Chinese Qing dynasty Kangxi marked monochrome beehive form waterpot (taibo zun) subtly incised with three kui dragon roundels on the domed body. The sky blue glaze thins to white at the rim. The slightly recessed flat base and interior are white. The base holds an apocryphal underglaze blue six-character Kangxi reign mark written in three columns. 5 ¼” diameter by 3 ¼” high. Guangxu period (late 19th century). From a Scottsdale, Arizona collection...
Chinese Qing dynasty Guangxu period famille rose porcelain seated Budai holding a string of pearls in his right hand and his bag in his left hand. Nicely carved custom wood stand in the form of a settee. 5” high (6” high including the stand). Circa 1900. Very good overall condition with no chips, cracks, or repairs. There is a minor imperfection to the stand. From an old Scottsdale, Arizona collection.
Large Chinese Qing dynasty pewter round form sweetmeat tray for holding desserts configured with eight famille rose barbed point petal shaped dishes surrounding an octagonal dish at the center to form a foliate shape. Two jade mounted handles...
Japanese limited edition sosaku hanga woodblock print by Tadashi Nakayama (1927-2014) titled “Butterfly Girl” dated 1977. The print is pencil-signed, dated, and numbered 37/85 in the bottom margin. Image size: 10 5/8”V x 9 ¼”H (paper size: 16 ½”V x 13 5/8”H). Red Nakayama seal verso. Very good overall condition with silver metallic pigments. There are two pieces of brown tape at the top edge verso and there is a very faint mat line barely evident...
Japanese late Meiji period Imari porcelain lidded serving dish or bowl decorated in underglaze blue and overglaze polychrome enamels with gilt highlights. The center of the densely patterned brocade lid features a butterfly among gourds. The bowl is decorated entirely in underglaze blue (sometsuke) and holds three floral sprays about the circumference. The interior is undecorated. Measures about 8 ¾” diameter by 5 7/8” high. Late 19th to early 20th century...
Large Japanese limited edition lithograph with hand-applied paint and red sumi-e brush stroke by Toko Shinoda (b. 1913) titled “Through the Ages.” This early undated image is pencil-signed, titled, and numbered 32/35 at the lower left. Paper: 35 5/8”V x 24 7/8”H (image: 22 x 32 ¾). Excellent condition (never framed). This print is from a Phoenix, Arizona estate.
Five Japanese Edo period woodblock prints depicting famous samurai from the series “Abridged Stories of our Country’s Swordsmanship” (Honcho kendo ryaku den) by Kuniyoshi (1797-1861) published by Kazusa-ya Iwazo circa 1845-1846...
Japanese Edo period woodblock print by Yoshitoshi (1839-1892) depicting Nikki Danjo Naonori changing into a rat from the series "One Hundred Ghost Stories of China and Japan" (Wakan hyaku monogatari ) published by Daikoku-ya Kinnosuke (Kinjiro) in 1865. Vertical oban size (14 1/4"V x 9 5/8"H). Very good overall condition and color with margins evident. The print was removed from an album and is lightly album backed and slightly trimmed...
Large Qing dynasty slightly tapered cylindrical form white porcelain brush pot (bitong) with a central cobalt blue band holding bats flying among clouds. The white porcelain has a faint blue-green-gray tint. 19th century. 6 1/2” high x 8” diameter. Very good overall condition with a few old browned hairlines on the base which appear to have resulted when a drain hole was added...
Japanese Edo period woodblock print by Yoshitoshi (1839-1892) depicting the cannibal Shutendoji surrounded by captive women from the series "One Hundred Ghost Stories of China and Japan" (Wakan hyaku monogatari ) published by Daikoku-ya Kinnosuke (Kinjiro) in 1865. Vertical oban size (14 1/4"V x 9 5/8"H). Very good overall condition and color with nice gauffrage highlights and margins evident. The print was removed from an album and is lightly album backed and slightly trimmed...
Korean Joseon dynasty (early 20th century) brush pot designed with three cylindrical connected brush holders of varying lengths carved with a variety of animals, including a stalking tiger, tortoise, deer, and crane all stained in a golden brown against a dark brown recessed background. The animals are set among pines and bamboo. A pair of tortoises walk on water. The tallest brush holder holds four ideographs surrounded by a fretwork band...
Japanese Edo period woodblock print by Kuniyoshi (1797-1861) depicting Minamoto no Yoshitsune in full armor and surcoat seated on a tiger-skin with his hand on an armrest from the series “Stories of One Hundred Heroes of High Renown” (Meiko hyaku yu den) published by Izumi-ya Ichibei (Senichi) circa 1844. Vertical oban size (14 1/4"V x 9 5/8"H). Very good overall condition with only minor fading and soiling evident. The print was removed from an album and is lightly album backed and slightl...
Rare Japanese Edo period woodblock print pentaptych depicting five 16th century Takeda warriors involved in the Kawanakajima campaigns against the forces of Uesugi Kenshin by Kuniyoshi (1797-1861) published by Ebisuya Shoshichi (Kinshodo) circa 1845. Each warrior is surrounded by biographical text written by Shotei Kinsui. From left to right, the seated warriors are Takeda Shingen wearing his horned helmet and holding his war fan, Yamamoto Kansuke Haruyuki in monk’s robes holding a closed fa...
Chinese Qing dynasty silk painted and embroidered panel finely rendered with a scene of an official and attendant on horseback passing traditional buildings set among clouds, rockery, and pine. Ink and color wash in "qing lu" (blue-green) colors provide accents and detail. The scene describes a Tang story of travelers heading to the 60th birthday celebration of a high official. The three gilt characters along the right side, "bed filled with hu," imply that the official had many sons and sons...
Large late Ming dynasty Wanli period blue and white kraak ware export porcelain deep charger with a foliated rim decorated in the center within an eight-pointed medallion with a jardinière on a stand holding a fruit, peony, and plantain leaf bouquet with a fence in the background. The central design is encircled by a moulded eight panel border on the cavetto with stylized peach branches alternating with Daoist symbols. The back is decorated with eight panels holding lingzhi within a circle. ...
Japanese shin hanga woodblock print by Shoda Koho (1871-1946) titled "A Bridge in the Rainy Season." This image was originally printed by Hasegawa circa 1910-1920. This lifetime impression was published after the name change from Hasegawa to Nishinomaya Yosaku and dates circa 1936-early 1940s. The Nishinomaya publisher’s seal is in the lower right margin. The artist’s black ink signature and red seal are at the lower left corner of the image. Paper: 10 ¼”V x 15 1/8”H (image: 8 7/8...
A rarely encountered occupation era original Japanese shin hanga woodblock print titled "Tanigumi Temple, Mino" by Kawase Hasui (1883-1957) dated in the lower left margin Showa 22 (1947). The artist's black ink signature and red seal are at the lower left corner of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower right corner. Paper size: 15"V x 10 1/4"H (image size: slightly over 14 1/4"H x 9 1/2"V). Very good overall condition. Very faint toning evi...
Japanese Meiji period painting on silk finely rendered with three birds perched on a tree branch set against a rising full moon. Signed “Gokyo” (artist unidentified) with a red seal below. Appears to date from the 19th century to circa 1900. Measures 47”V x 19 3/4”H. Very good overall condition with minor discoloration from foxing and a faintly visible horizontal soil line at the mid-section. The painting is executed on fine silk gauze. It has been recently professionally scroll mou...