Toshi Yoshida (1911-1995)
Sacred Grove (Kami no Mori)
Size: Chuban. Approximately 10.5 x 7.75 inches.
Date: 1941.
Artist's jikoku (self-carved) seal upper left margin.
Later edition (ca. 1970s-1980s) with impressed pencil signature.
Medium: Japanese woodblock print.
Condition. Excellent.

A lovely Shino tea bowl fashioned from coarse Mino clay and covered in a crackled feldspar glazing. The front and sides of the bowl are decorated with paintings of abstract foliage resembling Iris leaves and the base of the bowl is unglazed, displaying rough clay...

Vintage Japanese woodblock print by moku hanga style artist Fumio Fujita (1933-present). He graduated the Musashino College of Fine Arts in 1955 and began making woodblock prints in 1963. This piece is easily attributed to Fujita as he is well-known for using trees as a focal point. He combines scenic imagery with abstract geometric figures, using bold color combinations...

A beautiful vintage Chinese export silver belt with flower and phoenix motif in excellent condition. An excellent gift idea for a lady friend. L:92cm Weight: 92.8g $375 (Pending)

Kawase Hasui
The Great Buddha, Kamakura (Kamakura Daibutsu)
Date: 1930.
Pre-war edition.
Size: Oban. Margins trimmed. Approximately 14.375 x 9.5 inches.
Reference: Hotei #204a.
Medium: Japanese woodblock print.
Condition: Margins trimmed. Fading.

Takahashi Shotei (Hiroaki)
Returning Home, Evening
Date: Pre-1936 (1920s or 1930s)
Publisher: Watanabe Shozaburo. No. 508 in 1936 Watanabe catalogue.
Medium: Japanese woodblock print.
"Made in Japan" on verso.
Size: Chuban. Approximately 10 x 7 inches.
Provenance: The Robert O. Muller estate.
Condition: Excellent. Uncirculated.

To see more from this collection, search "Muller" in our search box at erawoodblockprints.com.

Made of hardwood. Early 20th century. Laos is famous for its ‘tribal’ Buddhas. They were made by village carvers and donated in large quantities to the temples. H. 55 cm. Condition: remains of polychromy, age wear, cracks.

Hand-carved Chinese natural chicken blood blank seal stone. Dimension: 75 x 20 x 20 (mm) or 2.95 x 0.79 x 0.79 inches with total weight 0.19 of lbs/85 grams. Bloodstone is cinnabar strips of dickite, its color is still red cinnabar. Since its color is as red as blood, it is called bloodstone. The earliest discovered bloodstone is Zhejiang Chang ?? rock pheasant bloodstone. Later it was found in Inner Mongolia Chifeng.

Peerless Mount Fuji
Unsigned. Artist not identified.
Date: 1934.
Size: Oban. Approximately 13.75 x 10 inches.
Origin: Issued as a folded insert to an N.Y.K. Line publication called, "Glimpses of the East". The folds are vertical.
Medium: Japanese woodblock print.
Condition: A faint foxing spot at the upper left.
The composition of this print is reminiscent of the Fuji views of Tsuchiya Koitsu.

A vintage Japanese Okidoko (Tokonoma alcove chest) made of a dense grain Akita Sugi (Cryptomeria) wood. Originally it was used to showcase Ikebana flower arrangements, special porcelain vases, Japanese sculptures, or seasonal displays...

Tsuchiya Koitsu
Benkei Bridge
Date: 1933. This edition early postwar.
Size: Oban. Approximately 15.5 x 10.5 inches.
Signed and sealed by the artist.
Publisher: Doi Hangaten. Carver: Harada. Printer: Yokoi. Bears the Doi watermark.
Koitsu catalog no. TK-DH-3.
Medium: Japanese woodblock print.
Condition: Tape marks in right margin. Light fading.

Kawase Hasui
Mt. Fuji from Tago
Date: 1930s.
Image Size: 6.125 x 4.5 inches.
Publisher: Watanabe Shozaburo.
Reference: Hotei Hp-12.
Hasui seal at lower right.
"Made in Japan" stamped on verso.
Condition: Excellent condition.

Kawase Hasui
Moon at Matsushima
Date: 1930s.
Image Size: 6.125 x 4.125 inches.
Publisher: Watanabe Shozaburo.
Reference: Hotei Hp-37.
"Made in Japan" stamped on verso.
Hasui seal at lower right.
Condition: Excellent.

Fantastic execution of the Shino pottery style in the form of a bold and attractive Henko vase. The feldspar glazing and visually captivating red scorch marks serve as a backdrop for several attractive and well placed kiln effects—overall an exceptional piece by this artist.

Ando Hidetake was born the third generation of a Mino pottery family in Gifu prefecture in 1938. He began as an apprenticeship under Kato Tokuro in 1960...

A beautiful early 20th C. Chinese silver enameled square opium box in excellent condition. W:5cm x 5cm Marked. Sold to Australia

Japanese chuban format shin hanga woodblock print by Takahashi Shotei, also known as Hiroaki (1871 - 1945) depicting two figures walking in the snow in the foreground, one holding a parasol walking toward a hut, the second crossing a bridge over a stream. A snow laden tree and torii gate are at the left. Titled "Snow at Ozawa; Torii Gate and a Cottage" the print was published by Watanabe prior to 1930. The title and artist's red Shotei seal are at the upper left...

Here is a tea bowl, which represents the wabi sabi philosophy of Japan at its best with expected impressions of roughness, austerity and intimacy. This Karatsu chawan is about 80-90 years old and has wonderful white glaze, rarely seen on Karatsu chawans.

It comes with its original wooden box.

Size: 6,6 cm height x 11,7 cm in diameter.

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Japanese sosaku hanga woodblock print depicting a pavilion on Peony Point (Botan-dai), Pyongyang, Korea and is No. 28 from the series "One Hundred Views of New Japan" by Hiratsuka Un'ichi (1895-1997). The artist's red ink Hiratsuka Un'ichi seal is at the lower right. The black ink title and artist's red "Un" seal is at the upper left. Known to date to 1940. Paper size: 9 7/8" x 12 5/8" (image: 8 7/8" x 11 7/8"). This print was never framed and is in very good overall condition...