A classic Sandwich glass hyacinth vase in a rich amethyst shade. The vase is entirely hand blown, shows the traces of hand marvering. The deeply concave base has a rough pontil and a basal ring showing the expected wear. Hyacinth vases, sometimes called tulip vases or bulb vases, were used to force flowering bulbs for wintertime blooms indoors. They were quite the rage and some Victorian homes had numbers of vases arrayed on windowsills. Pieces by Sandwich are uncommon...

A very nice scrambled glass paperweight by the New England Glass Company. The weight is well-packed with a colorful assortment of canes and twists. Visually, the set-up extends all the way to the periphery when viewed directly from the top. The glass is very clear.

Origin: America, ca. 1870. Condition: excellent, no wear to crown, some small flakes all along the edges of the basal ring. Size: 2-1/2" diameter; 1-7/8" high.

Offered is this pair of Mt Washington Burmese glass vases with applied handles in their 'Egyptian' pattern. Each vase is 7 inches tall, 4 1/4 inches wide (handle-tip to handle-tip) and both vases are in excellent condition (mentioned for accuracy: there is a black mark on the inside of one vase, perhaps from the flowers displayed in it - see picture)...

This flint glass pitcher was produced in the United Stated at the Boston Sandwich glass factory in the late 19th century. It measures 5 1/2 inches high. It is cranberry opalescent hobnail with a clam broth attached handle. There is a rosette connecting the handle and a wide polished pontil on the bottom. The pitcher rings like a bell when tapped. The pitcher has a sensuous quality about it...

Very unusual glass paperweight from the New England Glass Company. The weight is worked in a patriotic theme with shards of red, white and blue opaque glass rods making up the scrambled design--possibly in celebration of America's centennial in 1876. The center of the setup is punctuated with a large icepick bubble--a technique I have never seen used in an American scrambled weight. There is also a rare silhouette cane of a pine tree. The crown is high and has a lightly swirled finish...

This crystal glass was produced in Europe in the late 19th century. It was produced by a Bohemian glass manufacturer. It is unsigned. The glass is 6 1/2 inches high and the diameter of the bowl is 4 1/8 inches. The crystal is hand blown and the stem is hand cut. The decoration is raised enamel gilding. There are baskets of flowers and fruits with swirls and swags. The quality of the workmanship is superb. Condition: Excellent

A very early Bohemian ale glass with ruby flashed vine decoration on round puck base with polished bottom which supports fluted bowl with aforementioned design. Base, knop, and rim banded with red. This very early hand blown glass dates to c. 1850 and is rather rare. Condition is excellent with some very minor scattered finish fading...

A beautiful, hand-painted creamer and sugar set in ornate Wilcox quadruple-plated silver holders. Both pieces of glass are decorated with flowers, butterflies, etc. The metallic holders have superb wrap-around decor. The creamer is 5 1/4 inches wide and 4 3/8 inches high, while the sugar container is 4 1/2 inches wide and 4 1/4 inches high. Except for a rim-chip in the sugar container (see last picture - hidden with lid in place), the pieces are in good condition. Polished pontils...

A classic Sandwich glass hyacinth vase in a rich teal shade. The vase is entirely hand blown and shows the traces of hand marvering. The deeply concave base has a rough pontil and a basal ring showing the expected wear. Hyacinth vases, sometimes called tuplip vases or bulb vases, were used to force flowering bulbs for wintertime blooms indoors. They were quite the rage and some Victorian homes had numbers of vases arrayed on windowsills. Pieces by Sandwich are uncommon...

A nice South Jersey glass paperweight with a frit “Home Sweet Home” design. The motif features a log cabin with puffs of smoke coming out of the chimney, surrounded by the “Home Sweet Home” legend and a laurel wreath bough at the bottom. The top is cut with a single printy. The bottom is flat and polished, without the incised ring that appears around the periphery of many South Jersey weights.

Origin: America, ca...

Rare 19th century Irish cut crystal footed master salt with a fluted body and a handsome roll over collar. The bottom of the foot has micro abrasions. It is not signed Waterford, but early Waterford was not marked. In excellent antique condition, it measures 3.25" high, bowl 3" diameter. A must have for the collector. Circa 1840-50

This gem was the product of the Gundersen-Pairpoint Company in the mid 20th century, but ended up the collection of an avid glass addict. For serious collectors, we can offer limited but very interesting provenance for this and other goblets we are selling from a socially prominent philanthropist who settled in north Georgia and died in 1939. The underside retains an identification tag from the collector. Dimension: 7 1/8" h

A nice pair of vintage late Victorian 5-1/4" cased yellow glass vases with fancy hand painted enamel birds and branches with leaves. This decorative matching pair is unsigned, and they are in excellent condition with no chips, cracks, losses, damage or repairs except the loss of the upper rim gilding and a shallow flake off the inside rim of one vase not affecting the outside view. All items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or ...

A classic Sandwich glass hyacinth vase in a rich amethyst shade. The vase is entirely hand blown, shows the traces of hand marvering, and has a large oblong bubble on one side about two inches above the bottom. The deeply concave base has a rough pontil and a basal ring showing the expected wear. Hyacinth vases, sometimes called tuplip vases or bulb vases, were used to force flowering bulbs for wintertime blooms indoors. They were quite the rage and some Victorian homes had numbers of vases ...

A matching set of six hand-made late Victorian 5-1/4" cut crystal wine glasses with fine teal coloured bowls. They have fine hand-cut stems, faceted bottoms on the bowls and applied bases. The bowls have subtle striations and the occasional bubble. They are unsigned but of superb quality. This set is in excellent condition with no chips, cracks, damage or repairs. All items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or antique and may...

Offered is this rare iridescent glass vase in a metallic stand, made by Loetz around 1899 - the vase is done in their Phanomen Genre 6893 decor. Beautiful colors on the vase. The vase is fairly large: it is 7 inches (18 cm) tall and 7 inches wide. It is in fine condition. Polished pontil. Unsigned, as expected. The metallic (most likely bronze or bronze-colored copper) stand is 10 inches (25 cm) long and 5 inches (12,5 cm) high. The only mark found on the stand is a 'star' mark in a couple of pl...

Although not marked, this art glass piece bears the styling and quality of Victorian pieces made by the Stevens and Williams Ltd of England and in the 1870s under the direction of John Northwood (son Harry Northwood was a glass maker in America). The body is an oval pill-shaped translucent light turquoise glass with an open oval top that is bordered with a scalloped ribbon crest. At each narrow end is a small applique of amber glass. The piece is also supported with four pinched amber glass feet...

Offered are these two beautiful, hand-painted Victorian glass ewers. The amber-colored thumbprint jug is 8 3/4 inches tall and 6 3/4 inches wide. The Mary Gregory one is 8 inches tall and 7 inches wide. Both ewers were blown (has pontil-bottoms - see last two pictures) and are without chips, cracks or repairs. Both jugs fluoresce a gentle green when exposed to long-wavelength black-light, showing that they are made of late 19th century soda-lime glass blanks.