Catalog: Vintage Arts: Regional Art (266)

This dazzling child's dress front was made by Pashtuns and is probably dated to the 1950s or 60s. The embroidery technique on this textile features couched metallic threads forming an intricate combination of linear and circular designs, so densely arranged as to almost completely obscure the dark purple silk ground. Composed of metallic embroidery (Bokhara couching), the gold thread is taken across the surface for the desired length, then, bringing the needle back to the beginning, it is caught down at regular intervals by small stitches. The process is repeated until the entire surface is covered, the small holding stitches being staggered from one thread to the next, giving a characteristic relief to the pattern. Measures 22 cm x 27.5 cm. Condition: Excellent.

This dress yoke from Bamiyan province measures 34.5 x 41 cm and is embroidered in fine cross stitch in pink, yellow, green and purple silk thread. Traditional Afghan dresses have a yoke under the neckline from which long panels of fabric flow. Sleeves are typically wide, and they wear matching cuffed pants underneath. The garments are decorated with embroidery at the yoke, the bottom of the sleeves, and the cuff of the pants. When a garment wears out they remove the embroidered areas and re-use them in a new piece so that their progeny may share some of the original outfit. Condition: Excellent. Estimated age: mid to late 20th century.

A woman's cap from Bamiyan province, circa mid 20th century. Satin stitch in pink, white and yellow silk thread embroidered on green cotton, depicting stylized flowers resembling chrysanthemums. Diameter: 20 cm. Circumference: 52.5 cm. Condition: Excellent.

An Uzbek knotted pile hat from northern Afghanistan, mid to late 20th century. Diameter 18 cm, circumference 50 cm. Condition very good except for two small tears on the rim.

A knotted pile hat from northern Afghanistan, made by Uzbeks. Diameter is 18 cm, circumference 51.5 cm. Circa mid to late 20th century. Condition is excellent.

This vintage textile is from Bamiyan province, Afghanistan and measures 25.5 x 26 cm. Embroidered in pastel-colored silk thread on a fine white linen, it depicts in satin stitch the triangular shapes that are typical of Hazara embroidery. The continuous supplementary-weft technique makes this textile reversible and either face may be used as the front. Condition: Excellent (e.g., no tears, holes, stains). Estimated age: probably 1950-1960.

An Uzbek mafrash panel from northern Afghanistan, mid to late 20th century. Silk embroidery in cross stitch, measuring 16 1/4 x 40 1/4 inches (41.3 cm x 102.2 cm). Condition: Excellent. The reverse side of this textile is lined in purple silk with an ikat hem.

This is a woman's dress panel ("pushk kurta") from Baluchistan, measuring 43 x 52 cm. Embroidered in silk thread in a combination of interlacing, herringbone, long and short stitch, and extremely fine satin stitch, it depicts diamond shape medallions ("paraiz zarto")and arched columns with intricately repeated geometric motifs which are typical of Baluch embroidery. The most intricate pushks are produced in Makran and other coastal areas of Baluchistan. This is a dazzling and beautiful textile in very good condition. In this part of the world women trim the painstakingly embroidered sections from worn clothing and reapply it to new garments.

A pair of embroidered ankle bands from Turkmenistan, measuring 20.3 x 22.9 cm. Embroidery technique is extremely fine herringbone and satin stitch on an indigo silk background. Condition: Excellent. Circa early to mid 20th century.

A woman's shirt front from Baluchistan, mid to 20th century, in a combination of blanket stitch, herringbone and satin stitch on green cotton in a diamond repeat pattern. It measures 30.5 x 47 cm. A dress ("pashk") covered with detailed embroidery is everyday attire for Baluch women. The embroidered diamond repeat pattern is known as "paraiz zarto" in the language of the Baluch. Condition: Excellent.

