Wooden five storied pagoda done in the style just as the actual structures appear including the wooden joints and key architectural elements that are conjoined together to create the structure. Fine worksmanship is done with the balustrades, roof, and the are under the roof known as the mune in Japanese. Age: 20th century Size: height 84" width 16" length 16.25"

Tsuchiya Koitsu
Onomichi Saikokuji, December 1935
Size: Mitsugiriban. Approximately 16.0 x 7.25 inches.
Publisher: Takemura Hideo
Koitsu catalogue no.: TK-TM-10
Condition: Tipped at top to original cardstock. Wavy crease and and light foxing.

Tsuchiya Koitsu
Nara Horyuji, 1930s
Size: Chuban. Approximately 10.5 x 7.5 inches.
Publisher: Takemura Hideo
Koitsu catalogue no.: TK-TM-72
Condition: Tipped at top to original cardstock. Toning and light foxing.

Tsuchiya Koitsu
Himeji Castle, March 1936
Size: Mitsugiriban. Approximately 16.0 x 7.25 inches.
Publisher: Takemura Hideo
Koitsu catalogue no.: TK-TM-14
Condition: Tipped at top to original cardstock. Toning and light foxing.

Tsuchiya Koitsu
Port Tomo, May 1939
Size: Chuban. Approximately 10.0 x 7.5 inches.
Publisher: Takemura Hideo
Koitsu catalogue no.: TK-TM-54
Condition: Tipped at top to original cardstock. Very light foxing.

A Zohiko covered rice bowl. Colorful leaf decoration sparsely applied on black ground with almost iridescent effect with gold and silver maki-e and red details. Zohiko mark in gold lacquer inside the bowl's foot rim. 20th century. Bowl diameter 5 1/16 inches (12.86 cm). The bowl has two small losses to the lacquer along the foot and one small loss to the rim. The cover is in good condition. The lacquer otherwise being in good condition with no distress or wear of note...

Pair of Japanese keyaki wood carving of the fortune gods, Ebisu and Daikoku. Ebisu and Daikoku are both known in Japan as the gods of fortune and finance. Both have been worshipped together by businesses in Japan. The work contains a signature on the back, Atsushi. Age: 20th century.Size: length: 6.5" Width: 5.5" Height 17.5"

A young woman dressed in a white robe with red hakama pants is holding a folding fan and is posed to do a dance. This dress is often known as Shirabyoshi where these were sacred dances offered to the gods. The shirabyoshi figure evokes the Heian and Kamakura aesthetic and the legends contemporary to the era that portray the Shirabyoshi. Work is signed and sealed by an artist named Nanko. Age: Early 20th century. Size: height 74.25" width 22.5

Signed Zohiko lacquer tea caddy. Decoration of Mt Fuji and pine tree in lake landscape on black ground. Pleasant textures, reminiscent of Zeshin, are imparted to the surface of Fuji-san and the pine tree. Zohiko mark inside the foot. Overall good condition with a couple inconspicuous small chips to the lacquer along the rim of the cover. Height, 3 inches (7.62 cm). Diameter 3 5/8 inches (9.21 cm)

A bottle form vase by important 20th century artist Yagi Kazuo enclosed in the original signed wooden box. The vase is 4 x 4-1/2 x 7-1/2 inches (10 x 11.5 x 19 cm) and in excellent condition.
Volumes have been written about pioneering artist Yagi Kazuo (1918-1979) and I am sure he needs no introduction. His birth on Independence Day seems to have been a portent of things to come...

Kawase Hasui
Late Autumn at Lake Yamanaka
Size: Oban. Approximately 15.25 x 10.5 inches.
Date: 1947
Publisher: Watanabe Shozaburo. Bears the Watanabe 6 mm seal, consistent with a lifetime strike and first edition.
Condition: Excellent. Light tone at margin.
A breathtaking view of Mount Fuji with sunlit foreground in a rarely seen Hasui design.

A wooden sculpture carved from a single block of wood of kannon or kwan yin. The work takes inspiration from the 6th century image at Horyuji temple in Ikaruga, Nara. Jimbo Yutaka (1923~) is known throughout Japan for his wooden sculptures and has done numerous exhibitions. The work comes with a tomobako with the inscription of the title of the work and the artist's signature and seals. The work also contains a signature by the artist. Age: Late Showa Period (1970-1980)...

