the Imperial era at the end of the 19th century and in the early 20th century...

Tsuchiya Koitsu
Onomichi Saikokuji, December 1935
Size: Mitsugiriban. Approximately 16.0 x 7.25 inches.
Publisher: Takemura Hideo
Koitsu catalogue no.: TK-TM-10
Condition: Tipped at top to original cardstock. Wavy crease and and light foxing.

Kashigata (wooden sweet mold,) Sensu (fan) motif; Japan, early 20th C...

figure Figure 1 is a dark and brooding big red just received so dark even out of frame and matte maki s first big red appeared in 1963 this is an abstract rendering of the kanji for woman she seems to be standing there swaying ever so slowly this print has a good green blue sun at the upper left Here no splashes yet to add color figure 3 figure 3 here figure 4 alsom here

Kashigata (wooden sweet mold) with double Kiku (chrysanthemum) motif, early 20th C., Japan. L.8.75"(22.5cm) x W.4.25"(10.5cm) x H.1.75"(4.5cm.) This mold has two chrysanthemum blossoms, a symbol of beauty and abundance in late fall and winter. On the side, the sweetmaker has written "an iri no natsume" (sweet red bean paste filled jujube) to indicate for which of type of sweet this mold was used. On the back is carved the sweet shop's name, "Bai Getsu" (Plum Moon.) This is the name of a famous s...