A woman's dress panel from Baluchistan, densely embroidered in Holbein stitch, blanket stitch, chain stitch, and satin stitch in silk, cotton and metal thread. Most Baluchi women labor for years embroidering fine works of art for their daughters’ dowries. Small girls begin to learn basic stitches and patterns at about the age of six or seven years. They do not use charts or diagrams but instead create extremely complex designs from memory, often with assistance and suggestions from family members or neighbors. This textile measures 29.5 x 40 cm. Condition: Excellent. The diamond repeat pattern in columns is typical of these embroidered dress panels, which are sewn on to silk or cotton to form a dress called a pashk. the diamond repeat pattern is known as "paraiz zarto" in the Baluch language. The estimated age of this textile is late 20th century.

This beautiful textile was made by Pashtun nomadic tribeswomen of Hazarajat. It measures 52 x 65 cm without the fringes (57 x 71 cm including the fringes). Shisha (mirrors) illuminate the textile and are fastened by buttonhole stitches, surrounded by volute designs worked in a very fine ladder stitch in silk thread on a dark purple silk background. The design composition is framed throughout with woven metal-thread braid with blue and white beads edging the textile. Condition: Excellent. Circa: mid 20th century.

The fabric is fine cotton, solidly worked in brick and satin stitch in silk thread, the colors alternating between green and orange, pink, blue and purple. It measures 3 1/4 inches x 31 inches (8 cm x 78.5 cm) and is probably from either Ghazni, Jaghori or Nawur areas of Ghazni province, or else from Daykundi and Dayzangi in the province of Orugzan. The interlocking diamond motif and understated color arrangement are typical of Hazara embroidery. Circa early to mid 20th century. Condition: Excellent (no flaws, no stains, no tears).

This is an Uzbek embroidered cloth from northern Afghanistan. The motifs and colors are typical of the embroideries of Tajikistan and southern Uzbekistan (Sukhandarya). Cross stitch and satin stitch in pink, green, yellow and blue yellow silk thread. This textile was probably made for a dowry. It measures 29.5 x 30 cm. Condition: Excellent, no fraying, no stains, no odors. Estimated age: mid or late 20th century.

This hand-embroidered Uzbek textile from northern Afghanistan measuring 27 x 28 cm is in great condition. Cross stitch in silk thread on a cotton background. Circa mid to late 20th century.

This is a vintage textile from Paktya province. It measures 28 x 29.5 cm and is estimated to date between early to mid 20th century. Silk thread is embroidered in extremely fine brick stitch and satin stitch on a tan linen background, depicting interlocking chevron and bricked lozenge motifs. Condition: Excellent.

A small embroidered tobacco pouch ("kochor") from Indus Kohistan. Measuring 13 x 13 cm, in extremely fine cross, tent and satin stitching in silk thread, the edges and front surface embellished with red, green and white beadwork. Estimated age: mid 20th century. Condition: overall good but with some staining on the reverse. Indus Kohistan is located in the province of Pakistan formerly known as the North-West Frontier Province (NWFP), recently re-named Khyber Pakhtunkhwa. The Indus Kohistan region extends from the border with Azad Kashmir in the east to Afghanistan's Nuristan province in the west. In Persian, Kohistan means "land of mountains" ("koh" meaning mountains, "istaan" meaning land of).

Traditional geometric designs embroidered on a plain weave cotton animate this Hazara cloth from Afghanistan measuring 33 x 39 cm. Cross stitch in multicolored silk thread form an interlocking star pattern. Condition of the textile is excellent. Estimated age: late 20th century. The Hazara are the third largest ethnic group in Afghanistan, inhabiting mostly Bamiyan province but also Orugzan and Ghazni provinces.

A vintage silk purse with mirrors ("shisha"), embroidered in whorl designs in silk thread on a dark purple silk background. A neat example of the couching technique favored by the Pashtuns, where the metal threads form a neat grid of lines and then fastened down with staggered stitches. This purse is from Katawaz (Ghazni province) in Afghanistan. Condition: Excellent. This purse measures 13.5 x 16.5 cm and is decorated with blue turquoise beads along the edges.

