New Condition, hand sewn. I don't have a close up photos here, but I think this is hand woven. The katazome (stencil dye) cloth for the liner in the shoulder area. (I will try to take some close up photos sometimes later). Dimensions: 45 1/2" sleeve to sleeve, 23" shoulder and 36" long.

This is an imposing early 19th century Kakiemon style porcelain vase of Japanese origin inspired by a 17th century model currently valued in excess of $700,000. A piece similar to the original dated 1680 from the Blenheim Palace collection was exhibited at the Ashmolean Museum, Oxford in 1989.

21" in height, this vase is well enameled with three identical garden scenes separated with bands of blue flowering vines.

Condition: Excellent, with no chips, hairlines, or repairs...

Old (1950's) Japanese Plique a Jour Cloisonne Vase with Goldfish

It is 3.4 inches (8.75 cm) tall by 3.1 inches (8 cm) wide. It is 0.5 Lb.

It has hairline cracks at the rim and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

A nice Japanese bronze suiteki or water dropper in the shape of a coin. In very good condition, it measures about 2 inches long and a little over an inch high. Dates circa 1930's.

Circa 1920's hand carved Japanese ivory okimono of a long tailed rooster on a wood perch. Excellent antique condition.

Japanese Shoki (demon queller) doll for the Japanese Boy's Day. The story of Shoki came from ancient Chinese folklore. He was known to cure ailing emperor of the Tang Dynasty when he was plagued with nightmares. Shoki showed up in the emperor's dream and chased the demons away. This store was later adopted by the Japanese. Shoki became to be the only non-Japanese figure displayed in early Japanese Boy's Day festival since the Edo period (1603-1868)...

A cotton kimono (yukata) with bold shibori design. Handwoven and vegetable indigo dye. In excellent condition. 20th century. W:124cm, L:124cm.

Late Meiji to early Taisho (1920s) Japanese Kutani porcelain obidome (sash ornament) with enamel decoration of various flowers. Obidome is worn on an obi cord that holds the obi sash together, it is the only type of jewelry worn by Japanese women on formal occasions, and could serve as netsuke as well. Nice design, good quality painting with gold and other enamels, bar on the back for an obi cord, pleasant patina. Marked on the back bar with 2 characters reading KUTANI. Length 1.7 inches.

This is a large Japanese samurai doll, "Kato Kiyomasa” (a warrior from the 16th century warring period) mounted on a horse. The quality is excellent. The dimensions of the box (assembled with wooden pegs): 19 1/4" x 21" x 9 1/4" deep. The condition: There are a couple of very faint hairlines (almost non-visible) between the eyebrows. The surface of this area is smooth in touch...

These geta (shoes) were worn by a girl or young Japanese woman. Build up from several layers of materials, the felted soles have slits to allow access for the changing of thongs should they become soiled or worn. Small pieces of leather nailed are the heels. The upper fabric liner is made from two pieces of contrasting fabric sewn together and show a small amount of dirt and an almost imperceivable foot imprint about the toe area...

Eiichi Kotozuka
Night Scene of Kiyamachi Street
Date: 1950s
Size: 17.75 x 11.5 inches. Full margins shown in additional photos.
Publisher: Uchida Woodblock Printing Co., Ltd.
Artist's seal and publisher's seal at lower right.
Full margins (Shown in enlargement 2).
Medium: Japanese woodblock print.
Condition: Excellent. Removed from original folder. Lower margin slightly wavy.

Representing the culmination of over 1,000 years of Shigaraki potting tradition, this bold guinomi with rough exterior and natural ash glazing was produced by well-known and admired potter Takahashi Rakusai

Born Mitsunosuke, the eldest son of Takahashi Rakusai III, the fourth Rakusai potter succeeded the family name in 1976 with his father’s passing...

Takahashi Shotei (1871-1945)
Moon from a Harbor (Minato no tsuki)
Date: pre-1916.
Size: Mitsugiri-ban. Approximately 15 x 6.75 inches.
Shotei double red square seal and title at upper left.
Publisher: Watanabe Shozaburo.
Reference: M-110 in Shotei catalog.
Note: Blocks destroyed in 1923 earthquake.
Medium: Japanese woodblock print.
Condition: The faint mark at the far right corresponds to a mark on the back of the print.