A pair of Japanese Hina dolls decorated with traditional Japanese gold or kinran and non-gold or donsu brocades. The dolls are used in March for Hina Matsuri (also known in a different name as Momo no Sekku). The dolls were created by Ando Keiho, a living treasure, is known for specializing in Hina Dolls. Keiho is based in Kyoto where the tradition of the Hina Dolls originated. Age: 20th century...

Shapely vintage Japanese wood crane, bending with fish in beak, naturalistic. Artist signature reads "Taro". Showa Period c. 1950 Size: 20.75" height x 10.5" length x 6.75" deep.

Arai Yoshimune
Pine Beach by Moonlight
From the Hasegawa Night Scenes series.
Date: 1910s. Printed 1938-1960.
Size: Chuban. Approximately 11.0 x 8.0 inches.
Publisher: Nishinomiya Yosaku
Condition: Excellent with slight waviness at top margin.
- A rarely encountered night scene design.

Add some punch to your table with this colorful set of six vintage Japanese luster eggshell porcelain cups and saucers, circa 1930, richly hand painted with a detailed butterfly design on bright burnt orange ground. Marked Made in Japan. The set is 2 5/8 inches high by 6 inches wide, the cup is 2 inches high by 4 inches wide, and the saucer is 3/4 inch high by 5 1/2 inches wide. They are all in mint condition with no repairs, chips, or cracks.

Kawase Hasui
Lake Chuzenji, Nikko, 1930.
Size: Oban, approximately 16.5 x 11.25 inches.
This is a very desirable edition published in the 1950s by Shobisha, which acquired publishing rights from Kawaguchi and Sakai.
Bears the round, red seal used by Shobisha in the 1950s on the verso.
Condition: Excellent. One corner has a light crease at the margin.

A Japanese gilt copper hanging lantern decorated with engraved motifs of scrolling clouds, waves, and vines. The bottom contains a six petaled flower like design. The feet of the lantern is known as neko ashi, or cat legs, which is often seen in Japanese designs.Age: 20th century. Size: Height: 17.5" Diameter: 14.5"

Helen Hyde
A Summer Girl, 1905.
Image size: 7 1/4 x 2 3/8 inches.
Paper size: 11 3/4 x 4 1/2 inches.
Signed in pencil, sealed and monogrammed by the artist.
Condition: Excellent.

Tsuchiya Koitsu
Yaizugahara
Date: 1937
Size: Approximately 5.75 x 3.75 inches.
Publisher: Doi
Reference: Koitsu catalog TK-DH-113.
Bears the Koitsu seal and the Doi seal.
Medium: Japanese woodblock print.
Condition: Excellent.

A four panel shoji screen decorated with carvings of cranes, pine, and bamboo framed in a black lacquered frame. The screen is often seen on the side of a Japanese alcove so that the light during the day can shine in and illuminate the alcove while protecting the piece decorating the alcove. Age: Late Showa Era:1970-1980. Size: Height: 39.5" Length: 69.75" Width: 1"

Kawase Hasui
Lingering Snow at Hikone Castle, 1934
Series. Selection of Views of the Tokaido Publisher: Watanabe Shozaburo.
First edition. Bears the Watanabe C seal (sausage seal) used between 1929 and 1942.
Size: Oban. Approximately 15.50 x 10.25 inches.
Reference: Hotei #226.
Medium: Japanese woodblock print.
Condition: Slight age toning.

Tsuchiya Koitsu
Arashiyama
Date: 1930s. Size: Chuban. Approximately 10.25 x 7.5 inches.
Publisher: Takemura. Koitsu.com catalog number: TK-TM-64
This print is rare.
Condition: Excellent.

A beautifully shaped green vessel by Miyashita Zenju enclosed in the original signed wooden box. It stands 10 inches (25.5 cm) tall, 8-1/2 inches (22 cm) diameter and is in fine condition.
Zenju (1901-1968) studied pottery in Japan, Korea and China, and is held in the Kyoto Municipal Museum of Art as well as the Kyoto National Museum. Work by the artist was exhibited pre-war at the Bunten and Nitten National Exhibitions as well as the 1939 and 1940 World Exposition...

