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Height 20 3/8 inches (51.9 cm).
Some cracks in the wood, flaking lacquer at the base, some cracks in the lacquer on the figure, stabilized with clear finish, all in all in stable condition.
Shichimen Daimyojin is the protectress of Minobu, the site of temple Kuonji, general quarters of the Nichiren sect and burial place of the founder of the sect. Mount Shichimen is south of Minobu.
$1,200.00
Zelkova wood with rests of smut, especially in the grooves.
Japan, 19th century.
H 9.5; w 9.25; 2.75 inches.
Slight traces of usage, very good condition.
$300.00
Original cover lost and replaced by a wooden Chinese cover.
H w/o cover 3-1/8 in.; H w. cover 4-1/2 in; W 4-1/4; diam. 3-1/2 in.
Handles with some repairs, otherwise very good condition. Wooden cover with some old chips, all in all very good condition
Murata Seimin (1761-1837), bronze sculptor active in Edo, well-known for his fine casting of bronze vessels and animals.
$250.00
Unsigned. Stamped in the flat bottom: Yamanaka & Co. Inc., and Made in Japan.
Japan, early Showa era, 1920s-1930s.
H 1.75 x D 1.6 in.
Two small casting flaws that were repaired at the time of production.
The stamp ‘Made in Japan’ was required for objects exported to the US and other western countries in the 1920s and 1930s. The stamp of Yamanaka & Co. indicates that the piece was made for Yamanaka & Co., to be sold in one of their stores outside of Japan.
Yamanaka & Co. was founded in the 1910s by Yamanaka Sadajiro, who had come to New York in 1894 and set up a small antique store in Chelsea. In 1917 the Fifth Avenue gallery was opened, followed by branch offices in Boston, Chicago, London, Paris, Shanghai and Beijing.
$225.00
Sawankhalok ware from Sukhothai, 15th -16th century. Or possibly Chinese, Jian yao, Song dynasty, 12th – 13th century
H 4.5 inches (11.2 cm).
Very good condition.
From an old private TX collection of high quality Japanese and Chinese ceramics and antiques
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H 2.25 inches.
Three brown lacquer repaired areas around the mouth, several longer and shorter very old vertical cracks, not in the least destabilizing the piece. All in all very good condition.
Provenance: Private collection of chaire, purchased at Christie's London, 2010; ex collection Louis Gonse; ex collection George Haviland; a catalog clipping comes with the piece, dating it to the 15th century.
$450.00
Inside of the cover signed with red lacquer seal: Tairei; bottom of box stamped seal of the wood worker who made the box: ‘To’ inside a double gourd.
Comes with the original wooden storage box. Outside of cover inscribed: Shijimi, kiri kobako (Clam shell, small box in Paulownia wood). Signed inside of cover: Tairei saku and seal Tairei.
Japan, Showa era, 1950s
H 1.25 x 3.3 x 2.75 in.
Excellent condition
From the collection of Ed and Julie Lewis, Chicago
Takai Tairei (1880-1971) was trained in the workshop of the Imperial Artist Ikeda Taishin. He lived in the Aoyama ward of Tokyo. In his young years he made inro and pipe cases in the Zeshin/Taishin style. Later on, he produced boxes and trays with lacquer decorations directly applied on the wooden objects (kiji makie), such as the one presented here. After World War II, Tairei made his living by manufacturing lacquered jewelry: obi pins, brooches and rings, while continuing making kiji makie objects. His brother-in-law was the famous lacquer artist Akatsuka Jitoku, who was married with his elder sister Takai Kei (1877-1946).
$300.00
Inside the surface is covered in plain black lacquer, the cover signed in makie gold lacquer: Tairei.
Japan, Showa era, 1950s
1.25 x 4.3 x 2.7 in.