A pair of decorative table cloths made by Pashtun women, with mirrored, beaded discs ("gul-i-peron") on each corner which serve as protective amulets. The blue bead edging is typical of Pashtun textiles, and is used extensively on purses and clothing as a prophylactic against the evil eye. Silk thread in vibrant colors has been applied in mostly herringbone stitch on a pink cotton background with cording. Each panel measures 26.5 x 26.5 cm. Condition of the pair is excellent. Circa mid to late 20th century.

Embroidered on a dark purple silk, this pair of Pashtun tablecloths is from Ghazni province, Afghanistan. Each textile measures 27 x 27 cm and is animated by star motifs and repetitive whorl designs in a closely worked ladder stitch in silk thread, framed by gold-thread braid and gold-thread ribbon appliquéd onto the background. There is also some extremely fine metal thread couching on each piece, and beaded fringes all around the edges. A superb example of Pashtun embroidery. Condition is near perfect, but for some loose couching. Estimated age: mid 20th century.

Embroidered purses ("bushkiri") are used by the Baluch to store and carry valuables and bridal dowry gifts. This little purse is embroidered in extremely fine satin stitch, brick stitch, and ladder stitch in silk thread, forming interlocking lozenge and chevron designs. Condition: some wear throughout. It measures 10 x 18 cm when opened, 9.5 x 10 cm when closed.

In Bhutan, the Land of the Thunder Dragon (Dzongkha), the time spent in embroidering textiles is considerable and can involve as much as a year for certain ceremonial textiles such as this one with a black background, called a "napsham". Surprisingly, the intricacy of the woven design elements that closely resemble embroidery is created on looms, mostly backstrap looms. This textile measures 97 x 243 cm including the fringes and is embroidered in cotton yarn on a raw silk ground. Condition is near perfect albeit with some slight fading. Mid to late 20th century.

A woman's shawl from Waziristan dated to the early 20th century. Woven black cotton field with silk fringes, and intricate silk embroidery throughout. It measures 49 inches in width, 103.5 inches in length (124.5 cm x 262.9 cm). Condition is excellent, just some minor discolorations to be expected from a textile of this age. Waziristan ("land of the Wazir") is a mountainous region near the Northwest of Pakistan, bordering Afghanistan and covering some 11,585 km (4,473 sq mi). The area is entirely populated by ethnic Pashtuns who speak Pashto. It is part of the Federally Administered Tribal Areas (FATA), considered to be outside the country's four provinces.

This embroidered shirt panel is typical of the traditional embroidery of Kandahar ("khamak") in its limited range of colors and its depiction of geometric motifs of traditional Islamic art. Silk thread in extremely delicate satin stitch in counted-thread technique on a fine silk background which has been stitched to a cotton linen. It measures 38 x 43.5 cm and is dated to the early 20th century. Condition excellent, only two inconspicuous stains on one side.

Measuring 25.2 x 30 cm, this embroidered cloth from Jaghori in Ghazni province was made by Hazara women. It depicts in vibrant colors four eight-pointed stars and triangular hooked motifs down the center. The stitching is a combination of satin, herringbone and cross stitch, in silk thread. Embroidery is an important winter activity for the women of central Afghanistan, a mountainous region where villages can be isolated by snow for months. This textile is in perfect condition, and its estimated age is early to mid 20th century.

Measuring 15.5 x 16 inches (39.4 x 40.6 cm), this textile from Kandahar, Afghanistan is embroidered in silk thread embroidery on a fine silk ground which is stitched onto a fine cotton linen panel. Depicting eight pointed star and rosette motifs in exquisitely fine satin stitching in counted-thread technique, the sheen of the silk is worked so that the light catches it in different settings, a characteristic feature of the embroidery ("khamak") of Kandahar. This textile is dated to the early to mid 20th century. Condition is almost perfect with only two stains on one side.