Charming small Japanese lidded box in the shape of a folding fan, made of silver with copper for handle, incised with two family mon inside and two impressed marks on back of outside, one reads the name of the maker, Kyuka-sei and the other which reads jungin or sterling silver. Piece comes with small original tomobako, Taisho Period (1912-1926) Size: 3 7/8" long

Yuteki black slips down over the pourous, crackled white of this bold work by Taniguchi Ryozo enclosed in the original signed wooden box. It is 8-1/2 inches (21.5 cm) tall and in excellent condition. The box is darkened with age.
Ryozo (1926-1996) studied initially under Kiyomizu Rokubei VI...

Elizabeth Keith (1887-1956)
Lama Priest, Peking
Date: 1922.
Signed in red pencil by the artist. Monogrammed and dated.
Size: Oban. 15.25 x 10.25 inches.
Condition: Very good. Pencil notes on back with tape pieces at back top corners.

An interesting tubular shaped Mashiko ware vase by Hasegawa Tsugio. The vase is done in the ash glaze method where the ash that circulates inside the kiln covers the fired piece creating interesting patterns and colors, late 20th century. Size: Height: 8" Length: 5" Width: 2.25"

Cyrus leRoy Baldridge (1889-1977)
Peking Winter, 1925
Edition 194/200
Publisher: Watanabe Shozaburo. Size: Oban, approximately 15.25 x 10.25 inches.
Dedicated: "For John Happer" John Stewart Happer was a famous author on Japanese woodblock prints.
Condition: Five wormholes. Otherwise very good condition.

Japanese bamboo hanging flower container with inscription and signature on the back. The title of the piece is, TATEDORI or "rain gutter" and is signed by a person named, Souyo. The title invokes the Japanese aesthetic of wabi sabi along with the natural patterns seen on the bamboo surface. Age: 20th century. Size: Height: 16.5" Width: 2.75" Length: 3"

Muto Katei (b. 1910)
Engakuji Temple in Kamakura
Publisher: Watanabe Shozaburo. Bears the Watanabe 6mm seal, indicating an early edition.
Date: 1954
Size: Oban: Approximately 15.5 x 10.5 inches.
Condition: Pristine. Never displayed. Removed from original folder for archival storage.
Muto Katei studied printmaking under Kawase Hasui.
The unusual color palette works beautifully in this image.

Tsuchiya Koitsu
Fishing Boat Returning at Sunset, Yabase, 1933.
Publisher: Watanabe Shozaburo. Bears the round 6mm seal. This seal was used between 1946 and 1957.
Size: Oban. Approximately 15.5 x 10.5 inches.
Condition: Pristine. Never displayed. Removed from original presentation folder for archival storage.
A rarely seen work.

Green cloisonne vase with scrolling leaf pattern. Circular mark and signed SATO on the base. Excellent condition no scratches or dents. Taisho/Showa Period, circa 1930-1950. It measures 1.75" opening, 2.5" base 7.25".

Japanese Ginbari Cloisonne Vase from the Showa Period, circa 1930-1950s. Red body with plum blossoms on a branch. The red color used on the vase is known as, akasuke and is thought to be the most difficult color to produce and only the most skilled artisans can successfully produce its ruby red color. To create its color, gold is mixed with a glass like substance and is applied to the object and fired at a low temperature. It measures 5" tall, 1.25" opening, 2" base...

Japanese Ginbari Cloisonne Vase. Showa period, circa 1930-1950. The body of the vase is red with a pink chrysanthemum amongst white peonies with a green orchid...

A magnificent and detailed noh mask known as Shojo, which is used specifically for the play that contains the same name as the mask. Shojo originated in China as a mythical beast and was imported to Japan as a sake loving creature. In Noh theater, the play is performed for festive and auspicious occassions where the character is dressed in a colorful noh costume and wearing a red wig. Depending on the school of Noh, a jar with a ladle at times are used for the performance. The mask contains a si...

Toshi Yoshida (1911~1995)
Depicting: Night snow scene
Print size: 5.5 x 4.0 inches.
A woodblock print tipped at the top to a Japanese Christmas card from the 1950s.
Bears the Yoshida seal.
Condition: Light foxing at roof on left. Inside of card has tears.

Takahashi Shotei (Hiroaki)
Onward to the Sea-gall
Date: 1939-40
Publisher: Shobido Tanaka
Shotei.com no. ST-40.
Globe's Catalog No: C-562
Size: 6.0 x 4.0 inches.
Medium: Japanese woodblock print.
Condition: Very good.

