A set of very finely made Chinese celadon Jade necklace, ring, and earrings set. Early 20th Century. Necklace is 16-1/2" long with sterling silver clasp. Ring size is 7. Excellent condition.

TRAY OF RYOKAN

Large wooden tray actually used at old 'ryokan' (Japanese‐style hotel), Showa period, early-mid 20th century, D 35.6-34.8cm (14.01-13.70in), H 5.8cm (2.28in). Aesthetic grain expression and calm comfort for use. Expected some fine scratches due to aging with use. *Only a tray is available to purchase, as the other stuff (cups) of usage example are not attached...

A carved and dark red lacquered oval tea tray with cherry blossom in cinnabar red and yellow-white. Made in Kamakura, the back with a stamped seal mark. Width "17/ 43 cm. Condition: minimal wear.

Pre columbian style Black Pottery Necklace with figures. The necklace came from a Geologist's estate of ancient necklaces from various central American cultures , this one we do not know age or origin. 12 figures with 8 disc pendants . approx 22" great piece to part out and make other jewelry with.

Chinese Ming Dynasty green glazed burial figure of an attendant holding a wine pot . Size 8" by 3"

Written on the inside of the original box is the artists' testimonial to this piece. Carved by famed carver Terada Keitaro (artist name : Kei'in) when he was 71 and his retirement piece. Carved in Showa 29 (1954) he went into Ryozen-zan mountain in Shiga Prefecture and found the perfect wild mulberry wood for his final masterpiece. He states he put his whole spirit and soul into this piece. Signed and in excellent condition. Ask for shipping quote.

Kashigata (wooden sweet mold,) Sakura (Cherry Blossom) motif; Japan, early 20th C. Paddle-type mold to make 2 pieces sweets. L.14.25"(36cm) x W.3.5"(8.75cm) x H. 0.75"(2cm.) The cherry blossom is a well-known symbol of spring, beauty, and the fleeting nature of life in Japanese culture. Most likely, these molds were used for sweets in the spring season. Sweet molds, “kashigata,” have been a part of confectionary culture around the world...

Toshi Yoshida
Autumn in Hakone Museum
Date: 1954.
Signed and sealed in Japanese. Signed in English. Size: Oban. Approximately 16.25 x 10.5 inches.
Medium: Japanese woodblock print.
Condition: Excellent. Soft corner margin creases.
Notes: I've included photos of Toshi Yoshida's vintage envelope and the collector's notes of the previous owner, both of which accompanied this group of Yoshida prints...

Aoki Seiko (b. 1880)
Quails Under the Moonlight
Size: 9.75 x 4.75 inches. 24.6 x 12 cm.
Date: ca. 1910.
Publisher: Matsumoto Print Works. Cat. #366 tag on back.
Medium: Japanese woodblock print.
Condition: Slight bend at lower left corner.

Beautiful large Bamboo Ikebana, with two pots for separate flower arrangements. Appealing contrast lining of black lacquer, complimenting wonderfully the light shade of bamboo. Charming natural wear at the base of Ikebana, with circling rings. Circa 1930-1940. Dimensions: 31" High X 6" Diameter

Unique Japanese Uchikake (wedding gown), embroidered in thick light blue silk, the liner is red silk without padding except at the bottom hem. The embroidery and gold couching (some silver) work are all done by hand. The pattern is from ancient Chinese "Shokko nishiki". The colors of silk looks different on different parts of the gown. We laid the gown under the sun light when we took extra photos. The light changed everything...

Koga Iijima (1829-1900)
Leaping Trout
Date: Late nineteenth century.
Publisher: Matsuki Heikichi / Daikokuya.
Signed and sealed by the artist.
Size: Shikishiban. Approximately 9.25 x 9 inches.
Medium: Japanese woodblock print.
Condition: Back toned. Front very good with a few faint marks in sky an left edge toning.
Note: The fish in this wonderful design is highlighted with mica.

Namako glaze runs down, creating rivers flowing around the horns on the sides of this massive pot by Suzuki Kenji (1935-2010). Looking within one sees the volcanic explosions where the glaze pooled, bubbled and burst in the center. The vessel is 18 inches (45.5 cm) tall, roughly 13 inches (33 cm) square and weighs 20.5 kg (45 pounds). It is in fine condition. By size and structure it would be acceptable for display either inside or out...

Kawase Hasui
A Yangban (Korean Official)
Date: August 1935 (First and only edition)
Size: Dai-oban. Approximately 17 x 12 inches.
Signed and sealed by the artist.
Publisher: Watanabe Shozaburo.
Reference: Hotei #357.
Medium: Japanese woodblock print.
Condition: Excellent.

Chinese celadon jade pendant/toggle, decorated in relief, early to mid 20th century period, 1 1/2"W x 4"H, in good condition.

Ohara Koson
Songbird and Lotus
Size: Approximately 6.625 x 4.75 inches.
Date: ca. 1910.
Koson signature and seal at lower right.
Publisher: Matsumoto (no. 439).
K.35.21 (cat 125b) in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Frayed lower edges. Paper remnants at back.
An early and rarely seen design.

Very beautiful antique circa 1900 pale blue Chinese Peking glass necklace, possibly a prayer necklace, with 30 round beads carved in a basketweave pattern, and a center oblong pendant with carving and piercing, all strung on the original very intricately Chinese knotted thread. The color of the pendant piece seems to be very slightly different from the round beads. Wearable length of the necklace is 34 inches. The round beads are 10mm in diameter...

Old mask with a thick shiny black soot patina, the originality of the sculpture is based on an arrangement of rectangular shapes which fit into each other. We note 3 horizontal carved lines and a Shivaite trident crossing the forehead to represent the tika, Old traces of vermilion pigment on the forehead and old traces of glue which retain some hairs around the mouth, the ears are small and in relief on each sides of the mask. Probably gtom West Nepal...