A beautiful old Chinese silver enamel with circular tubing shape in excellent condition. Marked. H:6cm weight:34.3g Sold to Australia

Incredible Indo/Persian watercolor and gouache painting depicting Mugal Princess, most likely Momtaz wife of Shah Jahan, in period custom dress. Size: the item is 12 x 7.5 inches with the sight itself has a dimension of 6 x 4 inches in very good condition.

Incredible Indo/Persian watercolor and gouache painting depicting Mugal Emperor in period custom dress. Size: the item is 11 x 7 inches with the sight itself has a dimension of 5 x 3 inches, in very good condition.

Incredible Indo/Persian watercolor and gouache painting depicting Mugal Emperor in period custom dress. Size: the item is 11 x 7 inches with the sight itself has a dimension of 5 x 3 inches, in very good condition.

Incredible Indo/Persian watercolor and gouache painting depicting Mugal Emperor in period custom dress. Size: the item is 11 x 7 inches with the sight itself has a dimension of 5 x 3 inches, in very good condition.

Incredible Indo/Persian watercolor and gouache painting depicting Mugal Emperor in period custom dress. Size: the item is 11 x 7 inches with the sight itself has a dimension of 5 x 3 inches, in very good condition.

A charming Chinese child's padded wind hat with the face of a tiger on the front. The tiger is a fierce animal which protects children from evil. Called a wind hat because of the protection it gives to the back of the neck, this hat is made of silk and embroidered with a butterfly on each side. In good antique condition, it does have some wear. Please study photos carefully. Colors are still vivid. Circa 1910.

This is a textile of superb workmanship, very typical of Hazara embroidery. The Hazara are the the third largest ethnic group in Afghanistan, residing mainly in the mountainous central provinces of Bamiyan, Ghazni and Orugzan. This child's dress front measures 32.5 x 65 cm. Solidly worked in cross stitch in silk thread, with satin stich on the waistbands, glass beads on the outer edges, and framed by Bokhara couching in metallic thread...

A densely beaded Uzbek purse, probably from Mazar-i-Sharif or Kunduz, northern Afghanistan. The designs are typical of Uzbek embroidery in which variations on geometric shapes are emphasized for talismanic effect. The purse is edged with gold trim and blue beads as a prophylactic against the evil eye. The purse is lined with green and pink silk, and a red cotton fabric. There are three pockets inside. Condition: Excellent. Measures 15x25 cm when opened, 12x15 cm when closed...

Magenta silk thread is worked in mostly horizontal rows with geometric patterns superimposed in random coloring on this child's waistcoat from the early 20th century. It features metallic couching on the top and bottom edges, with blue beads in the front to ward off the evil eye. Satin stitch combines with Holbein and back stitch to accentuate the lozenge designs that cover the entire surface of each panel...

This saye gosha (or segusha) shows the dynamic use of line and vivid color for which Uzbek Lakai embroidery is famous. Saye gosha are V-shaped hangings used to decorate piles of quilts while in storage during the day in the yurt. The Lakai are an Uzbek tribe who currently live around Kunduz in northern Afghanistan. Originally more widespread, they were also once found in what is now Uzbekistan and Tajikistan...

A 1940s Kashmir wood turned box featuring a wonderful warm gold and green lacquered mottled design over black. It measures 5.75 inches across and 4.5 high including finial.

Abstract floral patterns combine with medallion motifs in shades of dark red and pink in this kameez from the Hazara district, North West Frontier Province (recently re-named Khyber Pakhtunkhwa). Silk floss on cotton (a handwoven coarse cloth called khaddar), the embroidery is in the characteristic phulkari stitch which resembles a satin stitch but only on the front side. Each cuff has an embroidered band in brick stitch...

Very lovely black lacquered 'suzuri bako' writing box with mother of pearl inlaid leaves and swirling gold gilt vines on the cover. Inside is a silver ink pourer and ink stone and brush. The lacquer work is exceptional. C.1930 early Showa Period. The bottom has a few scratches but the visible top and sides are in excellent condition. Ask for shipping quote.

An old prayer napkin from Afghanistan, measuring 10 x 11 inches. It features very fine stitching characteristic of Hazara embroideries - satin stitch on a white linen background, in silk threads (yellow, blue, orange, green and red). The embroidery on the reverse side of this textile is exactly identical to the front side. Estimated age: early to mid 20th century. Condition is excellent except for some minor stain on the reverse side, displayed in the last photo.

Patchwork quilts ("rilhi") are among the finest folk art coverlets in Pakistan. Sindhis have traditionally used them as ground covers at outdoor Sufi religious festivals. This rilhi is from Thatta and measures 75 1/2 inches by 95 inches. It is dated to the mid 20th century. Condition is excellent (no holes, stains, nor repairs).

This embroidered panel is a ceremonial food cover made by the Lakai, an Uzbek tribe living in small villages near the northern Afghanistan city of Kunduz. The Lakai came to Afghanistan in the 16th century but they were once also found in what is now Uzbekistan and southern Tajikistan. This textile is composed of stylized star and solar shapes embroidered in silk thread in fine angled blanket stitch and chain stitch on a red plain-woven cotton...

Japanese cotton obi from mid to late Showa period, 1980s(?). This obi was sold from the Mitsukoshi Department Store (2 logos attached at the corner). 100 percent cotton, new condition with some color loss. 12 1/4" wide x 141" long; it weighs approx. 1.2 pounds.