Height: 3.7 cm (1.4 in)
Width: 1.5 cm (0.6 in)

Japanese netsuke of entwined gourds; probably marine natural material; fine seal carved to the base; signed Shuzan; good condition

Japanese woodblock print of a geisha applying red pigment to her lips in front of a mirror. The print is titled "Rouge" by Torii Kotondo (1900-1976). From his "12 Aspects of Women" series. Signed with red chop, and publisher's seals in left margin. With original storage folder.

Dimensions: 12" W x 19" H (entire print) 10" W x 16" H (artwork only)

Japanese woodblock print of a geisha holding a fan against a blue ground, titled "Summer Geisha" by Torii Kotondo (1900-1976). From his "12 Aspects of Women" series. Signed with red chop, and publisher's seals in left margin. With original storage folder.

Dimensions: 13" W x 19" H (entire print) 10" W x 16" H (artwork only)

Japanese woodblock print of a robed geisha emerging from behind a red cloth noren, titled "After the Bath" by Torii Kotondo (1900-1976). From his "12 Aspects of Women" series. Signed with red chop, and publisher's seals in left margin. With original storage folder.

Dimensions: 13" W x 19" H (entire print) 10 1/4" W x 16" H (artwork only)

Japanese woodblock print of a nude kneeling woman combing her hair, titled " Combing in the Bath" by Torii Kotondo (1900-1976). From his "12 Aspects of Women" series. Signed with red chop, and publisher's seals in left margin. With original storage folder.

Dimensions: 12" W x 19" H (entire print) 10 1/4" W x 16 1/4" H (artwork only)

Asa (hemp) unlined kimono with katazome (stencil-resist-dye) fan motif. In good condition but has a few brownish spots. Mid 20th century. 126cm x 152cm

Large Japanese woodblock print of a horse by the artist Nakayama, Tadashi (born 1927). Titled, "Cyclone". This image of a horse stands with it's mane billowing with bits of color and metalic leaf. The head of the horse is patterned with colors while most of the body remains a dapple of charcoal and white. In the background, a series of thin circular lines accent a metalic leaf sun or moon. Signed in pencil and numbered 85 of 85...

Japanese Satsuma ware obidome (obi broach) made of ceramic and decorated with orange blossoming chrysanthemums. This three dimensional obidome is painted with gold details and has a slot in the back through which an obijime cord can be strung. With signed kiri wood tomobako.

Taisho Period (circa 1920)

Dimensions: 1 3/4" diameter

Meiji - Taisho Mixed metal box with silver hinge and mixed metal applied birds flowers and plants. good condition lid not too tight, good herb or flower box. just under 1.5" by 1.5"

Takahashi Shotei (Hiroaki)
Spring Evening
Date: Pre-1936. This is the more rare creped edition.
Size: Mitsugiri-ban. Approximately 12 x 5.75 inches.
Publisher: Watanabe Shozaburo.
Shotei seal at right.
Reference: Shotei #M-12. Watanabe #212.
Medium: Japanese woodblock print.
Condition: Excellent color. Paper residue at top back margin.

Nishimura Hodo
Summer Rain
Date: 1930s.
Size: Mitsugiriban. Approximately 15.5 x 7.25 inches.
Publisher: Takemura Shokai (stamp in left margin). Takemura Hideo label on back.
Signed by the artist. Takemura seal below signature.
Edition: First and only.
Medium: Japanese woodblock print.
Condition: Excellent. Top back corners have paper residue.

A fine and large stoneware dish by Sakuma Totaro (1900~1979). Decorated with a flowering plum tree against a transparent ash glazed ground. The back is plain and glazed with a clear ash glaze. Mid 20th century.

The original wood storage box (tomobako) lid is inscribed in ink with a title and the signature of the potter with his red seal.

First son of Sakuma Fukujiro, a mingei potter in Mashiko, Totaro studied ceramics with his father...

Crafted by one of the most well-known potting families from the Meiji period (Ito Tozan), this black Raku tea bowl displays a glossy sheen and gentle swells rippling through the clay body. The shape of the this tea bowl is known as “tsutsu” in Japanese and is regarded as being especially attractive. Tsutsu bowls are used mainly in the depths of winter to keep in the heat and prevent the tea from cooling too quickly...

Ito Shinsui (1898-1972)
Peaches and Melon. From the Three Still Lifes series.
Date: 1939.
Size: Approximately 19 x 14.25 inches.
Publisher: Watanabe Shozaburo.
Artist's signature and seal.
Medium: Japanese woodblock print.
Condition: Toning. Fading. Repairs made to margins and portion near left edge.

Kake-futon (comforter, top cover) made of hand-spun cotton with beautiful katazome (stencil-resist-dye). The pattern looks imitating shibori (tie-dye). It is natural indigo dyed. It has beautiful green cotton lining and can be used as it is, for example, for a cover or throw. In excellent condition except for a few stains and a mending patch. Late 19th to mid 20th century. 154cm x 175cm

Trunk box made of wicker, bamboo and leather. It has washi (Japanese handmade paper) lining with kanji letters. It has black leather for reinforcement. In good condition but has some wear in the leather. It is tight when the lid is put on the box, so better to use separately. The first half of the 20th century. 44cm x 31cm x 24cm

Very unusual large "Tai" fish mold for a sweets shop. The sweets shop stamp "Shiohama-ya" is on the back. Made of cypress wood. Excellent condition. 17" long by 9" wide. Ask for shipping quote.

Jinbo Tomoyo (1902-1994)
Given title: Woman in Lavender Kimono
Date: 1957.
Size: 18.25 x 11.75 inches.
Edition: First.
Signed and sealed by the artist.
Carver: Sato Jurokichi. Printer: Inomura Shonosuke.
Medium: Japanese woodblock print.
Condition: Excellent.
Note: One of just a few prints made by this artist.
Tomoyo Jinbo (Teisaburo) studied under Hirazaki Eiho and Ito Shinsui.