This man's wedding shawl (known as "malir", or "doshalo") is from Tharparker district in Sindh province and would be a gift from a bride and her family to the groom for his wedding day attire. It is basically an embroidered "ajrak", meaning a red handspun, mordant-dyed, resist-printed cotton, embroidered in the four corners with stylized peacocks symbolizing fertility, and randomly placed mirrors ("shisha") as accents. The embroidery is a combination of ladder stitch, satin stitch and chain stitch in silk thread, with some couching. These wedding shawls were originally produced in the village of Malir in the Tharparker district and are still being made in other villages of Tharparker. Estimated age: mid to late 20th century. The textile measures 59.5 x 93 inches (151.1 x 236.2 cm) and is in pristine condition.

A pair of sleeve cuffs from Katawaz in Ghazni province, early to mid 20th century. Measuring 36.2 x 54 cm, they are stitched in bergundy silk thread on two fine white linen cloths. The overall design is a densely arranged pattern of repeating whorl designs and curvilinear motifs, flanked by two eight-pointed stars on both ends. The embroidery technique is a tightly worked ladder stitch, a characteristic feature of the small purses from Katawaz. This textile is in very good condition but with a stain on one corner.

Embroidered purses ("bushkiri") are used by the Baluch for carrying and storing valuables and bridal dowry gifts. This purse from Baluchistan measures 20.3 x 32.5 cm when opened, 19.2 x 20 cm when closed, and is dated to the early to mid 20th century. This densely worked purse features intricate repeating geometric patterns and colors worked in a delicate satin stitch, combined with a meticulously worked interlacing stitch on a fine linen ground. The renowned vibrancy of Baluchi embroidery can be seen in this piece by the complex division of the design into contrasting areas of densely worked embroidery, intricately arranged into a wider design field of triangular motifs. The vertical lines, divided by rows of chain stitch in black thread held by small white stitches, are typical of Baluchi work. Baluchistan is the largest but most sparsely populated province of Pakistan, largely inhabited by nomadic and semi-nomadic groups whose culture and traditions are quite distinct from the other ethnic groups of Pakistan. The condition of this purse is good, some discoloration on the purse flap.

This Pashtun nomad's pistol holster from Katawaz is embroidered in ladder stitching on a red silk background, depicting whorls and arabesque motifs in vibrant yellow, green, blue, purple and white. The holster is ornamented with mirrors and blue beads along the edges, blue beads being a traditional feature of Pashtun embroidery for protection against the blue evil eye. Silk and metallic thread with a printed cotton lining. Mid to late 20th century. Condition is overall very good with one small stain on the flap.

Four eight-pointed stars are the central theme of this gorgeous textile made by Hazara women, dated to the mid 20th century. Hand-embroidered in extremely fine cross stitch in silk thread on a tan cotton linen, it is the workmanship that marvels. The cross stitch on this textile can be more properly appreciated under a loupe. Each of the four eight-pointed stars is echoed by more eight-pointed stars and accented by triangular hooked motifs down the middle of the piece. The Hazara are the third largest ethnic group in Afghanistan and are Shi'a Muslims. Inhabiting mostly the central region of Afghanistan, embroidery is an important ritual for Hazara women who are isolated by cold and snow for as long as five months per year. This textile measures 22.5 x 23 cm and is in excellent condition.

This small Afghanistan textile is embroidered in extremely fine satin stitch with repetitive triangular motifs in silk thread on a silk background. The Hazara are the third largest ethnic group in Afghanistan, inhabiting mostly central Afghanistan (Ghazni and Bamiyan provinces). This piece was probably made during the winter months where the women are commonly cut off from the world for six months out of the year due to the extreme climate. The continuous supplementary-weft technique makes this textile reversible and either face may be used as the front. Condition is excellent. No stains, no flaws of any kind. Estimated age mid to late 20th century. It measures 20.3 x 20.8 cm.

This Uzbek embroidery dating from the early to mid 20th century is embroidered on a mauve linen background. Two embroidered bands are joined together in exceptionally fine cross stitch and satin stitch to form interlocking geometric motifs and chevrons in silk thread. Condition is excellent. 15.5 x 34.5 cm.

