Catalog: Antiques: Regional Art: Asian (243)

Chinese late Qing dynasty square form wood table dressing chest or scholar’s box with attractive pronounced wood grain. The front panel is decorated with a butterfly or bat form metal lockplate. It lifts off to reveal seven drawers with metal double-fish drawer pulls. The top has two bronze handles set against six floral mounts. Late 19th to early 20th century. 9 3/8” square. Very good overall condition. The wood has shrunk in several areas due to our dry desert climate in Arizona...

Japanese bronze cast in imitation of a Chinese zun form ritual wine beaker. The archaistic style ritual vessel appears to have been cast in three sections, each of which is divided by vertical openwork flanges into four panels of relief cast and carved decoration. The flared trumpet-shaped neck holds bands of upright blades containing flowering plants. The mid-section is cast in relief with four Buddhist shishi set against a geometric ground...

Pair of Chinese late Qing dynasty Guangxu period ginger jars with domed lids decorated in bright famille verte enamels with paradise flycatchers among peony flowers, rockery, and flowering plants set against a yellow ground. A stylized ruyi form band extends around the circumference of the top. 7 3/4" high x about 7 1/4" diameter. Circa 1900. Very good overall condition with no chips, cracks, or repairs. There is a small brown production flaw to one lid.

Japanese Edo period woodblock print titled "Four" (yon/shi) depicting the actors Onoe Kikugoro IV and Ichikawa Kodanji IV in the roles of Oiwa and Izaemon from a series titled "After The Seven Iroha" by Toyokuni III (also known as Kunisada) dated 8/1856. This series was published the same year as "Seven Variations of the Iroha." The title cartouches of the prints in this series feature ciphers written seven different ways. "Iroha" refers to a distinct form of Japanese poetry...

Massive Chinese late Qing dynasty finely carved root wood figural group mounted on a tripod root wood stand featuring a central bearded immortal in a dancing or running pose flanked by two attendants. The immortal holds a gourd in one hand and an unidentified object with an animal head in the other hand. Arms, legs, some heads, and the figures themselves can all be removed from the stand to facilitate shipping. Circa 1900. 54 1/2” high. Very good overall condition...

Chinese Qing dynasty ink and color on paper painting executed in three sections to represent the protectors of Heaven, the world of humans, and the earth. The top features three Buddhas seated cross-legged on lotus thrones among clouds with their hands held in various mudra positions. The midsection holds four Bodhisattvas. On the left are Puxian holding a ruyi scepter astride an elephant and Wenshu holding a sutra scroll atop a lion...

First edition Japanese Meiji Period woodblock print titled "Pubic Reading (Yomitate)" from the series "The Calendar of Events in Edo Theater" co-designed by Adachi Ginko (1874-1897) and Torii Kiyosada (1844-1901). Three editions of this series are known. This print is from the first edition and contains the publisher's information and date of Meiji 30 (1897) 4th month in the left margin. Kiyosada's signature can be found on the billboard at the upper left...

Japanese woodblock print depicting a beauty lighting a floor lamp titled “Kakinomoto no Hitomaro” (image no. 3) from the series “One Hundred Poems by One Hundred Poets” (Hyakunin-isshu Emyo) by Utagawa Kunisada (1786-1865) published by Sanoya Kihei in 1844. The image is signed “Kunisada changing his name to Toyokuni II” with the red Toshidama seal below. The two cartouches in the shape of playing cards at the upper left hold a picture of a poet and his poem...

Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) featuring a beauty serving tea to another beauty who is resting in a palanquin smoking a pipe from Act 6 of "Chushingura e-kyodai" (Matching Pictures of Chushingura) dated 1859. "Chushingura" is also known as the "Tale of the Forty-seven Ronin." The censor's seal and the seal of the publisher, Moriya Jihei, are at the lower left portion of the print...

Very large Japanese Meiji period Imari porcelain charger decorated in underglaze blue and overglaze polychrome enamels and gilt highlights with a background of rich brocade geometric forms. A scroll unrolls from the right to reveal the Gods of Good Fortune. At the left, moriage flowers in piled enamel rise behind a fence. A foliate form cartouche at the bottom holds the three friends of the garden (pine, prunus, and bamboo)...

