Kawase Hasui
A Yangban (Korean Official)
Date: August 1935 (First and only edition)
Size: Dai-oban. Approximately 17 x 12 inches.
Signed and sealed by the artist.
Publisher: Watanabe Shozaburo.
Reference: Hotei #357.
Medium: Japanese woodblock print.
Condition: Excellent.
A beautiful early 20th C. Chinese hollowed silver bangle in excellent condition. Weight:30.6g D:5.1mm
SOLD
Ito Yuhan
Ukimido at Katada, Lake Biwa
Date: 1930s. Printed 1938-1960s.
Size: Oban. Approximately 16.5 x 11.5 inches.
Publisher: Nishinomiya Yosaku. Bears the publisher's seal in the left margin.
Sealed "Yuhan" in Japanese within the image.
Medium: Japanese woodblock print.
Condition: Excellent.
Note: Nishinomiya Yosaku also operated at times after the 1960s, so there is a possibility that this print was produced from the original blocks after the 1960s.
Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for. This small dish fashioned from coarse clay and covered in a silky ash glaze. Slightly oblong with one edge gracefully arching upwards, both sides of the dish have been traditionally repaired using lacquer and gold...
Ohara Koson (Shoson)
Cockatoo and Pomegranate at Night
Size: Chuban. Approximately 10.5 x 7.25 inches.
Date: ca. 1930.
Publisher: Watanabe Shozaburo.
Shoson signature and seal.
Medium: Japanese woodblock print.
Reference: AS.27 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent.
The image of the brush-drawn circle, known most commonly as the “enso” of Japanese Buddhism, has long been a symbol of strength, elegance, and the simultaneous being and nonbeing (mu) of the universe. A closed enso is associated with the idea of perfection while an open enso represents movement, fluidity, and attainment in the corporeal world...
3 large hand painted authentic Yao scrolls,1 smaller and 1 crown, 5 items in total. All in good condition. 108x 45 cm, text on reverse. Undated, estimated to be mid 19th century or earlier. Can be viewed in central London and shipped world wide.
A Chinese antique porcelain bowl in underglaze blue. The outside of the bowl is surrounded in lotus scrolls while the inside shows a phoenix in flight with a scroll border surrounding the foliated rim. The base rim left unglazed...
A Chinese stoneware figure of a seated deity, thickly glazed in a grey crackle. Seated in a high back raised chair with a tortoise with a snake on top between his feet. Prayer square hole in the back of the chair. Un-glazed base recessed base. No markings.
Age: Ming Dynasty
Size: Approximately 9" High by 3-1/2" Depth by 4-1/2" Wide
Condition: Overall in good condition...
Kanmei F. K. (Active 1940s)
General Douglas MacArthur, 1947.
Size: Oban. Approximately 16.75 x 11.0 inches.
Edition: First and only.
Publisher: Watanabe Shozaburo. Bears rarely used Watanabe seal at lower right margin.
Carver: Aoyanagi Isao (seal)
Printer: Ono Gintaro (seal)
Sealed by the artist and signed in English and Japanese.
Medium: Japanese woodblock print.
Condition: Paper slightly toned. Small surface spot at right...
Toshi Yoshida (1911-1925)
Crabs
Date: 1925.
Size: 11.25 x 6.0 inches.
"Toshi" Japanese signature and seal.
Pencil signed and titled in English.
Condition: Excellent. Small tape remnants at top back.
This is the first woodblock print created by Toshi Yoshida. He was 14 years of age.
This extraordinary mizusashi is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre...
Pair of Chinese antique Shiwan vases covered in a thick brilliant white/blue glaze from the kilns of Guangdong. The glaze stopping just inside the top of the vase and short of the base revealing the buff biscuit. Rimmed and mounted in ormolu...
Done in the Annan style which is a Japanese adaptation of porcelain-wares imported from a region of ancient Imperial China (now part of Vietnam) from the late Muromachi period (1392 - 1573). At the time this type of pottery was hugely popular among tea devotees and this enthusiasm continues into the modern day...
Japanese contemporary Kaidon tansu known as a step tansu. Comprised of three sections. Made with solid Keyaki (elm) wood, this tansu will hold many precious things within its various size drawers and compartments. Each compartment opens from both sides, so this Kaidon can be facing either direction. Its doors feature vertical slats to create an interesting contrast of texture and design...
Contemporary Japanese side table. Made with unusual, mixed hardwoods, creating a bold contrast of color and grains. Its tabletop is accented by lighter wood inlay "butterflies" to hold together the natural fissures of the wood. The second tier below is secured into each leg by mortise and tenon joinery.
Size: 59" L x 18.25" W x 31" H
We present a stunning Japanese tea bowl made 80 years ago by the legendary 9th Choraku Ohi (1901-1986), enclosed in its originally signed and sealed wooden box. Aesthetic highlight is the perfect kintsugi gold repair, which makes this tea bowl to a unique treasure. Highly recommended for sophisticated collections.
The Ninth Chozaemon was the son of the Eigth Chozaemon who had been making tea utencils from age sixteen until his death at age eighty-six...
Pair of Chinese over-glaze iron red bowls outlining a design of peonies and lotus heads among leafy vines on the white ground on the outside and similarly decorated on the inside...