A stunning Globular Bizen vase like burnished bronze covered by a dusting of ash by living National Treasure Yamamoto Toshu enclosed in an artist signed wooden box. The style is called Sangiri, and Toshu has pulled it off to perfection here, the keen characteristic suiting this artists work. It is likely an older (pre-war) work boxed later. The vase is 7 inches (17 cm) diameter, roughly the same height. There is a mark on the base, roughly 2 inches long. Toshu, (1906-1994) began working in ...

An amazing wood sculpture of a standing lady looking at a mirror while fixing her hair. Sculpture was done by Owa Sakunai (1894- active 1987) originally Sakunai was a farmer in Nagano and did sculpture as a hobby. Sakunai received the opportunity to study at the Academie Julian when he was 65 years old. After his study in France, he submitted many of his works to the Nihon Bijutsu-in exhibition. The work shown may have been submitted to an exhibition during the 1960s - 1970s. Age: late 20th cent...

Namako glaze runs down, creating rivers flowing around the horns on the sides of this massive pot by Suzuki Kenji (1935-2010). Looking within one sees the volcanic explosions where the glaze pooled, bubbled and burst in the center. The vessel is 18 inches (45.5 cm) tall, roughly 13 inches (33 cm) square and weighs 20.5 kg (45 pounds). It is in fine condition. By size and structure it would be acceptable for display either inside or out.
This is from the Matsui family collection of Fush...

Japanese 2-panel screen painting depicting a scene of a samurai standing with armor on but with a nuns head cloth and with monks beads in his outstretched hand, behind him are three beautiful warrior women wearing beautiful brocade underneath their armor and nuns head cloths with blossoming plum branches, each has a bow and arrows. Painted in mineral pigments and ink on paper. Painted by Kitamura Meido (1896-1962), known for specializing in human subjects. Meido first submitted his work in 192...

A large sculptural vase by Eiraku Zengoro XVI (Sokuzen, 1917-1998) enclosed in the original signed wooden box dating from the 1950s, an era when Japan was redefining its own views on art. This is an excellent example of work from that time. Born into traditional tea ware, Zengoro XVI was with the rest of his compatriots, experimenting with new ideas and new forms, unafraid of a dawning new era. This piece is 35.5 cm (14.5 inches) tall, 17 cm (7 inches) square and in fine condition. Born in...

Kawase Hasui
Temple in Snow
Date: ca 1930s.
Publisher: Watanabe Shozaburo.
Size: 7.25 x 5.0 inches.
Condition: Excellent. Tipped at top edge to original sheet.
This print does not appear in Kawase Hasui: The Complete Woodblock Prints. We could find only one other example.

Kawase Hasui
Winter Moon Over Toyama Plain, 1931
Publisher: Doi Hangaten.
Carver/printer: Harada/Yokoi. This seal combination indicates an early post-war edition. Its pre-war use has also been widely debated.
Size: Oban. Approximately 15.5 x 10.5 inches.
Condition: Slight ripple at top margin. Otherwise excellent.

Japanese Noh performance mask of Ko-omote the youthful beauty, made of carved wood with painted features. Size: 8 1/4" high x 5 1/4" wide.

Ainu carved wooden doll of woman in traditional Ainu dress. H.12.25"(31cm) x W.4"(10cm.) Finely sculpted features show elements of Ainu traditional apparel & appearance; mouth tattoo, head band and kimono with traditional patterns, and large beaded necklace.

A pair of men-tori gourd shaped sake flasks by Living National Treasure Kondo Yuzo enclosed in the original signed wooden box. One flask is decorated in blue with bamboo and the characters Sei-Fu (pure wind). The second is dated in blue and pink with pomegranates with the inscription “For the use of Yuzo, October 27, 1976”. Both are signed on the base. It is likely these came from the artists own personal collection. Each stands roughly 5 inches (13 cm) tall. There are two fractures vis...

Toshi Yoshida (1911~1995)
Depicting: Snowy street
Print size: 5.5 x 3.75 inches.
A woodblock print tipped at the top to a Japanese Christmas card from 1953.
Bears the Yoshida seal.
Condition: Excellent.