Measuring 8 x 36.5 cm, this embroidered band from northern Afghanistan was hand-embroidered by Uzbek women in an exceptionally fine cross stitch on a pumpkin linen background. Condition is excellent. Estimated age early to mid 20th century.

This lovely embroidery from Afghanistan measures 27 x 36 cm and depicts eight pointed stars in very fine cross stitch on a purple linen background, arranged in four quadrants. Circa mid to late 20th century. Condition: Excellent.

This child's dress front from Paktya province, Afghanistan measures 24 x 24.5 cm and is embroidered in fine cross stitch in silk thread, depicting eight-pointed stars and amuletic motifs. Condition is excellent. Mid 20th century.

Embroidered in vivid pink on olive cotton, this purse from Swat valley is 50-60 years old and in excellent condition. Geometric patterns embroidered in straight stitching in pink floss silk are outlined in yellow and white double running stitch, with accents of purple and cream. The purse measures 18 x 19.5 cm.

Measuring 39 x 40.5 cm, this textile from Afghanistan astounds in its meticulous satin stitch in vibrant, multicolored silk thread. Condition is excellent. No stains, no odors, no flaws of any kind. Estimated age: mid 20th century. The continuous supplementary-weft technique makes this textile reversible and either face may be used as the front. "Consisting of, or generated from, such simple forms as the circle and the square, geometric patterns were combined, duplicated, interlaced, and arranged in intricate combinations, thus becoming one of the most distinguishing features of Islamic art. However, these complex patterns seem to embody a refusal to adhere strictly to the rules of geometry. As a matter of fact, geometric ornamentation in Islamic art suggests a remarkable amount of freedom; in its repetition and complexity, it offers the possibility of infinite growth and can accommodate the incorporation of other types of ornamentation as well..." see http://www.metmuseum.org/toah/hd/geom/hd_geom.htm

This little girl's chemise was made by Uzbek women and measures 45 cm across the shoulders, 49 cm from the top to the bottom hem. Silk ikat combined with jajim and silk thread embroidered in long and short stitch. Condition is excellent.

Measuring 27 x 29 cm, this embroidery from Afghanistan is composed of mostly satin stitch in silk thread. The continuous supplementary-weft technique makes this textile reversible and either face may be used as the front. Condition: Excellent, no stains, no flaws of any kind.

Measuring 38.5 x 86 cm, this cushion cover from Hazara District in Pakistan is in excellent condition. As the Hazara district is situated between Punjab and Swat, the embroidery of this area is stylistically very similar to that of the Swat Valley. However, these pieces are generally more complex in design and construction. On one face of this textile the space is stabilized by two central medallions set within an elaborate network of octagons, diamonds and ram's horns in perfect symmetry. These motifs are very tightly constructed and densely embroidered, with subtle variations in hue and the utilization of negative space to maximum effect. The other face depicts a grid of eight-pointed stars embroidered in subtle gradations of pink and purple. These pillow covers ("thakia") are traditionally made for weddings. Mostly long and short stitch, cross stitch and satin stitch in silk floss thread, on a light pink cotton background. Condition: Excellent. Estimated age: mid to late 20th century.

This cushion cover from Swat Valley measures 45 x 78.5 cm and is in excellent condition. Estimated age: mid to late 20th century. The dark red embroidery depicts the typical ram's horn pattern seen not only in Swati embroideries but also in other Central Asian textiles. This pattern is juxtaposed with the repeating diamond motif - a stylistic feature of Swat and Hazara embroideries - seen here in the white checkered borders done in filling stitch and Holbein stitch. Silk floss thread on black cotton, in mostly long and short stitch.

An Uzbek ikat-dyed silk ceremonial robe (chapan) from northern Afghanistan, quilted with cotton interlining. Condition is overall good, albeit with some minor staining. It is hand-sewn and densely embroidered along the front collar, bottom hem and wrist cuffs. The inside of the collar is lined with traditional Russian printed fabric. Estimated age: mid to late 20th century. Measurements are provided below. 136.5 cm from the neckline to the bottom hem (measured from the back of the coat); 37.5 cm measured from the base of the collar to the shoulder hem; 88.9 cm measured from the fullest part of the chest/bust; 68.6 cm sleeve length.