Kawase Hasui
Spring Rain at Arakawa (Literally "May Rain")
Size: Oban. Approximately 15.5 x 10.5 inches.
Date: 1932.
Publisher: Doi Hangaten. Carver: Harada. Printer: Yokoi. Also bears the Doi watermark.
"Made in Japan" stamped on verso. This seal combination indicates printing between 1950-1963.
Excellent color and condition.

Kawase Hasui
Seascape
Date: 1930s.
Size: Koban. Approximately 5.75 x 3.75 inches.
Publisher: Watanabe Shozaburo.
"Made in Japan" stamped on verso.
Condition: Excellent.

Shrine in Forest
Seal not read. Artist unidentified. Elsewhere attributed to Okamoto Kouen
Date: ca. 1940s.
Print size: 3.75 x 2.75 inches.
Publisher: Unsodo. From a group included in an Unsodo client sample book.
Medium: Japanese woodblock print attached along top edge only to original holiday card.
Condition: Excellent.

Kiyomizu Rokubei Teacup Set of 11 cups for green tea.

The teaset refers to Chinese longevity teacups called Wan Shou Wu Jiang (万寿无疆 in simplified Chinese) where the character 壽 (kotobuki in Japanese or shou in Chinese) means Long Life and character 福 (fu) means Good Fortune or Blessing.

The Rokubei family is one of the most influential pottery clan from Kyoto leaded by 8th generation now with over 240 years of history.

Size
Diameter 6.6cm
Heig...

Hiroshi Yoshida
Garden in Summer
Series: Four Garden Scenes
Date: 1933.
Paper size: Approximately 15.625 x 10.5 inches.
Image size: Approximately 15.5 x 7 inches.
Signed and sealed in the image...

Minsa obi (sashi) made in Taketomi Island in Okinawa. The features of Taketomi Minsa obi are: both wefts and warps are machine-spun cotton and handwoven. It has four and five block warp kasuri pattern and both selvedges have uneven horizontal stripes which symbolize mukade (centipede). Minsa obi was a gift from a woman to a man meaning acceptance of engagement in old days. In excellent condition. 20th century. 8cm x 2m4cm u

1930's Japanese Silver Ginbari Cloisonne Bonbonniere Presentation Box with Dragon & Chrysanthemum Marked

It is 1.2 inches (3.1 cm) tall by 1.88 inches (4.8 cm) wide. It is 74.5 gram.

It is tarnished and has minor missing enamel and surface wears and scratches. The inner cover is loose (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell...

Kawase Hasui
Springtime Forest
Date: 1930s.
Size: Koban. Approximately 7.875 x 5.25 inches.
Publisher: Watanabe Shozaburo.
Reference: Hotei Hp-18.
Condition: Excellent.

Vintage Japanese kiri wood round smoking set made from one piece of wood showing a bold beautiful grain. This tobacco smoking hibachi has a copper bowl and receptacle which are used to put a pipe or other smoking tools and ashes. Often used with tea ceremony, it measures 3.5" high x 6.5" diameter.

Silk meisen kimono with double kasuri apple and strawberry pattern on yellow ground. Kasuri pattern was dyed with stencil-resist-dye (katazome) for both weft and warp yarn (heiyo-kasuri). Generally in good condition but has some brownish stains and some in the lining too and the silk tape in the hem is a bit dirty. Mid 20th century. 126cm x 146cm

Tsuchiya Koitsu (1870 - 1949)
Ueno Shinobazu Pond
Date: 1939. First edition.
Size: Oban. Approximately 17 x 11.5 inches.
Publisher: Doi Sadaichi.
Carver: Kataoka. Printer: Yokoi.
Koitsu catalog no. TK-DH-58
Condition: Tape residue at top margin. Pencil note on back.
This rare first edition features differently printed clouds than in later examples. There are gofun highlights throughout the print.

Netsuke of a Chokwaro sennin horse appearing out of a gourd. According to a Japanese legend Chokwaro sennin (Chinese sage) could summon the magic horse out of his gourd to be transported wherever he wanted. Clever design, excellent carving with great detailing - see its face, mane and front legs with delicately carved hooves. Beautiful flawless material, excellent quality etching with black ink, wonderful patina...

