Japanese shin hanga woodblock print titled "Hirosaki Castle" by Hiroshi Yoshida (1876-1950) dated Showa 10 (1935). First edition impression with "jizure" (self-printed) seal in the upper left margin. The artist's black ink brush signature and red seal is at the lower left and the print is pencil-signed in the lower right margin. Illustrated in "The Complete Woodblock Prints of Yoshida Hiroshi," Abe Publications, color plate #192. Paper measures 15 3/4" x 10 1/2" (image size: 14 5/8" x 9 5/8")...
Japanese shin hanga woodblock print titled "A Glimpse of Ueno Park" by Hiroshi Yoshida (1876-1950) dated Showa 12 (1937). First edition impression with "jizure" (self-printed) seal in the upper left margin. The artist's black ink brush signature and red seal is at the lower right with the pencil-signature in the margin below it. Illustrated in "The Complete Woodblock Prints of Yoshida Hiroshi," Abe Publications, color plate #218. Paper measures 16 1/8" x 11" (image size: 14 3/4" x 9 3/4")...
Chinese Republic period famille rose porcelain figure of the immortal Fu holding a male child. One of the three Star Gods (sanxing), Fu represents good fortune. Impressed maker’s marks to base. Minor glaze losses and tiny chips. Originally had a horsehair beard. Early 20th century. 22” high. From the Phoenix, Arizona estate of a former expatriate to China from 1983-1987.
Large Chinese Qing dynasty naturalistic form wood scroll pot carved from a single piece of wood with human figures, a monkey holding the peach of immortality, and other creatures extending around the exterior. It was clearly not designed to hold water as there are openwork areas throughout. The top reveals two separate holders. An inset wood plug is at the base. 19th century. 10 7/8” high x 8 3/4” across at the widest part of the rim (base 7 1/2" across at the widest part); weighs 4 lbs...
Chinese late Qing dynasty Yixing stoneware teapot of buff colored clay with globular body, fixed upright U-shaped handle, and slightly concave base. The body is decorated around the circumference with relief applied leafy grape vines. The spout and handle are formed to resemble knotty twigs. The lightweight wood lid is deeply carved with three bats. There is a single hole for the spout. 19th century...
Chinese late Qing dynasty sang-de-boeuf (oxblood) flambé glazed cylindrical form censer. The oxblood glaze drips inside at the rim above the thick off-white glaze lining the interior. The censer rests upon vestiges of three small tripod legs. The base is unglazed and has burnt orange. As is typical of late 19th century examples, the base shows evidence where the glaze ran off the base and was broken off the kiln supports. 7 3/8” diameter x 5 1/2” high. Very good overall condition...
Pair of Chinese Qing Dynasty red flambe-glazed Buddhist lion dogs seated on plinths. The female is playing with a cub and the male's left forepaw rests on a ball. Custom carved wood stands. 9 1/4" high (10 7/8" high on the stand). 19th century. From a Paradise Valley, Arizona estate.
Japanese shin hanga woodblock print titled "The Great Buddha in Kamakura" by Okuyama Gihachiro (1907-1981) dating 1949. The artist's black ink signature and red seal are in the lower left corner of the image. Two red seals of the publisher Kyoto Hanga-in and Shinagawa printer are beside it in the lower left margin. The title is in the upper left margin. Paper size: 16 1/4" x 11 1/2" (image: 15 3/8" x 10 5/8"). Never framed...
Japanese limited edition sosaku hanga woodblock print titled "Into the Woods” by Shiro Kasamatsu (1898-1991) dated 1955. The artist's black ink signature and red seal is within the water at the lower right corner of the image. The small rectangular "Shiro hanga" seal is in the lower right margin corner. The print is titled in kanji ("Woods") and dated 1955 in the lower margin. The numbered edition 88/100 is in pencil at the lower right margin corner with a watermark beside it...
