Ohara Koson (Shoson)
Mallards and Lotus
Size: Large toku-oban. Approximately 17.125 x 12.25 inches.
Date: pre-1936. First edition.
Publisher: Watanabe Shozaburo. First and only edition with Watanabe D seal in right margin.
Shoson signature and seal lower right.
Medium: Japanese woodblock print.
Reference: S7.1 aand cat. 145 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland). Watanabe cat...

Koei Hashimoto
Dove on Plum Tree Branch
Date: ca. 1930
Size: Oban. 17 x 11 inches.
Publisher: Likely Sato Shotaro.
Signed and sealed by the artist at lower right.
Medium: Japanese woodblock print.
Condition: The back has pen ink scribbles. Light creasing primarily in margin. Light foxing on back.

Japanese Bronze Okimono of a Rooster and Hen losses to rooster feathers and some bends hen may have losses to feathers. Late Meiji or Taisho nice with bends and sone losses to feathers. As Is size h 9" w 5" hen 6" high

Beautiful and original Japanese suzuribako lacquer decorated with flowers and foliage on a nashi-ji gradient lacquer. The interior is in black lacquer with a water cup and ink stone.

Japan – 20th century

Height : 2.17 in. (5.5 cm) – Length : 12.20 in. (31 cm) – Width : 9.65 in. (24.5 cm)

Cotton cloth with kasuri Yabane (plume) pattern which is handwoven and vegetable indigo dye. Warps look machine spun but wefts are hand-spun yarn. It has very thick texture, probably domestically handwoven. The first half of the 20th century. 148cm x 136cm

Netsuke carved by Ryoshu (born in 1912) - one of the best Japanese netsuke carvers of the 20th century. Netsuke represents a doll of Daruma (founder of Zen Buddhism) enveloped in monastic robe, and his eyes can pop in and out. Perfectly captured facial expression, facial hair and mandarin duck decoration on his robe beautifully incised and etched with ink. It appears that the artist etched a different design on every piece of this model of his - see the other Darumas by Ryoshu on my site...

Wooden kobako of a chayote squash (sechium edule – en japonais hayato uri).

Japan, Shôwa Era (1926-1989)

Length: 2.76 in. (7cm) - Width: 1.57 in. (4.4cm)

Natsume in dark red lacquer, decorated with autumn leaves and cherry blossoms in hiramaki-e and nashiji. Interior in black lacquer.
Maple leaves (Momiji) are celebrated in literature for their beauty. Cherry blossoms (sakura) are symbols of renewal and the ephemeral nature of beauty. Embodying the flowers and leaves typical of autumn and spring, they are true visual spectacles to be admired during walk or a picnic...

CANDLESTAND

Old Japanese mingei wooden shokudai (candlestand) that applies the original spiral form created by natural forces to its main body attaching with pedestal, Taisho-Showa period, 20th century, approx. H 41cm (16.14in). Expected aged deterioration as is as seen...

Tea Ceremony Seto Chaire Tea Caddy of cylindrical form with slightly tapering sides, covered with a light chocolate brown and a running mottled black glaze. Ivory lid lined with gold leaf on the inside. Signed: Hikari. It comes with a silk shifuku storage pouch. Size: H 9,5 x 6 cm. Taisho -Showa period. Good Condition!

A masterpiece by one of Japan's preeminent artists, Seiko Sawada b.1894-1988. This signed piece was executed out of keyaki wood in his younger days in the 1930's depicts Ebisu, one of the seven lucky gods, riding a fish and a wave spouting out of the fish's mouth. Daikoku, the god of abundance, is riding his treasure bag holding his hammer of magic. The Sawada Museum is in Atami, Shizuoka. Sawada was awarded the Order of Merit in the 1970's.

Ted Colyer (b. 1947)
Winter '84
Size: 16.5 x 16.5 inches. Sheet size: 18.5 x 18.5 inches. Matte size: 21.75 x 21.75 inches.
Date: 1984.
Signed, dated, and numbered by the artist.
Medium: Japanese woodblock print.
Condition: Hinged at top back with tape to circular matte.
Canadian native Colyer studied Japanese printmaking under Toshi Yoshida.

A case for hemp seed made of hechima, sponge gourd, one kind of squash. It has writing "hemp seed" and the year "Showa 9", 1934. It has beautiful color of urushi and kakishibu by aging. L:83cm, Diameter:12cm

Ito Sozan
Geese in Moonlight
Date: pre-1936.
Size: Tanzaku. 15 x 6.75 inches.
Publisher: Watanabe Shozaburo.
Made in Japan stamped on verso.
Artist's signature and seal at lower left.
Medium: Japanese woodblock print.
Condition: Back has pencil note and slight residue at top.

A vintage mid century 2 section Kamo Isho Tansu made entirely of Kiri (Paulownia) wood. All original bronze hardware including the central Peony flower lock plates on the doors and the arabesque back plates to the drawer handles. Constructed using dovetail joinery and hardened wooden nails. Behind the hinged doors of the upper section is housed 6 full width Kimono trays and two Obi trays with 3 small drawers for fashion accessories like Tabi, Kami-kazari and Himo...

Elegant, large art deco bronze murashi-do vase. Signed on the bottom by Hokusekinin. Richly patinated colors in the classic bronze technique unique to japan of dipping hotly fired bronzes in oils to create this magnificent mosaic. Very rare size and shape; 16" by 16". Ask for shipping quote.

Painted lacquerware in Asia is thought to have more than 3,000 years of history; originating in China and then later spreading to South East Asia, Korea, and Japan. One reason this craft has taken centuries to perfect is that the sap of the tree used is highly toxic and irritating to the skin and to the lungs. Even minor contact with the raw materials can cause serious issues, making collecting and refining it quite labor intensive...

Shin-Bijutsukai Japanese Design Magazine, vol. 28
Compiled by artist Furuya Korin (1875–1910).
A monthly magazine (1902-06) featuring the work of talented design artists.
First published 1905...