Chinese late Qing dynasty red silk temple hanging or altar frontispiece embroidered in metallic-couched and polychrome silk threads. A horizontal panel across the top holds seven figures standing among foliage. The lower section is embroidered with two phoenix birds among leafy flowers. The red silk panels are bordered in dark blue ground with metallic shou (longevity) symbols alternating with flowers. The borders are edged in black silk. Late 19th century. Measures about 41 1/4" high (inc...

An actor portraying a samurai admiring himself in a mirror in a scene from the kabuki theater by Toyokuni III (also known as Kunisada). Signed "by special request of the publisher." Published by Kinjudo between 1847-48. Standard "oban" size panels measuring roughly 15"V x 10"H. Possibly from a triptych. Excellent color with vibrant yellow and green in the background. Good overall condition with no tape stains, toning or tears. The baren marks and image are clearly visible on the back. Not...

Edo Period Japanese woodblock print by Toyokuni III (also known as Kunisada) depicting a half-length portrait of an actor portraying a samurai. This is one of a number of half-length portraits of actors designed by Kunisada in 1852. Signed at the right "Toyokuni ga" (in a red cartouche with yellow snow) with the seal of the publisher Yamazakiya Seishichi below. Fresh color and nice impression quality with fine delineation of the hair and lacquer highlights. The wood grain is plainly evident in t...

Japanese Edo to Meiji period Kanto style personal wood clothing chest (isho-dansu) with a single drawer on top and hinged burlwood doors opening to three additional drawers below. The top drawer has a rectangular black iron lockplate. The burlwood doors (referred to as "kannon-biraki do") are supported by five iron hinges on each side and a horizontal iron strap with a central round lockplate to secure and lock the doors. Edo to Meiji period (19th century). 29 7/8" wide x 26 3/4" high x 14" ...

Japanese Edo period woodblock print depicting a beauty preparing to wash titled "Yellow" from the series "Five Colors of Ink" (Goshikizumi) by Keisai Eisen (1790-1848) published by Aritaya Seiemon between 1843-1846. A pupil of Eizan, Eisen is perhaps best known for his prints of sensual women. The artist's signature, Yoshimura Gentaro censor's seal, and seal of the publisher all appear at the lower left. Vertical oban print measuring nearly 14 3/8"V x 10"H. Very good impression quality and color...

Large Chinese late Qing dynasty export porcelain punch bowl decorated around the circumference in famille rose enamels with birds, flowers, and butterflies. A dense polychrome enamel border extends around the interior and exterior of the top. A few blue bats are scattered on the exterior border and gilt highlights the rim. 14 1/4" diameter x 6 1/2" high. Late 19th century. Very good overall condition with no chips, cracks, or repairs. There are typical production irregularities and there i...

Chinese Qing dynasty circular form lidded cinnabar lacquer box, the lid well carved in relief with scholars and attendants under lush trees in a landscape setting with mountains in the background. The convex sides are decorated in floral reserves interspersed with scrolling foliage. The interior surfaces and base are covered in plain black lacquer over the wood substrate. 10” diameter by 5 1/2" high. Very heavy for its size. Weighs 4.4 lbs. (2 kg). There is an area of damage on the edge of ...

Japanese Edo period woodblock print kakemono (vertical diptych) by Utagawa Kuniyoshi (1797-1861) depicting a full figure Heian beauty, Lady Shizuka-gozen, dressed in shirabyoshi (court dancer) costume appearing under a rolled screen, preparing to dance before Yoritomo. Published by Izumiya Ichibei circa 1840. Signed Kochoro Kuniyoshi ga. The publisher's seal is at the bottom of the image. The assembled size is about 28” x 9 3/4" (top sheet: 13 7/8" x 9 3/4"; bottom sheet: x 14 1/4" x 9 3/4....

