Judging by the tomobako, the shifuku, and the patina of the bowl, this piece was likely fired in early Showa (1926 - 1936) when Sosen was thought to be most active.

Perfectly formed and resting firmly on a well-grounded kodai (foot/ pedestal), this chawan is vivid, light in the hand, and has a calming presence. The artist, Asao Sosen (1897 - 1978), was known for making chagama furo (Japanese ornamental brazier used in tea ceremony) as well as “Unge” stoneware of various forms...

Looking as though it were cast from molten rock, this chawan has a very earthy and primal feel to it. The rich clay shows through in places hinting of ochre, yellow, and even a subtle metallic blue—cleverly mimicking the way mineral formations appear in nature...

Japanese framed woodblock print by Joichi Hoshi (1913-1979), (1913-1979) "Moon and Tree", signed in pencil, circa 1978.

Size: 10" L x 12.5" H (entire frame) 5.25" L x 8" H (print only)

Ohara Koson
Fishing Boats at Twilight
Size: Chuban. Approximately 10.5 x 8.25 inches.
Board measures 14.0 x 11.75 inches.
Date: ca. 1910.
Publisher: Daikokuya.
Koson signature and seal.
Medium: Japanese woodblock print.
Reference: K44.26 and cataog image #132 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Laid down to board...

Kiyoshi Saito
Maiko
Date: ca. 1960.
Size: Oban. Approximately 17.25 x 11.5 inches.
Pencil signed and sealed by Saito.
Self-published by the artist.
Silver mica is used on the collar.
Medium: Japanese woodblock print.
Condition: Excellent. Back margins have adhesive residue.

Japanese limited edition woodblock print by French artist Paul Jacoulet (1902-1960) titled "The Squatting Man. Chinese" (L'Homme accroupi. Chinois) published November 20, 1947. This image is illustrated on page 66 (plate 88) of “The Prints of Paul Jacoulet” by Richard Miles, 1982. It is described on page 108. The print is pencil-signed and bears the red owl seal at the lower right corner of the image. The seal of the carver and printer (Maeda/Honda) is at the lower right margin corner...

Tsuchiya Koitsu (1870 - 1949)
Spring Snow at Maruyama Park
Date: 1936.
Size: Oban. Approximately 16.875 x 11.0 inches.
Publisher: Doi Hangaten with Doi watermark.
Carver: Harada. Printer: Yokoi.
This seal combination indicates an early postwar edition.
Koitsu catalog no. TK-DH-30
Condition: Slight fading.

Ohara Koson (Shoson)
Group of Egrets
Size: Oban. Approximately 15.5 x 10.25 inches.
Date: 1927. This edition 1946-1957.
Publisher: Watanabe Shozaburo. Watanabe 6 mm in lower right corner of image.
Shoson signature and seal.
Medium: Japanese woodblock print.
Reference: S14.5 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Features gauffrage embossing on the birds' bodies...

An elegant second standard (800/1000 pure silver) French tastevin. Rather than the typical "perles" and fluted "godrons", the bowl of this tastevin is decorated with repousse grape leaves and berries in the 18th century style. This treatment is sometime see in tastevins made by Parrod, one of the most influential makers of tastevins in the 19th and early 20th centuries...

Republic chinese pair of ceramic wall vases with charming flowering vines and peony flowers and butterflies. Studio ware, one with red rectangular seal on base. They measure 6" tall, 3/4" deep.

Basket made of yama-budo (crimson glory vine) for body part and akebi (akebia vine) for handles. It is from Tohoku region, North-East of the Honshu. In excellent condition. 20th century. 48cm x 33cm x 16cm (body part)

Andrew Kay Womrath (1869-1939)
In collaboration with Yoshijiro Urushibara (1888-1953)
Venice at Night
Size: Chuban. Approximately 11.625 x 8 inches.
Edition: 3/50 OR 33/50. Numbered in pencil at lower left.
Date: ca 1920s.
Signed "A Kay Womrath" in pencil.
Medium: Japanese woodblock print.
Condition: Foxing nearly entirely in margin...

Antique Japanese Kanban soroban (abacus). Used by merchants, this large sized abacus has eyelets for hanging. It has 21 rows of wooden beads with 5 beads in each column (105 beads total). The beads are fitted onto wooden dowels. Behind each dowel is a boar's hair bristle which holds each bead in position when it's pushed upward even while the soroban is hanging sideways.

Showa Period (early-mid 20th century)

Dimensions: 43" wide x 12" high x 2 1/4 deep.

Chinese Blanc de Chine Quan Yin seated on a resting elephant. Quan Yin, goddess of great compassion, is holding 2 lotus flowers, one of which is broken symbolizing a broken spirit. She is holding both pieces of the stem in her hand. The lotus symbolizes purity, spiritual enlightenment, and in this case, new beginnings or rebirth. Excellent detailing and in excellent condition, it dates end of 2nd quarter 20th century. Measures 7.5ʺ wide × 4.5ʺ deep × 12ʺ high.

Hanten with sashiko and mending patches which is from Shonai region in Yamagata prefecture. It is made of many indigo dye cotton fragments as cotton was precious in regions with cold climate. It has beautiful vegetable indigo faded and worn-out parts. The first half of the 20th century. W:85cm, L:90cm

A Chinese grayish and russet nephrite statuette of a Pixiu, a Chinese mythical hybrid creature. 20th century. Condition: Good with some natural veins, please refer to photos for details. Length: 2-1/2"

Made by Living National Treasure, Fujiwara Yu (1932-2001), this Bizen Hidasuki sake bottle was made about 50 years ago. Yu Fujiwara, one of the most well-known Bizen potters of his time, has become the fourth Bizen Living National Treasure in 1996. There are only five people having such title for Bizen pottery and his father, Kei Fujiwara, became the second Bizen Living National Treasure in 1970. Prior to that, Fujiwara Yu was designated as an Intangible Cultural Property of his native Okayam...

Hand-carved Chinese Shoushan stone seal, Dragon Tortle. Dimension; 4.53 x 2.32 x 2.32 inches. Weight 1.86 lbs/845 grams. Tips about Shoushan Stone Chinese Fujian Shoushan stone is one of four Chinese traditional stamp stones. There is more than one hundred variety of Shoushan stones. Except for stamps, Shoushan stone is produced for carving people, animal, flower and bird, landscape, stationery, tool, and other art objects.