Catalog: Antiques: Regional Art: Asian (238)

Japanese Edo to Meiji period Kanto style personal wood clothing chest (isho-dansu) with a single drawer on top and hinged burlwood doors opening to three additional drawers below. The top drawer has a rectangular black iron lockplate. The burlwood doors (referred to as "kannon-biraki do") are supported by five iron hinges on each side and a horizontal iron strap with a central round lockplate to secure and lock the doors. Edo to Meiji period (19th century)...

Authentic 19th century Edo period Japanese woodblock print by Utagawa Hiroshige (1797-1858) titled “View of the Precincts of Zojo-ji in Shiba” from the series of “Famous Places in the Eastern Capital” (Toto Meisho) published by Sanoki in the mid-1830s. Signed and with the artist's red seal at the upper right. The series and image titles are within the red cartouche at the upper right...

Chinese Qing dynasty blue and white export porcelain deep punch bowl decorated around the exterior circumference in the traditional Canton or Nanking pattern with figures on bridges and in boats on a lake, willow trees, and traditional buildings in a landscape scene. A circular panel in the center of the bowl holds a similar scene. A geometric band extends around the interior and exterior rim. Solidly 19th century. 11 1/4" diameter x 4 1/2" high. Excellent overall condition...

Edo Period Japanese woodblock print by Toyokuni III (also known as Kunisada) depicting an actor portraying a samurai standing in a garden under a blossoming cherry tree, published by Maruya Jinpachi in 1861. Signed "Toyokuni ga" (in a red cartouche with yellow snow). Measures 14 3/8"V x 9 5/8"H. Very good color and overall condition with embossed and mica highlights. The actor's entire kimono is highlighted in lacquer...

Japanese Meiji period woodblock print triptych titled “Famous Places in Tokyo: Ueno Park” by Hiroshige III (1843-1894) dated 1876. This historically significant "enlightenment" print illustrates the influence of the west both on the architecture and on the western style attire of the visitors to the park. Cherry blossoms are in bloom and Mt. Fuji is in the background. Overall size: 13 3/4" x 28.” Very good overall condition and color...

Massive Japanese Meiji period Kyoto Satsuma earthenware deep scalloped rim bowl with 17 lobes densely painted on the interior and exterior with a profusion of gilt and enamel flowers. Four-character Kinkozan tsukuru mark with Shimazu crest to the base. Very heavily potted (weighs over 8 lbs.). Dates circa 1890 - 1910. 11 7/8” diameter by 7” high. Nicely carved wood stand included. Very good overall condition with no chips, cracks, or repairs...

Chinese late Qing dynasty Guangxu period multi-lobed wedding collar embroidered in polychrome silk thread with flowers, birds, insects, and small animals on a silk ground. The collar is composed of two layers of streamers, with shorter red narrow streamers lightly stitched onto longer white streamers which terminate in ruyi heads. Applied ribbon and black edging outline the streamers. The neck and lining are cotton. Late 19th/early 20th century. 10” streamer length x 5” wide ruyi head...

Japanese Edo period woodblock print triptych by Toyokuni III (aka Kunisada) illustrating a scene from kabuki theater with actors depicting a street vendor selling sake to a young man disguised as a Buddhist monk while a story-teller approaches from the right. Published by Minatoya Kohei in 1852/53. Each panel holds the artist's "Toyokuni ga" signature in a red cartouche with yellow snow, the censor's seals, and the publisher's seal...

Japanese Meiji to Showa period oval form portable wood tabako-bon smoker’s hibachi with a 4 1/4" diameter recessed copper bowl for holding charcoal and smaller 2" diameter cylindrical receptacle for holding pipes and smoking tools. A fully functional lacquered wood handle is mounted at the sides. 8 1/2” long x 7” wide x 4” high (excluding handle in upright position). Late 19th to early 20th century. Very good overall condition with a nice, bold grain to the thick wood. There is typi...