Two Chinese Qing dynasty hardwood carved panels with tabs at the top and bottom indicating they likely were originally inset into a larger piece of furniture. Each panel features a bat above a central double-happiness symbol flanked on both sides by ruyi forms. Gourds hang from vines. The slightly smaller panel includes a deer at the center bottom. The backs are flat. The smaller panel is mounted for hanging. They measure about 15 1/4" high (including tabs) x 10 3/4” wide and 14 1/2” h...

Chinese Qing dynasty circular form lidded box finely decorated in pencil-thin strokes of underglaze blue on a white porcelain ground. The center of the domed lid features a nobleman on horseback flanked by an attendant walking in front and behind. The rounded sides are filled with a dense, repeating motif of figures seated at a table. A double circle is on the center of the glazed base. 4 1/2" diameter x 2 1/2" high. 19th century. Very good overall condition. There is a small chicken foot...

Japanese Meiji to Showa period oval form portable wood tabako-bon smoker’s hibachi with a 4 1/4" diameter recessed copper bowl for holding charcoal and smaller 2" diameter cylindrical receptacle for holding pipes and smoking tools. A fully functional lacquered wood handle is mounted at the sides. 8 1/2” long x 7” wide x 4” high (excluding handle in upright position). Late 19th to early 20th century. Very good overall condition with a nice, bold grain to the thick wood. There is typi...

Japanese Meiji period well rendered Kutani porcelain figure of Kannon, decorated in polychrome enamel and gilt highlight. She sits holding a scroll in her left hand and her face is well modeled with a serene, downcast expression. A gold jeweled necklace hangs from her neck and she wears a white hooded robe permeated with tiny white raised moriage dots and decorated with green dragon roundels. Flat unglazed base. 10 1/2” high. Late 19th century. Heavily potted. Weighs 3 lbs. Very good ...

Japanese dated Edo period rectangular form wood "senryo-bako" hinged coin box on two geta feet with cast iron hardware including edge brackets, hinges, handle, and front lockplate. A barely readable black ink inscription on the bottom dates the box to the first year of the Bunkiu era (1861). Excluding protruding hardware, the wood measures about 15 1/4" long x 5 7/8"deep x 5 1/2" high. Good, solid overall condition with typical wear from age and use. One iron corner bracket has losses from ...

Chinese Qing dynasty (19th century) export watercolor on paper painting titled “Chinese Junk.” A lone figure stands at the front of the junk tending to the sails. The heads of the rowers are barely visible. Originally purchased from or framed at Berry-Hill Galleries on 5th Avenue in New York. Recently reframed with archival materials and UV glass in a substantial gold leaf frame with silk mat and gold filet. Sight size: 16 1/4" x nearly 22” (frame: 23 1/2" x 29”). Soiling and foxing sp...

Japanese cloisonné bottle form lidded vase on a Satsuma earthenware substrate with "kidney bean" cloisons, signed in orange-red on the base "Kinkozan." The body of the vase is decorated with opposing blue flower filled cartouches with white borders set against a black background permeated with flowers. A blue band with red and white flowers and diamond forms encircles the neck. The lid is decorated with a single flower. Meiji period (circa 1870s). 8” high. Very good overall condition. Th...

Japanese Meiji period barrel form cloisonne enamel vase with three panels decorated in butterflies, flowers, and birds set against a powder blue ground. The cartouches are placed against a brown background covered in dense abstract and floral patterns. There is green counter enamel on the base and interior. Circa 1880s. 7 1/8" high x about 4 1/2" wide. The barrel form suggests it is possibly an early Namikawa piece. Very good overall condition with no chips, cracks, or repairs. There is c...

Historically significant Japanese Meiji period woodblock print triptych by Kojima Shogetsu (active circa 1870-1904) illustrating the Emperor and Empress in the imperial carriage on the afternoon of February 11, 1889. The carriage and accompanying procession had just crossed the Niju Bridge and was heading to the parade grounds to celebrate Japan's new Constitution. This was the first time in Japan's history that the Emperor and Empress were seen riding together in the same coach. The full tri...