Woman in Snow with Umbrella and Lantern
Artist: Unsigned.
Date: 1930s or earlier.
Size: 5.5 x 3.5 inches.
Medium: Japanese woodblock print.
Condition: Small raised bump at lower left.

Japanese vintage obi with a mid-century modern flair, decorated on one side in bright yellow with orange and lime green dots accenting the points of a raised weave geometric star-patterned background. The orange reverse side holds the same raised weave pattern. Probably dates from the mid-20th century or slightly later. 135” long x 5 7/8” wide. Excellent, like new condition.

Japanese original print of two women and a young child by the artist Yoshitoshi Mori (1898-1992). He studied at the Kawabata School of Fine Arts. He was a member of the mingie folk crafts movement working in textile stencil dyeing. In the 1950's Yoshitoshi Mori started print making using a technique called kappazuri stencil. He became a key member of the sosaku hanga movement...

Tsuchiya Koitsu
Kyoto Maruyama Park
Publisher: Takemura Hideo. Square Takemura seal.
Date: 1930-40s.
Size: 5.5 x 3.5 inches.
Titled and sealed by the artist.
Reference: TK-TM-130.
Medium: Japanese woodblock print.
Condition: Excellent.

Pr. Japanese Kutani Porcelain Scroll Weight, Fuchin, hangs on the both end of bottom bar of the scroll when hang on the wall, 9" high maximum height, 1 1/2" high and 1 1/2" wide for Kutani Porcelain weights only with Japanese Landscape and Floral design inside Hexagonal shape panels, dark reddish brown color, the condition is good.

Japanese Ojime carved out of natural Fruit Seed, 3/4" round with two(2) large holes for rope, tightening to Netsuke before Inro Medicine case and carrying on their belt. The condition is good..

Takahashi Shotei (1871-1945)
Nihonmatsu
Date: pre-1923.
Size: Mitsugiri-ban. Approximately 14.875 x 6.5 inches.
Shotei's Kakei seal at lower right.
Number 352 in japanese on the verso.
Publisher: Watanabe Shozaburo.
Reference: M-144 in Shotei catalog.
Medium: Japanese woodblock print.
Note: Blocks destroyed in 1923 earthquake.
Condition: Two lighter areas in upper sky from previous mounting.

A Japanese ranma (transom) with a Hinoki (Cypress) frame and a Kusunoki (Camphor) wood hand carved Chiku Bai theme in highly detailed three dimensional relief. Artist signed Tosho Nakajima. Most likely mounted in a wealthy Japanese home or a fancy Ryokan (country inn). Its main theme is a majestic Plum Blossom tree (Bai) accented with Bamboo (Chiku).

The ranma was often mounted above the Fusuma sliding doors between rooms to allow the air to circulate freely. This allowed each room to s...

Japanese armor Yoroi and Kabuto helmet in classic style, wearable, adult size from early to mid Showa period (1926~1989). The armor is lined with hemp in most area. Dimensions: 67" tall. Box: 16 1/2" x 16 1/2" x 24"H

Arai Yoshimune
Pine Beach by Moonlight
From the Hasegawa Night Scenes series.
Date: 1910s. Printed 1938-1960.
Size: Chuban. Approximately 11.0 x 8.0 inches.
Publisher: Nishinomiya Yosaku
Condition: Excellent with slight waviness at top margin.
- A rarely encountered night scene design.

Kashigata (wooden sweet mold,) Kiku (chrysanthemum) motif; Japan, early 20th C. L.5.875"(15cm) x W.3.0"(7.5cm) x H.1.75"(4.5cm.) The chrysanthemum is a symbol of late fall and was also a popular motif for celebratory occasions. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries such as Germany, Holland, and England have a rich history of cake mold production....

Japanese framed woodblock print by Nakayama Tadashi of a stylized horse with gold and silver leaf. Signed in pencil, number 48/85.

Dated 1968.

Dimensions: 12" x 17 1/2" H (entire frame) 5 1/4" x 17 1/2" H (mat opening)

Kawase Hasui
Tsurugaoka Hachiman Shrine, Kamakura
Date: 1930s.
Size: Koban postcard. Approximately 5.5 x 3.5 inches.
Publisher: Watanabe Shozaburo.
Reference: Hotei #Hp-51
Medium: Japanese woodblock print.
Condition: Excellent. Unused.