This is a bed decoration from northern Afghanistan made by Uzbeks of the Lakai tribe. Traditionally these textiles were placed between layers of bedding quilts at the back of the yurt. This segusha measures 72 x 80 x 115 cm when folded into a triangle, and the embroidery is silk thread on faded red cotton edged with silk fringes, combining satin stitch with long and short stitch. The overall design is dense but not overcrowded, depicting stylized flowers, insects and birds, evoking the image of a garden in bloom. The outline of one unfinished detail can be seen in the upper right hand corner (enlargement #4). Condition: Excellent on the front, but there are some small stains on the reverse side of the textile. Estimated age: mid 20th century.

This Uzbek suzani from northern Afghanistan dates to the mid 20th century or later and measures 76 x 99 cm including the fringes. The textile is hand-embroidered in silk thread in vivid colors on a green rayon ground with copper encrustations throughout, and edged on two sides with crocheted silk fringe. Couching stitch ("basma") is the embroidery technique. The textile is reversible and either face may be used as the front. Condition is overall very good, but with some dye run and one small tear from the metal accents. The combination of abstract floral designs and moon-disc motifs are characteristic of Uzbek suzani.

This charming little girl's cap from Indus Kohistan measures 21 cm in diameter and 44 cm in circumference. It is densely embroidered in silk thread on black cotton, a combination of extremely fine cross stitch (petit point) and satin stitch forming geometric patterns. As well, the cap is embellished with decorative trinkets including buttons, embossed silver discs, glass beads and tiny brass bells and pendants which are considered to have amuletic power. The vibrant pinks and magenta colors are characteristic of the embroidery of Swat Valley and Indus Kohistan. The cap dates to the late 20th century and has some slight fraying in one small area.

Measuring 81.5 x 100 cm, this gorgeous textile made by Uzbek women is machine-embroidered in silk thread with crocheted silk fringe edging. The bouquet motifs are typical of Uzbek embroidery. Condition is very good, with only one small hole (1 cm x 1 cm) in the center panel. Estimated age: late 20th century.

This small pouch from Hazara district in Pakistan measures 12 x 15.5 cm and is hand-embroidered in extremely fine satin stitch in silk thread. Its age is approximately early to mid 20th century. Condition is near excellent, two light stains on one face. As the Hazara district is situated between Punjab and Swat, the embroidery of this area is stylistically very similar to that of the Swat Valley.

This child's cap from Indus Kohistan, Pakistan is dated to the mid 20th century and measures 7 cm in diameter, 42 cm in circumference. Kohistan in Persian means "land of mountains" and has two distinct meanings in Pakistan. In Persian "koh" means "peak" and "istaan" means "land of". Kohistan is one of the most isolated and the most deprived districts, not only in Hazara Division but in the entire Khyber Pakhtunkhwa province of Pakistan. This child's cap shows the typical decorative amulets of Indus Kohistan embroidery, with coiled zippers, buttons, plastic poppers and beads. The embroidery work is exceptionally fine cross stitch (petit point) and satin stitch in silk thread and acrylic thread on black cotton. Condition of the cap is excellent.

A hand-embroidered Turkman Yomut nomad's skullcap from Herat dated to the early to mid 20th century. Exceptionally fine ladder stitch combined with satin stitch and couching in silk thread. Condition is very good, just some tiny stains. Diameter: 18 cm, circumference 48.5 (approx. 19 inches).

A pair of old Uzbek sleeve embroideries dated to the mid to late 20th century. They measure 14.5 x 36 cm combined together. Cross stitch in silk thread depicting geometric motifs on a cotton ground. Condition: Excellent.