Chinese late Qing dynasty monochrome blue glazed water dropper in the form of a boat. Unglazed base. 3 1/4" long x 1 1/4" wide x 2 3/8” high. Late 19th century. Very good overall condition. From the collection of a former expatriate to China from 1983-1987.

Japanese Meiji Period "okubi-e" (literally "big head") woodblock print depicting a modestly dressed woman from the Horeki Era (1751-1763) from the series "Mirror of the Ages" ("Jidai Kagami") by Yoshu Chikanobu (1838-1912) published by Matsuki Heikichi in 1896. The upper inset portion of this print illustrates the facade of the Nakamuraza Kabuki theater in Edo. This series features bust portraits of beauties representing various eras from the 16th to 20th centuries. This image is described and i...

Japanese Edo period woodblock print by Toyohara Kunichika (1835-1900) depicting a street scene in the Yoshiwara at dawn with two cats playing at the lower right. The print is the right panel of a triptych titled "That Romantic Figure (referring to Prince Genji) in the Licensed Quarter at Dawn" (aka "A Related Dawn at the Pleasure Quarter") published by Hiranoya Shinzo in 1863. The print is signed at the lower right "Itto Kunichika ga" and bears the Hori Ota Tashichi carver's seal. Included is...

Japanese Edo period woodblock print kakemono (vertical diptych) of a full figure samurai walking in an elegant kimono by Utagawa Kunisada (1786-1865) published by Sanoya Kihei between 1844-1845. Signed Kochoro Kunisada at the lower right corner with the publisher's seal and Tanaka censor seal beside it. The assembled size is about 28 1/2” x 9 9/16" (top sheet: 14 1/8" x 9 1/2"; bottom sheet: x 14 9/16" x 9 9/16." Very good clean overall condition. The panels are not attached, the print is ...

Charming Chinese ink rubbing of a stone stele depicting a fat cat surrounded by rockery with holes and chrysanthemum flowers after a painting by Jiang Tingxi (1669-1732) that was based upon an earlier work by Ming artist Lu Ji (1477-1505). Jiang’s seal bears the artist’s pseudonym “Nansha.” Likely dates late Qing to Republic period (late 19th to early 20th century). Paper: 24 3/4" x 13 3/4 (image: 21 3/8" x 11 1/4"). Very good overall condition. There is minor soiling and foxing on t...

Korean Choson (Yi dynasty) two-section ichung nong (wardrobe chest) with two stands decorated with brass hardware. This flexible piece can be used as a single stacking chest or as two side tables. Persimmon wood front panels. 39 1/2" high x 28 3/8" wide x 13" deep (each section is about 23" high on a stand). Circa 1880. Very good and solid overall condition with some slight puckering and separations in the burl wood veneer, particularly on one door. From the Tucson, Arizona collection of former...

Japanese Meiji period bronze censer or pot decorated in high relief with two opposing panels, one featuring Chinese scholars in a pine grove and a second with an old man and child under cherry trees. Lion head relief handles at the two sides. Circa 1900. 7" high x 7 1/4" diameter. Weighs 5 lbs. Very good overall condition with a nice patina.

24” high Chinese late Qing dynasty Guangxu period baluster form geyao style crackle glazed porcelain vase decorated in underglaze blue with a central panel featuring a deer and crane in a landscape on a white ground. Blue pine branches extend from the central panel to the front of the golden neck. A cream-colored crackled glaze lines the base and interior of the wide dish-form mouth. The rim is dressed brown. The splayed base holds blue and white huts among mountains in front and a celadon...

Japanese woodblock print titled "Poem #68" from an untitled set of women compared to the one hundred poets by Toyokuni III (also known as Kunisada). Signed "Kochoro Kunisada ga" at the lower right. This series was published by Sanoya Kihei (Kikakudo) circa 1844-1848. The print depicts a beauty in a kimono kneeling and holding a lacquer tray of snacks. Above her is a book-form cartouche containing the poet with whom she is being compared. Floating in the background are three blue decorative flow...