Very large Japanese Meiji period Imari porcelain charger decorated in underglaze blue and overglaze polychrome enamels and gilt highlights with a background of rich brocade geometric forms. A scroll unrolls from the right to reveal the Gods of Good Fortune. At the left, moriage flowers in piled enamel rise behind a fence. A foliate form cartouche at the bottom holds the three friends of the garden (pine, prunus, and bamboo). Three blue and orange-red floral sprays encircle the back rim. The base...

Edo Period Japanese woodblock print by Toyokuni III (also known as Kunisada) depicting a half-length portrait of an actor portraying a samurai. This is one of a number of half-length portraits of actors designed by Kunisada in 1852. Signed at the right "Toyokuni ga" (in a red cartouche with yellow snow) with the seal of the publisher Yamazakiya Seishichi below. Fresh color and nice impression quality with fine delineation of the hair and lacquer highlights. The wood grain is plainly evident in t...

Japanese late Meiji period cloisonné enamel ovoid form vase attributed to Hayashi Kodenji (1831-1915) or his workshop decorated around the circumference with pheasants among a dense variety of chrysanthemums, daisies, and other flowering plants in a landscape with rockery and flowing water all set against a dark cobalt blue ground. A foliate patterned band is above the foot and a narrow geometric band is below the mouth rim. Silver rims are at the mouth and foot. A tiny unreadable “junjin�...

24” high Chinese late Qing dynasty Guangxu period baluster form geyao style crackle glazed porcelain vase decorated in underglaze blue with a central panel featuring a deer and crane in a landscape on a white ground. Blue pine branches extend from the central panel to the front of the golden neck. A cream-colored crackled glaze lines the base and interior of the wide dish-form mouth. The rim is dressed brown. The splayed base holds blue and white huts among mountains in front and a celadon...

Bust portrait of an unidentified actor in the role of a half-naked samurai from a series titled "Mirror of Good and Evil Spirits" by Toyohara Kunichika (1835-1900), published by Tsunoi in 4/1868. Paper size: 14" x 9 3/8". The print is a fine impression with very fresh color. The wood grain is plainly evident in the background and there are mica highlights. The left margin is trimmed. Thin Japanese album paper backing, but the image can be clearly seen on the reverse and there is no tape or...

Japanese Meiji period Arita Imari porcelain pedestal bowl decorated in underglaze blue and brilliant overglaze enamel with gilt highlights. The interior holds a scene with two figures standing with rakes beside water in a landscape with birds flying overhead among pine branches. A tortoise is at their feet. The interior and exterior edges are decorated with two abstract bands. On the outside edge, the lower band sports a row of hanging tassels. A variety of auspicious symbols extend around ...

Japanese woodblock print of a beauty and child from a series depicting powerful individuals by Ichiyusai Kuniyoshi (1797-1861) published by Hayashiya in 7/1852. The image is signed at the right side "Ichiyusai Kuniyoshi ga" (used circa 1850) within a gourd shaped cartouche. The red Yoshi Kiri seal is beneath the signature. Vertical oban size measuring 14 1/2"V x 9 5/4"H. Fair impression quality. Very good overall condition with minor soiling. The print is not backed and the image and baren m...

Japanese Meiji period bronze censer or pot decorated in high relief with two opposing panels, one featuring Chinese scholars in a pine grove and a second with an old man and child under cherry trees. Lion head relief handles at the two sides. Circa 1900. 7" high x 7 1/4" diameter. Weighs 5 lbs. Very good overall condition with a nice patina.

Chinese Qing dynasty to early Republic period naturalistic form wood brush pot with a hollow circular top for holding brushes. Carved from a single piece of wood, the recessed base is not a separate plug. Late 19th to early 20th century. 7 3/4” high x about 8” diameter at the base and 4” diameter at the outer edge of the top; interior of the brush holder: 3 3/4" deep x about 2 1/4" diameter; weighs 4 lb. 3 7/8 oz. (1.92 kilograms). Typical wear and minor cracks. From the collection of a...