Few traces of usage on the inside of the box, overall in excellent condition
From the collection of Ed and Julie Lewis, Chicago
Takai Tairei (1880-1971) was trained in the workshop of the Imperial Artist Ikeda Taishin. He lived in the Aoyama ward of Tokyo. In his young years he made inro and pipe cases in the Zeshin/Taishin style. Later on, he produced boxes and trays with lacquer decorations directly applied on the wooden objects (kiji makie), such as the one presented here. After World War II, Tairei made his living by manufacturing lacquered jewelry: obi pins, brooches and rings, while continuing making kiji makie objects. His brother-in-law was the famous lacquer artist Akatsuka Jitoku, who was married with his elder sister Takai Kei (1877-1946).
$600.00
Height 5 1/2 in., width 5 7/8 in., depth 4 in.
Some paint chipping off, few cracks along the seams of the wooden blocks, something missing on the back (hole), face and head cloth with restoration. Ryui scepter repaired. Basically in good and stable condition with traces of age.
$200.00
H 2 x diam. 4-1/2 in.
Minimal traces of usage, fine condition.
$315.00
Signature in bottom: Jinsai.
Shigaraki ware, Japan, mid-20th century, before 1977, when Jinsai changed his name.
H 5 - 5-1/4 inches, diam 3-1/4 inches
Fine condition
Ogawa Jinsai was born in 1914 as the eldest son of the Ogawa Tokusai III, a master of Shigaraki ware. The family was founded in the late Edo period. The founder was a master at replicating ancient Iga warea and was invited by the Todo clan in Iga to make such warea. In 1977 Jinsai took over the family business and became head of the family, changing his name to Tokusai IV. He made tea and sake wares, firing in a traditional cellar kiln. He passed away late Showa/early Heisei era.
$800.00
Bishamon and Benten are two of the seven gods of good fortune (shichifukujin), but they each hold a position in the Buddhist pantheon, as well.
Both images in plain, unpainted camphor wood.
Japan, 19th century.
Diameter 2.1 inches (5.4 cm).
Wood slightly warped, gold lacquer on the outside dull (under influence of sunlight etc.), otherwise very good condition, very detailed carving.
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H 2 ½ inches
Some age and use related chipping along the edges, minor damage in the lacquer, and nicks and dents, hinges a bit weak, rubbed and bent, but all in all in very good condition
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H ca. 24 in.
Excellent condition.
$500.00
The outside of the large bowl is decorated in underglaze blue with pavilions in a landscape with mountains and a river. The edge is faceted and painted with cloud-like shapes. The outside of the smaller extension is decorated with stylized flowers. Ribbed knob on top (19-petaled chrysanthemum).
Hizen ware, Arita style, Japan, 19th century
H 4 x L 10.5 x D 7 in.
Glaze crazing on outside and inside. Inside the crazing is better visible due to usage.
Few short and thin glaze cracks from the edge of the larger vessel running down, otherwise fine condition
$230.00
H 2-3/8 x W 4 x D 3-3/8 inches.
One small area on top of rim scraped, all in all excellent condition.
$700.00
Bottom plate: 9 7/8 x 8 5/8 in. (25 x 21.8 cm). Each tray 8 3/8 x 4 ¾ x 1 1/16 in. (21.4 x 12.1 2.8 cm).
Bottom plate with split, traces of re-gluing at the trays, braid virtually worn down, minor warping of the sides of the trays, one short crack in one cover, one cover coming loose. All in all good condition with minor traces of usage.
$325.00
The figure was molded in a cast in two halves (front and back) and joined before firing. A hole in the back functions as a vent and prevents the statue from exploding while fired in the kiln.
Stoneware with some gomma. Details are beautifully worked.
Small seal impressed in the back: Bizen … [illegible].
H 10.25 inches
Japan, Bizen/Inbe, mid 20th century
Crack along the vertical joint in the right side, from which three very thin horizontal cracks spring (two towards the front, one towards the back). Despite that, stable and sturdy condition. Molding flaw in the ear that is not considered a damage.
Please ask for pictures for a detailed report on the damages
Gomma (sesame seed) is created by the ash of the pinewood with which the kiln is fired. It lands on the object and melts due to the high temperature. Gomma cannot be steered, it occurs spontaneously. It occurs more profusely near where the fire is. The ashes blow into the kiln flowing on the flames. The further away from the fire, the less ash remains floating through the air.