Catalog (85)

Noh theatre actor, published 1922-1926

Signed Kogyo and circular publisher’s seal on lower right, light soiling, crease to upper left corner, large red owner’s stamp on verso

Oban tate-e: 10 x 15 in.

Woodcutter pausing for a drink of sake, issued ca. early 1900s

Hirafuku Hyakusui was a noted painter and illustrator in Nihon-ga style, and was a professor at Tokyo School of Fine Arts and a member of Imperial Fine Arts Academy.

Publisher’s information on lower left with the number 21, good condition

Shikishiban: 9 ¼ x 9 ¼ in.

Scene from a Noh play, issued ca. 1920

Signed Kogyo on L.R., with red artist's seal and fan-shaped publisher's seal. Very good impression, color and condition.

Oban yoko-e: 14 ¾ in. x 10 1/8 in.

Scene from a Noh play, issued ca. 1920

Signed Kogyo with red artist’s seal, fan shaped publisher’s seal, very good impression and color, small areas of faint soiling.

Oban yoko-e: 10 x 14 ¾ in.

Illustration of a sculpture of the Wind God from the Sanjusangendo in Kyoto, and a design of a lacquer box, issued ca. 1890

Good impression and condition

Album leaf: 9 ¼ x 12 in.

From the series: “Twelve New Tales from the Miserable Storehouse” issued 1859

Two uncut horizontal chuban prints – numbers eleven and twelve on one oban leaf. The upper print depicts a warrior battling demon ghosts and the lower is a shrine scene.

Upper and lower prints are both signed Yoshitsuya in red cartouches with aratame and date seal to 1859, good impression, color and condition, remnants of recent hinge paper on upper corners, a new narrow line of old backing paper on right margin.

Oban tate-e: 9 ½ x 14 ¼ in.

Scene from a Noh play, published 1922-1926

Signed Kogyo on lower left, fan-shaped publisher’s seal, fine impression and color, visible woodgrain, lacquer printing on lower stage platform, light mica dust on edge of mountains, very slight wrinkles to lower corners, overall good condition

Oban tate-e: 10 x 14 ¾ in.

Yoshimori (1830-1884), pupil of Kuniyoshi

Scene depicting a bizarre tale about dolls, issued 1864

Two chuban size images that form one oban tate-e size print

Signed Yoshimori, title and publisher’s seal on right margin, aratame censor’s seal (1864), good impression and color, very minor wear, not backed.

Oban tate-e: 9 ¾ x 14 ½ in.

Farm scene, issued ca. 1960s

Printed from a single block on thick paper. The block is inked in different colors with shading effects to imitate a stencil print.

Overall size: 9 x 12 in.

Various designs for textiles, issued ca. 1900

Good impression and color, very minor soiling, center fold

Album leaf: 9 x 13 ¾ in.

Album leaf illustrating “antique” textile designs for Tang Dynasty China and later, printed ca. 1900

The characters beside each design describe the motif and type of fabric.

Very good impression and color, vertical center crease, minor wear, remnants of old backing.

Overall Size: 9 ¾ x 14 in.

Ca. 1950s

Original Japanese black lacquer and brocade frame. Postcard size print with borders likely trimmed. Print in good condition, but not examined outside frame.

Print: 3 ¾ in. x 5 ½ in., Frame: 9 in. x 7 ¼ in.

Ink and pigments on paper with gilding, ca. early 1600s

Originally mounted as a fan and later remounted on a fusuma sliding door or folding screen. Probably produced in a Kyoto fan workshop by one of a number of Nara ehon picture book painters that migrated to Kyoto from Nara.

Condition is good considering age and original use as a fan, some surface wear to pigments, slight smudging, losses to gilding, light creases and wrinkles, old backing from door or screen mounting remains

Overall size: 8 x 20 in. (max. length)