Kokeshi, folk toy of NE Japan. Wood, height 9.625". This is a Yajiro-kei (Yajiro-classification) kokeshi, generally crafted in the vicinity of Shiroishi City in southern Miyagi Prefecture. However, this particular craftsman, Sato Seikou (?), lives in the next prefecture of Fukushima, on the coast in Iwaki City. He was born on February 22, Showa 22 (1947). This kokeshi probably dates from ca. 1980.

Ohara Koson
Heron (Egret) on a Willow Tree
Size: Approximately 17 x 12 cm. 6.625 x 4.75 inches.
Date: ca. 1910.
Koson signature and seal at upper right.
Publisher: Matsumoto (no. 437).
Reference: AK.12 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Excellent. Slight wave in paper around original publisher's label at back. A few marks in sky.
An early and rarely seen desig...

Woodblock print by the French/Japanese artist, Paul Jacoulet entitled "Le Miroir de Laque Rouge, Tokyo". A beautiful woman sits at her mirror, her make up sits in front of her on her vanity, she has her back turned towards the viewer, kimono and obi are beautifully decorated, mica used on the mirror, silver ink details, signature in pencil in lower left corner, title and publisher seal in lower right corner, 1938. Size of paper: 18 1/2" high x 14" wide/ Size of image: 15 1/2" high ...

Han-juban (short under kimono) made of plain weave silk and beni-itajime (clamp-board dye) with hand painted Yuzen design. The red dye is chemical which was practiced from Meiji period (late 19th century), after beni-itajime with beni(safflower), practiced in Kyoto in Edo period. The last image is beni-itajime with Yuzen dye. The lining is cotton. In excellent condition. W:57cm, L:70cm ...

A large shinto shrine constructed in the style based on the Grand Shrine of Ise. This type of construction for small shrines is often used by the local residents in Ise. The shrine contains fine details in the woodwork and brass fittings fit for a deity. Age: 20th century. Size: height 23.75" width 19" length 36"

Japanese obidome (sash ornament) with polished moss agate stone, its natural pattern perfectly resembling a single tree with well defined branches. Obidome is worn on an obi cord that holds the obi sash together, it is the only type of jewelry worn by Japanese women on formal occasions, and could serve as netsuke as well. Amazing natural picture, excellent finish and patina. Metal fitting on the back with two loops for an obi cord. Height 1 4/4 inches.

Oval shaped Japanese red lacquer tray of Daruma with his fly whisk. The back side is black. In very good condition, it measures 15.5 inches by 12".

Kawase Hasui
Guest House in the Pines on the Pond's Edge (Kiyosumi Garden, Mitsubishi Fukagawa Detached Villa)
One of eight views commissioned by the Iwasaki Family (owners of Mitsubishi).
Date: 1920.
Size: Horizontal nagaban 18.5 x 7.125 inches.
Publisher: Watanabe Shozaburo.
Signed, sealed, and dated in the image.
Kiyozumien (Kiyosumi Garden) noted at bottom margin.
Medium: Japanese woodblock print.
Reference: Hotei #50.
Condition: Top back co...

Natsume in dark red lacquer, decorated with autumn leaves and cherry blossoms in hiramaki-e and nashiji. Interior in black lacquer.
Maple leaves (Momiji) are celebrated in literature for their beauty. Cherry blossoms (sakura) are symbols of renewal and the ephemeral nature of beauty. Embodying the flowers and leaves typical of autumn and spring, they are true visual spectacles to be admired during walk or a picnic. They can also be a symbol of a chan...

Kashigata (wooden sweet mold,) Take (bamboo) motif, Japan, early 20th C. L.7.375"(18.5cm) x W.4.375") x H.1.375"(3.5cm.) This mold features a bamboo stalk with two groupings of leaves, and the sweetmaker has written "sa-sa-ba" (bamboo leaves) on the side of the mold. Bamboo's resilient nature makes it a symbol of resilience in hard times and was a traditional symbol used for many celebratory occasions, such as births and weddings. Along with the pine and plum, it is one of the "Three Friends of ...