A child's helmet (khohl) from Pakistan which is daily attire for both girls and boys of the villages in Kohistan. It measures 34 cm from the beaded tassel on the peaked crown to the forehead hem, and 102.5 cm from the tassle to the V-shaped bottom hem. The diameter of the cap is 27.5 cm. Satin stitch and petit point (half cross stitch) in silk thread on a black cotton ground, the helmet is embellished all over with white and red glass beads and buttons. Its condition is excellent with no flaws. The high peaked crown is supported from the interior by sticks of wood. Kohistan means "Land of Mountains" and has two distinct meanings in Pakistan. In Persian "koh" means "peak" and "istaan" means "land of". In its usual modern sense, Kohistan District is an administrative district within Pakistan's Khyber-Pakhtunkhwa Province covering an area of 7,492 square kilometres. In a broader historic and geographic sense, Kohistan refers to the region that stretches from the border with Azad Kashmir in the east to Afghanistan's Nuristan province in the west.

An antique Lakai Uzbek V-shaped panel (saye gosha/segusha) from northern Afghanistan, early to mid 20th century. The surface is embroidered in polychrome solar and volute motifs in silk thread on a faded red cotton ground, with a star medallion at the apex, edged with metallic couching and crocheted wool fringe. Each side measures 162.6 x 61 cm including the fringe. In very good condition, appropriate for its age and origin.

This lovely cap made by Uzbek women residing in northern Afghanistan measures 21 cm in diameter and 59.5 in circumference. Silk thread in satin stitch on a cotton muslin ground with silk and cotton ikat strips on the dome. Condition is excellent. Estimated age: mid 20th century.

This is a wedding shawl from Indus Kohistan in the province of Pakistan formerly known as NWFP (North-West Frontier Province). Comprised of two large rectangular panels which are densely embroidered in floss silk thread, it is embellished with colored sequins, brass mirrors and decorative metal trinkets, with corded and beaded tassels on the outer edges. The bottom panel is fringed with white and red glass beads. Diamond and chevron patterns adorn the top band, which is executed in minute cross stitch (petit point) and satin stitch in bright pink silk thread. The shawl measures 150 x 224.5 cm and is in good condition, with only a few brass mirrors missing here and there. The reverse is lined with a printed cotton cloth. Estimated age: mid to late 20th century.

An old Uzbek textile from northern Afghanistan, traditionally used in the yurt. Each side measures 26 x 40 cm including the wool fringe. It is in very good condition, appropriate for its age and origin. The embroidery is very fine cross stitch ("petit point") in silk thread. The reverse is lined in white cotton. Estimated age: mid to late 20th century. Condition is overall very good, just one minor stain (see first two photos).

A child's hat from Indus Kohistan, measuring 18 cm in diameter, 44 cm in circumference. The embroidery is extremely fine satin stitch and cross stitch. Kohistan means "Land of Mountains" and has two distinct meanings in Pakistan. In Persian "koh" means "peak" and "istaan" means "land of". In its usual modern sense, Kohistan District is an administrative district within Pakistan's Khyber-Pakhtunkhwa Province covering an area of 7,492 square kilometres. In a broader historic and geographic sense, Kohistan refers to the region that stretches from the border with Azad Kashmir in the east to Afghanistan's Nuristan province in the west. This child's cap is dated to the mid 20th century.

A hand-embroidered Uzbek curtain from northern Afghanistan, mid to late 20th century. Silk floss thread on green cotton in long and short stitch, this textile is fully reversible and either side may be used as the face. It measures 84 x 105 cm including the silk fringe. The central rosette is enclosed by borders and surrounded by curved and sinuous patterns in vivid contrasting color. Condition is very good but with some slight fading and a few small dark stains in one corner.

Measuring 33 x 39 cm, this vintage Hazara child's vest from Afghanistan is from the 1960s. The embroidery is extremely fine straight stitch and long and short stitch in wool thread on a light brown linen ground, depicting geometric motifs in vibrant color. Condition: Excellent, no stains, no holes, no odors. The Hazara are the third largest ethnic group of Afghanistan. They are a Persian-speaking people who live mostly in central Afghanistan (Bamiyan and Ghazni provinces) and are overwhelmingly Shia Muslims, forming about 19% of the total population of Afghanistan.