Kashigata (wooden sweet mold,) Berry motif; Japan, early 20th C. 6-piece sweet mold. L.13"(33cm) x W.1.75"(3.5cm) x H.0.375"(1cm.) Condition Note: Bottom piece of mold only. No top cover. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries such as Germany, Holland, and England have a rich history of cake mold production. Materials such as wood, ceramic, glass...

Kashigata (wooden sweet mold,) Kame (turtle) motif; Japan, early 20th C. Paddle-type mold to make 4 pieces sweets. L.13.75"(35cm) x W.2"(5cm) x H.1"(2.5cm.) The turtle symbolizes long life in many Asian cultures and was a popular motif for celebratory occasions such as weddings and New Year's. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries such as Germany,...

Kashigata (wooden sweet mold,) Sakura (Cherry Blossom) motif; Japan, early 20th C. Paddle-type mold to make 2 pieces sweets. L.14.25"(36cm) x W.3.5"(8.75cm) x H. 0.75"(2cm.) The cherry blossom is a well-known symbol of spring, beauty, and the fleeting nature of life in Japanese culture. Most likely, these molds were used for sweets in the spring season. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China...

Kashigata (wooden sweet mold,) Shiitake Mushroom motif; Japan, early 20th C. Paddle-typ mold to make 4 piece sweets. L.14"(36cm) x W.2.75"(7cm) x H. .875"(2.25cm.) Condition Note: Insect damage to side of paddle. The wrinkled cap of the shiitake mushroom symbolizes old age and long life. It was used as a symbol of such on celebratory occasions. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, ...

Kashigata (wooden sweet mold,) Ninjin (carrot) motif; Japan, early 20th C. Paddle-type mold with handle. L.12.375"(31.5cm) x W.3.25"(8cm) x H.1.25"(3cm.) Name of confectionery "Shirokiya" on side. Condition Note: minor insect damage to back of paddle. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries such as Germany, Holland, and England have a rich history o...

Kashigata (wooden sweet mold,) Noshi Kombu (kelp wrapper) motif; Japan, early 20th C. L.8.5"(21cm) x W.3.625"(9.25cm) x H. .75"(2.25cm.) Condition Note: Only bottom piece of mold. No top cover. The symbol of the kelp wrapper is used for all celebratory occasions. This is the traditional wrapping (now string or ribbon) for offering and gift envelopes. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China,...

Kashigata (wooden sweet mold,) Shiitake Mushroom motif; Japan, early 20th C. L.5.25"(15cm) x W.3"(7.5cm) x H.1"(2.25cm.) Condition Note: Bottom piece only, no cover piece. The wrinkled cap of the mushroom symbolizes old age and long like. It was used for celebratory occasions that called for such symbolism. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries su...

Kashigata (wooden sweet mold,) Warabi (fiddlehead fern) motif; Japan, early 20th C. L.5.875"(15cm) x W.3"(7.5cm) x H.1"(2.25cm.) Condition Note: No top cover, bottom piece only. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries such as Germany, Holland, and England have a rich history of cake mold production. Materials such as wood, ceramic, glass, plastic,...

Kashigata (wooden sweet mold,) Sensu (fan) motif; Japan, early 20th C. L.9.375"(23.75cm) x W.4.125"(10.5cm) x H.1.75"(4.5cm.) Condition Note: one of the posts connecting the top to bottom pieces is missing. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries such as Germany, Holland, and England have a rich history of cake mold production. Materials such as w...

Kashigata (wooden sweet mold,) Kiku (chrysanthemum) motif; Japan, early 20th C. L.7"(17.75cm) x W.3.5"(8.7510cm) x H.1.375"(4.5cm.) The chrysanthemum is a symbol of late fall and also used for celebratory occasions. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries such as Germany, Holland, and England have a rich history of cake mold production. Materials s...

White splashes into the pale terracotta of this large basin by world renowned artist Suzuki Osamu enclosed in the original signed kiri-wood box. The bowl measures almost 12 inches (28.5 cm) diameter, 3-1/2 inches (9 cm) tall and is in excellent condition, stamped on the base with the character Su in a square cartouche.
Osamu was, along with Kumakura Junkichi, Hikaru Yamada and Yagi Kazuo, one of the founding members of the influential Sodeisha (Crawling Through Mud Association), a grou...