Hiroshi Yoshida (1876-1950)
A Calm Day, 1930 from Inland Sea, Second Series.
Oban. Approximately 16.0 x 11.0 inches.
First edition bearing the large black jizuri seal, indicating self-printing by the artist.
Pencil signed and titled.
Medium: Japanese woodblock print.
Condition: Excellent.

Japanese chuban format shin hanga woodblock print by Takahashi Shotei, also known as Hiroaki (1871 - 1945) depicting two figures in the foreground, one carrying a lantern. Across the water and backed by tall trees, the windows of a traditional Japanese home are lit. Titled "Night Scene of Mabashi, near Tokyo," the print was published by Watanabe prior to 1936. The title and artist's red Shotei seal are at the upper left. Paper size: 9 7/8” x 7 1/8” (including small margins). This image is ...

CAT

Traditional Hanamaki clay doll, early-mid 20th century, Iwate, Japan. H 15.5 x W 13.3 x D 10 cm (6.10 x 5.23 x 3.93in). Aged deterioration as is as seen.


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Japanese 20th century print of a cottage, bamboo, calligrahy and lattice. Signed in pencil by artist, MANABU MORI. Numbered 2 of 90. Dated 1962. The paper measures 20" wide by 24" tall. The print measures 14 1/2" wide by 18 1/2" tall. The sides of the paper have been folded to make the paper 18" wide.

Ohara Koson
Cormorants at Coast
Size: Dai-oban. Approximately 17.25 x 11.25 inches.
Date: 1930s. This edition ca. 1960.
Reference: K3.3 and page 141 in Crows, Cranes and Camellias: the Natural World of Ohara Koson (Reigle Newland)
Publisher: Nishinomiya Yosaku
Condition: Excellent. Full original margins.

Cotton kimono with shibori (tie-dye) pattern which is paulownia flower motif. All hand-tied and dyed with vegetable indigo. In excellent condition. Mid 20th century. 126cm x 140cm

Vintage Japanese cylindrical form stoneware lidded mizusashi (water vessel for the tea ceremony) with horizontal ribs covered in a light creamy tan colored glaze with dripped patterning that stops short of the flat foot and recessed base. The interior and underside of the lid are coated in a glossy brown glaze. 20th century. Stands about 6 5/8" high. Very good overall condition with no chips, cracks, or repairs. This piece is from a Tucson, AZ estate.

Ohara Koson
Playing Monkeys
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: 1920s-30s.
Reference: K41.17 on pages 57 and 200 of Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Publisher: Daikokuya/Adachi.
Koson signature at lower left.
"Made in Japan" stamped on back.
Condition: Excellent. Uncirculated. Bend at tip of bottom left corner.
Provenance: The Robert O. Muller estate.
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Ceramic chawan (tea bowl) for tea ceremony with multifaceted outside and enso circle shape foot. Unusual piece made in marbled technique with resulting surface perfectly imitating twisted patterns of a burl wood. The effect is achieved by laminating different colored clays together and throwing them on a wheel to develop a swirling and spiraling effect. Wonderful free potting, lightly glazed, mesmerizing play of colors, superb sense of energy to the piece, stamped with an artist’s seal on the ...

According to the potter who crafted this fine piece, “The clay from our area in the north is alive. We listen to it in order to divine the most suitable objects to create.” Here we see the clay wished to become a well-formed ceremonial tea bowl with an impressionistic rendition of a Japanese Iris. Simple, well formed, and with a soft rusticity; a cup of tea becomes a meditation on the charms of quiet country living.

Originally from Iwate (b. 1937), Murakami currently resides in ...

Japanese glass ojime in a form of tombodama bead with four yellow petaled flowers with richly textured complex centers, leaves and fine tiny silver foil inclusions. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece - see the individual stamens and finely textured petals, in perfect condition. Height 0.88 inches.

Japanese limited edition cement mortar block print pencil-titled in kanji "Poem 69-69" (indicating production in 1969) by Maki Haku (1924-2000). Pencil-signed and numbered 59/155 in the lower margin. The artist's square red seal is at the lower left corner of the image. This print features the highly embossed ideographs characteristic of Maki's work. The designs were created by inscribing on wet cement. Paper size: 19 5/8" x 13 1/2" (image size: 18 3/16" x 12 5/16"). Very good overall condition....