Japanese shin hanga woodblock print by Toshi Yoshida (1911-1995) titled "Irozaki Morning" dated in the left margin Showa 36 (1961). The artists's black ink signature and red seal are at the lower right corner. The print is pencil-signed and titled in English in the lower margin. Paper size: nearly 11" x 15" (image: 9 9/16" x 13 3/16"). Never framed and in very good overall condition. The paper is slightly wavy.
Chinese late Qing dynasty rectangular form hinged cloisonne box with inner tray resting above an open compartment decorated on the exterior in cloud form cloisons with butterflies, flowers, and scrolling foliage emerging from rockery and set against a turquoise ground. Blue counter enamel interior and base. The box was likely designed for holding jewelry with the padded pink silk applied to the inner lid to protect the contents in the tray. Two heavy brass handles and front lock plate. The p...
Early edition Japanese shin hanga woodblock print titled "Boats at Shinagawa, Night" (aka “Shinagawa Coast”) from the series “Tokyo Views” (Tokyo Fukei) by Tsuchiya Koitsu (1870-1949) dated in the right margin "5th month of Showa 10" (1935). The black ink signature and red seal of the artist are at the lower right. The seals of the publisher Doi Sadaichi (used 1933-1945), carver Ikeda, and printer Matsushita are in the lower left margin. Indicative of an early edition, the blue series t...
Pair of 11 1/2" tall Chinese Qing dynasty standing porcelain ducks decorated in iridescent yellow, green, and aubergine susancai enamels. 19th century. Excellent overall condition. Well modeled with fine details to the head, feathers, and webbed feet. From the Phoenix, Arizona collection of a woman in her 90s.
Large format (dai-oban) Japanese shin hanga woodblock print titled “Blue Parrot” by Ishikawa Toraji (1875-1964) from the series “Ten Types of Female Nudes” carved by Yamagishi Kazue and self-published by the artist in 1935. The black ink Ishikawa signature and red seal are at the lower right section of the print. Paper: 14 1/2 x 19 1/8" (plate: 11 3/4" x 14 7/8"). Very good overall condition with full margins and silver mica highlights evident. One closeup photo was taken with a flas...
Japanese Meiji period Genroku porcelain hibachi of cylindrical form finely decorated around the circumference in underglaze blue plovers flying over crashing foaming waves set against a white ground. The base holds the mark of “Tominaga Genroku sei” together with the Genroku Studio mark. Tominaga Genroku (1859-1920) opened the Genroku kiln in Saga Prefecture in 1888 with a goal of producing fine quality porcelain. Following his death, the kiln survived under his sons until at least 1934. ...
Japanese shin hanga woodblock print titled “Keisho” (Make-up), No 2, from a series of six self-published prints titled “Women’s Manners of Today” by Kobayakawa Kiyoshi (1899-1948). At the upper left, the print is dated 6th month of Showa 5 (1930) and signed with the artist's red bird/duck seal below. The title is in kanji in the lower margin. A seal at the lower left margin shows it is from a limited edition of 100. Naga-oban (visible size: 19 7/8" x 11 3/8"); frame: 27" x 18 1/2."...
Japanese sosaku hanga woodblock print with hand-applied color by Ono Tadashige (1909-1990) signed at the lower right "T. Ono" in white ink. Attached to a sheet of handmade Japanese washi paper inscribed in black ink in kanji verso with the artist's signature, the title "Fugu" (Pufferfish), and date of 1959. At the lower left in pencil is "No. 12" and the lower right appears to hold the original price (rubbed). The washi backing sheet measures 12 3/8" x 18" (image: 11 7/8" x 17 5/8"). Very go...
Japanese Meiji carved bamboo okimono figure of a standing Daruma (also known as Bodhidharma), the body wrapped in a draped robe covered in folds. A fly whisk emerges from the hidden folded arms and extends along the side of the head between one of the elongated earlobes with hoop earring and the furrowed brow. 8 3/4" high. Very good overall condition with typical minor wear. There are a few short cracks and one small chip at the base. From the Phoenix estate of a former Daruma collector.